North West Archives - Page 135 of 178

16Jul

By Tracy RyanNo Comments

North West

Blackbird – Liverpool’s Royal Court

David Harrower’s controversial, award-winning 2005 play about historical sexual abuse has been revived by Southport-based company, Roots Theatre – and enabled by hundreds of supporters through crowdfunding – and it still packs a punch; if anything, the passage of time has increased its potency. Fifteen years after their relationship, 20-something Una appears at Ray’s place of work, tracking him down to challenge him about their relationship and why he abandoned her: the shock is that Una was 12 at the time & and Ray 40. The real-time, one act drama is fraught with tension, dynamism & repressed fury as the damaged characters reminisce and reveal their pain - not simply of abuse but of abandonment, betrayal and jealousy, which caused The New York Times to say when the play was ...

Lord of the Dance: 25 Years of Standing Ovations – Palace Theatre

15Jul

By Brian MaddenNo Comments

North West

Lord of the Dance: 25 Years of Standing Ovations – Palace Theatre

It's hard to believe that 25 years have passed since Michael Flatley stepped aside from Riverdance and created Lord of the Dance. In fact, it's now 28 years since that spectacular Eurovision interval act, that I still think to this day is the only interval act to overshadow the song contest itself! Since then, it has gone on to sell over 60 million tickets in over 1000 venues across the world. It puts such a joyous smile on your face to watch these fantastic dancers in action. The audience were clapping along and cheering from the very beginning. I think it's the positive energy the show gives us that makes it so infectious. Gerard Fahy who composed the music for the original show has written some new music for this production. It feels more like an update than brand new material. ...

14Jul

By Paul WilcoxNo Comments

North West

Jitney – Oldham Coliseum

Until recently I was only vaguely aware of August Wilson and his 'Pittsburgh Century Cycle' of plays, chronicling the experience of African-Americans in the USA over a hundred year period. Whether this was my fault, or the fact that his work has not been staged as often as his better known contemporaries is moot, but it allowed me to come to this Old Vic/Leeds Playhouse/Headlong production of 'Jitney', with a fresh perspective on the stunning opening night for this short tour. Set in 1977 against the backdrop of declining industrial Pittsburgh, 'Jitney' portrays an unlicensed taxi cab company and its drivers, struggling to make a living on the periphery of society. This is a play of subtlety and nuance which rewards the attention of the audience and subverts their expectations of the ch...

14Jul

By Brian MaddenNo Comments

North West

The Hunchback of Notre Dame – Z Arts

Based on the 1831 novel by Victor Hugo, the Hunchback of Notre Dame has been transcribed into a musical with a little help from the 1996 Walt Disney production. The play itself has been written by Peter Parnell, with music by Alan Menken and lyrics by Stephen Schwartz. The Manchester Musical Youth group have decided to tackle this classic as their latest production. It must be said it’s been a good few years since I’ve seen the Hunchback of Notre Dame and this production is certainly a lot darker than I remember the Disney movie. There’s also the addition of new songs. Even though the play is set in Paris, it almost has a Greek feel to it. The numerous statues and gargoyles almost act as a chorus that is quite typical of many Greek plays such as Suppliant Women. From that point of vi...

A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation

14Jul

By Adam WilliamsNo Comments

North West

A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation

It is not often that a reviewer becomes part of the show but that is what happened to me as part of this entertaining, engaging and extremely fun one-woman re-telling of Shakespeare’s pastoral comedy. Your humble scribe was plucked out of the audience to play a wall. It took all my theatrical skill to stand on stage holding a plastic brick and it would not be correct to comment on my own performance but the other audience members who were chosen to appear on stage with me were all excellent. Yet, the real energetic, frenetic and comic star of the show was Abey Bradbury. She wrote and performed this whistle-stop tour through the Bard’s classic play with such verve and sheer pizazz it was a joy to behold. Her playfulness and obvious love of clowning were such a treat she really brought...

13Jul

By Damian RiverolNo Comments

North West

A Pretty Sh*tty Love – Theatr Clwyd

Written by Katherine Chandler, A Pretty Sh*tty Love is inspired by true events that shook Wales and reverberated around the world. A story about dreaming of love, living in fear and finding the strength to pull yourself out. Chandler has written an extremely detailed and honest piece which evokes all sorts of feelings, both good and not so good. It is a good mix of humour and extreme emotion. Perfectly directed by Francesca Goodridge, we are transported from the world of new love and happiness to the dark world of jealousy, control and violence. With an interesting set made of a maze of glass walls with words written on them, designer Lulu Tam has created a world of wonder and confusion which added an extra depth to the storytelling. Lighting by Jess Bernberg was very cleverly used to a...

13Jul

By Peter RuddickNo Comments

North West

In The Plus – Lock 91, Manchester

Imagine a world obsessed with cabbage. Arguably defined by cabbage. Poets and oil painters are inspired by the vegetable as they create their great works. The problem is you don’t care for cabbage. It might sound bizarre. But swap cabbage for sex and suddenly it’s an incredibly accessible way of explaining how some people experience their asexuality. The idea is one of the highlights of James Reilly’s deeply personal one-man show In The Plus. Reilly’s ambition is clear. Celebrate one of the identities and orientations represented by the plus in LGBTQ+. He absolutely achieves that and will surely educate his audience at the same time. However, there’s also potential here for something greater and more powerful. Potential that isn’t quite met. The show opens with an audio montage of...

12Jul

By Alison BainesNo Comments

North West

Arcadia 87 – Salford Arts Theatre

In this Manchester Fringe Festival production in the heart of Salford, we’re transported back to an 80’s era Brighton Pier. Live a Little perform their debut show Arcadia 87. The company consisting of 5 MA graduates from The Liverpool Institute of Performing Arts (LIPA); 3 Brits and 2 Americans, who endeavour to create new, innovative devised theatre that connects their stories. The story sees 4 strangers brought together when a storm hits the pier: when they become locked in an arcade to hide from the rain, things move very quickly, and they find themselves spilling their deepest, darkest secrets in order to be released. The script is a bit rough around the edges, it lacks cohesion, moving rapidly through the plot whilst never giving enough to develop characters, relationsh...

Do you remember the first rhyme? – Gullivers Lounge

11Jul

By Peter RuddickNo Comments

North West

Do you remember the first rhyme? – Gullivers Lounge

There’s no shortage of fringe shows exploring how and when people find their creative outlet. At first glance, Lisa O’Hare’s one-woman show on her mid-life epiphany (it’s not a crisis), and her re-discovery of poetry, might feel like it’s covering well-trodden ground. That doesn’t make it any less valid, though. An empathetic and enigmatic performer can help an audience enjoy anew a familiar story. That’s exactly what’s achieved in Do you remember the first rhyme?. Part monologue, part poetry performance, O’Hare transitions effortlessly between prose and verse. The show might take a little while to get going but as soon as the first self-penned rhyme is performed the audience relax in the knowledge they’re in the hands of a fabulous performer of spoken word. In some ways, the show...

10Jul

By Donna M DayNo Comments

North West

The Great Gatsby – Hope Street Theatre

The Great Gatsby is an infamous tale of hedonism, debauchery and some of the most deeply shallow people ever created in American literature. While some people raised eyebrows over this burlesque version at Liverpool’s Hope Street Theatre, skilfully directed by Tom Martin, there probably isn’t actually a better story to inject with some sequins, ostrich feathers and the sophisticated glamour that burlesque brings to the stage. The play opens as it means to go on, with lots of dancing. Decadence is apparent from the outset with beautiful period costumes and shining masques concealing the identities of the revellers from each other, their husbands and wives, and the audience. The choreography is excellent, and the entire cast flawlessly come together as one group. Nick Carraway (Jordan Bar...