Saturday, December 6

North West

Tina: The Tina Turner Musical – Liverpool Empire
North West

Tina: The Tina Turner Musical – Liverpool Empire

From the opening notes of ‘Simply the Best’ and the curtain rising into the sky, you know you’re in for a rollercoaster of a night. Tina: The Tina Turner Musical delivers a powerful evening of storytelling and soul, bringing the extraordinary yet deeply intense life of Tina Turner to life. This heart-wrenching yet highly energetic performance had audiences cheering Tina on her journey from the very start. Elle Ma-Kinga N’Zuzi sensationally portrays the role of Tina, embodying her every move and likeness to a tea. Her vocal prowess is something to be rivalled; she really brought Tina’s vulnerability and powerful nature to the audience. Her ability to maintain vocal composure whilst depicting the raw and emotional scenes of the domestic violence Tina went through really allows for audienc...
School of Rock – Northwich Memorial Court
North West

School of Rock – Northwich Memorial Court

It was a pleasure to be invited, along with my 13-year-old son, Sam, to Northwich on this warm August evening to see Together For Theatre's School of Rock. This was my first time watching this Andrew Lloyd Webber adaptation although, like many people, I'm a big fan of the original 2003 film that inspired it.  For those not familiar, the musical tells the story of Dewey Finn, a down-on-his-luck rock musician who has been thrown out of his band and is overdue on his rent. An intercepted call meant for his flatmate, Ned Schneebly, gives him the opportunity to earn a quick buck by posing as a substitute teacher at the prestigious Horace Green School. High expectations set by Principal Rosalie Mullins fall on deaf ears and "Mr Schneebly" has every intention of putting the privileged kid...
2:22 A Ghost Story – Opera House, Manchester
North West

2:22 A Ghost Story – Opera House, Manchester

Everyone loves a ghost story. Whether it is by M R James, Edgar Allen Poe or Stephen King, we all love stories that make us jump out of our seats and scare the bejesus out of us. This show certainly did that and more! At base, this is a tremendously well-structured play which brilliantly ratchets up the tension and keeps everyone on the edge of those seats they will certainly be jumping out of. There is more, though, to this play than being a simple ghost story. It also explores ideas of rationalism, belief, control and identity whilst also being a supremely entertaining romp. It has been a phenomenally successful show, having been three years in the West End, and has been seen by over one million people in 17 different countries. I can understand why, as the play zips along faster t...
The Addams Family – The Lowry
North West

The Addams Family – The Lowry

Attending The Addams Family at The Lowry in Salford is a curious experience—part charming gothic comedy, part family-friendly farce—but it never quite reaches the deliciously dark heights it hints at. It’s a pleasant night out, but one that fades quickly from memory. The cast is strong across the board. Morticia (Alexandra Burke) and Gomez (Ricardo Alfonso) share an easy chemistry, with their tango being the evening’s clear highlight—sultry, stylish, and perfectly timed. Alistair David’s choreography gives the undead ensemble moments of real flair, with slick formations and physical comedy that suit the show’s eccentric world. Diego Pitarch’s set design also deserves praise: grand, shadowy, and dripping with Addams-style atmosphere. Kara Lane steals scenes as Alice Beineke, bringing ...
Picnic at Hanging Rock – Hope Street Theatre
North West

Picnic at Hanging Rock – Hope Street Theatre

A performance which portrayed excellent acting ability, variety and characterisation. The performers (Hosanna Starkey, Juliette Collins, Lucie Rose, Lucy Hickman-Germon and Holly Lawless) certainly gave passion and energy to this production and provided us with excellent physical theatre and voice work. They were able to glide smoothly between character transitions. The set was very minimal and used mainly props and media to change scenes. The symbolism of the shoes being left on stage when the girls went missing was a clever incorporation. However, personally, I found the production quite difficult to follow, as yes, the performers switched characters and demonstrated their acting abilities well, but sometimes it was hard to ascertain who was who. Also, there was some confusion amon...
Footloose – Liverpool Empire
North West

Footloose – Liverpool Empire

The audience whooped and cheered as the show started, and as the curtains opened, the cast bounded onto the stage. The full company started as they meant to go on with a high energy, enthusiastic rendition of ‘Footloose’/ ’On Any Sunday’ displaying excitement and commitment to their participation in the show. This all singing, all dancing production is based on the 1984 film of the same name featuring Kevin Bacon and Sarah Jessica Parker; it sparkles with the spirit of the era from the portrayal of the 1980’s outfits, use of the period’s colloquialisms and famous hit songs. Writer Dean Pitchford based the story on the town of Elmore City, Oklahoma. The town had banned dancing since it was established in 1898 in an effort to reduce the amount of heavy drinking. Because of the ban on danc...
Measure for Measure – Shakespeare North Playhouse
North West

Measure for Measure – Shakespeare North Playhouse

So, how to approach Shakespeare’s plays at time when his work is easily accessible, in written or recorded format, and when every word and nuance has been studied in depth? How to reproduce the spontaneity, the freshness of experiencing the play as if it were for the first time? The answer, according to Shake-Scene Shakespeare, is to use cue-based performance. Originally, rather than each actor having a copy of the entire play, they had only their own part and their cues, plus any direction of when to enter or leave. Reproducing this technique means actors and audience ‘discover’ the play at the same time. Does it work? Based on this production of Measure for Measure, yes. Absolutely. Briefly, the Duke of Vienna (Eugenia Lowe) has allowed the city to become corrupt, so pretends to g...
A Squash and a Squeeze – The Lowry
North West

A Squash and a Squeeze – The Lowry

Julia Donaldson is something of a third parent in our family, with her books (and Axel Scheffler’s iconic illustrations) being the bedtime story of choice most evenings. So, of course, we were not going to miss the opportunity to see their first collaboration (written in 1993!) on stage at the Lowry. The story itself is a brilliant rhyming tale, where an old lady complains that her house feels too small, and a wise old man suggests she takes her farm animals, one by one, into her home. Of course, when they are all in there, the house feels smaller than ever, but as soon as he takes them out, the old lady realises that her home has more than enough room. It’s a fable about perspective and being grateful for what you have, however the book is a quick read, and the show lasts for an hour, ...
By Royal Appointment – The Lowry
North West

By Royal Appointment – The Lowry

The month of August in the world of theatre traditionally tends to be quiet, with eyes turned towards Edinburgh and the delights of the Festival and Fringe. It was therefore a surprise to see ‘By Royal Appointment’ drop into my inbox for review this month; a show with a stellar cast; fantastic director and written by a prominent television writer making her first foray into work on the stage. Unfortunately, the combined efforts of such talent merely result in a pedestrian, obvious and lacklustre production which reminded me of the description of the camel as ‘a horse designed by a committee’. Daisy Goodwin is no stranger to writing about the private lives of the Royal family, her ITV series ‘Victoria’ was a huge worldwide success, and she has chosen familiar ground with her first produc...
Robin Hood – The Pantaloons at Speke Hall
North West

Robin Hood – The Pantaloons at Speke Hall

The man. The myth. The legend. All was finally revealed as The Pantaloons landed at Speke Hall with this original and entertaining take from writer and director Mark Heyward, as we met the outlaw with a penchant for doing good to the accompaniment of silly skits, super songs, and groan as much as you like gags. Prince John (Cameron Baker-Stewart) and the Sheriff of Nottingham (Heyward) have concocted a cunning plan with the assistance of Madame Double Entendre (Paula Gilmour) to lure Robin Hood (Baker-Stewart) and Little John (Heyward) into a trap and defeat them once and for all. But with Maid Marian (Gilmour) on the inside, Friar Tuck (Gilmour) with the intel, and some Merry Men – modest Will Scarlet (Heyward), musical Alan Adale (Baker-Stewart), and misunderstood Much (Gilmour) – on ...