Monday, December 8

North West

Make Up – The Kings Arms, Salford
North West

Make Up – The Kings Arms, Salford

What do you do if your life in drag has become just that – a drag? Written and directed by Andy Moseley and performed by Moj Taylor, Make Up is a snapshot of the somewhat world-weary mind of drag performer Lady Christina, behind who hides the much more mundane Chris. As Chris catches sight of his father in his reflection in the mirror as he’s taking off his make up for what may be the last time, we listen in on his musings on the impact of his dad’s rejection of him for being gay, and how his alter ego allows him to both escape the tedium of reality, whilst secretly reconnecting with his mother. This one-hour show is an engaging exploration of identity with some lovely snippets that emerge from Chris/Christina’s monologue. It certainly feels timely as he declares ‘tolerance is goi...
Curfew/Love in the Time of Apartheid – Unity Theatre
North West

Curfew/Love in the Time of Apartheid – Unity Theatre

Curfew is a dance performance by the El-Funoun Palestinian Dance Troupe and Hawiyya Dance Company under the artistic direction of Sharaf DarZaid, which looks at the role of media and technology in today’s world and its effect on all of us as members of society. It was performed with Love in the Time of Apartheid, a solo choreographed and performed by Sharaf DarZaid which looks at what happens when love is divided by duty and internal conflict. Heavy use of haze disorientates the audience before the dancers even enter the stage. Clever use of lighting means the performers of Curfew apparently appear out of nowhere stretching languidly out of feline poses, a perfect symbol of slowly awakening but being immediately ready for the tension and conflict which quickly follows. The performanc...
Romeo and Juliet – Chester Grosvenor Park Outdoor Theatre
North West

Romeo and Juliet – Chester Grosvenor Park Outdoor Theatre

It’s not often that you feel transported to Italy in a park in Chester, but this year’s repertory theatre company has done just that with its new production of Romeo and Juliet. This is arguably Shakespeare’s most famous play: the story of two young lovers from different families, who meet by chance and are torn apart by family history and circumstance. The play asks us to consider whether love can overcome division, or whether forbidden love in a divided society is simply doomed. This new adaptation of Romeo and Juliet is set – the programme tells us – in the 1950s, albeit with the original text, and I was very interested to see how that would be incorporated into the production. However, I suspect because of the minimal set and the nature of the outdoor space, there was little other t...
Blackbird – Liverpool’s Royal Court
North West

Blackbird – Liverpool’s Royal Court

David Harrower’s controversial, award-winning 2005 play about historical sexual abuse has been revived by Southport-based company, Roots Theatre – and enabled by hundreds of supporters through crowdfunding – and it still packs a punch; if anything, the passage of time has increased its potency. Fifteen years after their relationship, 20-something Una appears at Ray’s place of work, tracking him down to challenge him about their relationship and why he abandoned her: the shock is that Una was 12 at the time & and Ray 40. The real-time, one act drama is fraught with tension, dynamism & repressed fury as the damaged characters reminisce and reveal their pain - not simply of abuse but of abandonment, betrayal and jealousy, which caused The New York Times to say when the play was ...
Lord of the Dance: 25 Years of Standing Ovations – Palace Theatre
North West

Lord of the Dance: 25 Years of Standing Ovations – Palace Theatre

It's hard to believe that 25 years have passed since Michael Flatley stepped aside from Riverdance and created Lord of the Dance. In fact, it's now 28 years since that spectacular Eurovision interval act, that I still think to this day is the only interval act to overshadow the song contest itself! Since then, it has gone on to sell over 60 million tickets in over 1000 venues across the world. It puts such a joyous smile on your face to watch these fantastic dancers in action. The audience were clapping along and cheering from the very beginning. I think it's the positive energy the show gives us that makes it so infectious. Gerard Fahy who composed the music for the original show has written some new music for this production. It feels more like an update than brand new material. ...
Jitney – Oldham Coliseum
North West

Jitney – Oldham Coliseum

Until recently I was only vaguely aware of August Wilson and his 'Pittsburgh Century Cycle' of plays, chronicling the experience of African-Americans in the USA over a hundred year period. Whether this was my fault, or the fact that his work has not been staged as often as his better known contemporaries is moot, but it allowed me to come to this Old Vic/Leeds Playhouse/Headlong production of 'Jitney', with a fresh perspective on the stunning opening night for this short tour. Set in 1977 against the backdrop of declining industrial Pittsburgh, 'Jitney' portrays an unlicensed taxi cab company and its drivers, struggling to make a living on the periphery of society. This is a play of subtlety and nuance which rewards the attention of the audience and subverts their expectations of the ch...
The Hunchback of Notre Dame – Z Arts
North West

The Hunchback of Notre Dame – Z Arts

Based on the 1831 novel by Victor Hugo, the Hunchback of Notre Dame has been transcribed into a musical with a little help from the 1996 Walt Disney production. The play itself has been written by Peter Parnell, with music by Alan Menken and lyrics by Stephen Schwartz. The Manchester Musical Youth group have decided to tackle this classic as their latest production. It must be said it’s been a good few years since I’ve seen the Hunchback of Notre Dame and this production is certainly a lot darker than I remember the Disney movie. There’s also the addition of new songs. Even though the play is set in Paris, it almost has a Greek feel to it. The numerous statues and gargoyles almost act as a chorus that is quite typical of many Greek plays such as Suppliant Women. From that point of vi...
A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation
North West

A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation

It is not often that a reviewer becomes part of the show but that is what happened to me as part of this entertaining, engaging and extremely fun one-woman re-telling of Shakespeare’s pastoral comedy. Your humble scribe was plucked out of the audience to play a wall. It took all my theatrical skill to stand on stage holding a plastic brick and it would not be correct to comment on my own performance but the other audience members who were chosen to appear on stage with me were all excellent. Yet, the real energetic, frenetic and comic star of the show was Abey Bradbury. She wrote and performed this whistle-stop tour through the Bard’s classic play with such verve and sheer pizazz it was a joy to behold. Her playfulness and obvious love of clowning were such a treat she really brought...
A Pretty Sh*tty Love – Theatr Clwyd
North West

A Pretty Sh*tty Love – Theatr Clwyd

Written by Katherine Chandler, A Pretty Sh*tty Love is inspired by true events that shook Wales and reverberated around the world. A story about dreaming of love, living in fear and finding the strength to pull yourself out. Chandler has written an extremely detailed and honest piece which evokes all sorts of feelings, both good and not so good. It is a good mix of humour and extreme emotion. Perfectly directed by Francesca Goodridge, we are transported from the world of new love and happiness to the dark world of jealousy, control and violence. With an interesting set made of a maze of glass walls with words written on them, designer Lulu Tam has created a world of wonder and confusion which added an extra depth to the storytelling. Lighting by Jess Bernberg was very cleverly used to a...
In The Plus – Lock 91, Manchester
North West

In The Plus – Lock 91, Manchester

Imagine a world obsessed with cabbage. Arguably defined by cabbage. Poets and oil painters are inspired by the vegetable as they create their great works. The problem is you don’t care for cabbage. It might sound bizarre. But swap cabbage for sex and suddenly it’s an incredibly accessible way of explaining how some people experience their asexuality. The idea is one of the highlights of James Reilly’s deeply personal one-man show In The Plus. Reilly’s ambition is clear. Celebrate one of the identities and orientations represented by the plus in LGBTQ+. He absolutely achieves that and will surely educate his audience at the same time. However, there’s also potential here for something greater and more powerful. Potential that isn’t quite met. The show opens with an audio montage of...