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Tuesday, April 1

North West

Macbeth – Floral Pavilion
North West

Macbeth – Floral Pavilion

The Scottish Play blew into the Floral Pavilion in New Brighton in a fresh new way thanks to Revision on Tour, allowing GCSE students to immerse themselves into one of Shakespeare’s most famous tragedies. Dickens Theatre Company say “Revision on Tour does exactly what it says on the tin - offering ALL students the chance to experience the texts they have been studying in class in a beautiful theatre, performed by professional actors. During those crucial revision months, we tour the UK with our unique adaptations - staying true to the original texts but performed in an accessible & engaging way, bringing high-quality theatrical experiences to young people, students, teachers, parents and all lovers of English literature.” If you were attending as a regular theatre goer, you m...
Of Mice and Men – Octagon Theatre
North West

Of Mice and Men – Octagon Theatre

At one point over 90% of teenagers taking GCSE English Literature in UK schools studied ‘Of Mice and Men’ and many of the greying press night audience I spoke to had affection for the novel from their distant school days. However, Steinbeck’s moral fable of friendship and companionship has fallen out of favour in academia in recent years due to the overtly racist language, casual misogyny and portrayal of disability, so it was an interesting exercise to see how this stage production would translate to a more critical 21st-century environment. Increasingly in post-Covid regional theatre, we are seeing a movement towards co-productions as a way of mitigating risk and sharing costs, this production combines the resources of Octagon Bolton, Hull Truck, Theatre by the Lake and Derby Theatre ...
Tambo & Bones – Liverpool Playhouse
North West

Tambo & Bones – Liverpool Playhouse

Seeing other reviews of this production, not to mention the various accolades it has received, my hopes were high as I took my seat in the auditorium. The vibe had a chilled excitement to it, aided by the pre-amble music, but as the clock-ticked on, the audience soon became restless at the late start. However, when the performance did get underway, those feelings were quickly dashed thanks to the gutsy, bold and connected acting onstage. Clifford Samuel and Daniel Ward delivered a Tambo and Bones that were in-sync, funny, unapologetic and warm to watch. The minstrel show for the first half of Act One was a high-class opening, the inclusion of the puppet a particular personal highlight. But the enthusiasm seemed to dip as the show progressed. Into the second half of Act 1, yet another...
Hairspray – Buxton Opera House
North West

Hairspray – Buxton Opera House

Great news for Buxton - Hairspray the musical is touring again. Directed by Paul Kerryson alongside Brenda Edwards, who is making her directorial debut, this toe tapping stalwart of musical theatre is gracing the stage once more. Having taken Broadway by storm back in the day and winning 8 Tony awards, Hairspray then moved to the West End where 4 Olivier awards were also achieved. Its safe to say that an audience’s high expectations will often precede this particular musical. The story, set in the 60s is essentially about a group of teens who were fighting for equality at a time when segregation related to an individual’s colour was rife. Led by Tracy Turnblad and her family and friends, she managed to address this issue through her desire to dance on a popular TV show. The issue of an ...
Flashdance the Musical – The Forum Theatre
North West

Flashdance the Musical – The Forum Theatre

This production of Flashdance the musical is directed and choreographed by Hannah Thomas of NK Theatre Arts and a wonderful job she has done of it too, ably assisted by Jade Wilbraham. The show is set in Pittsburgh, Pennsylvania in the USA and is based on a book by Tom Hedley and Robert Cary, music by Robbie Roth and lyrics by Roth and Cary. It has a distinctive 80’s feel about it and includes a number of well-known songs including “Maniac”, “Gloria” and “What a feeling”. it tells the story of young Alex, whose job is a welder by day and 'flash-dancer' by night, and her dreams of becoming a member of a dance academy and fulfilling her ambition to become a professional dancer. It was good to see many familiar faces in the cast members who took to the stage doing improvised dancing be...
Cruel Intentions: The 90s Musical – Palace Theatre
North West

Cruel Intentions: The 90s Musical – Palace Theatre

Having not seen the source material for this production - the 1999 hit teen film Cruel Intentions - I had limited understanding of what was in store for me with the theatrical production of Cruel Intentions: The 90s Musical. The stage adaptation had been met with a lukewarm critical response since its debut in 2015, and understandably so. It’s clear to see what the intention of this production was, but the execution left a lot to be desired. Let’s start with the storyline: the story follows vindictive stepsiblings Kathryn and Sebastian, who have somewhat of a Freudian infatuation with each other. This dangerous duo makes a cruel pact that Sebastian must seduce fellow classmate - the virginal Annette - which triggers a series of dark and dangerous events that foreshadows the rest of the ...
Evita – Stockport Plaza
North West

Evita – Stockport Plaza

Following on from last year’s excellent production of Priscilla comes Romiley Operatic Societies presentation of the popular and multi award winning Lloyd-Webber classic, Evita!  This society perform here each year and completely utilises this beautiful, Art Deco theatre with its huge, and I mean huge, proscenium and luxurious auditorium with fabulous sight lines and acoustics. And did they use it well? Oh yes and some. I counted 50 performers on stage in some of the numbers which takes some enormous artistic direction and choreography and logistics to make that work but boy they did and with aplomb. I counted a mind blowing 64 cast members in the programme and that in itself is a remarkable cast size for any production. Evita tells the meteoric rise to fame and popularity as t...
Buckled – 53two
North West

Buckled – 53two

It’s Wine O’Clock somewhere. Hic-Hic-Hooray. Eat, sleep, Gin, repeat. How many of us can honestly say we haven’t reached the end of a working week and our mind has turned to relaxing with friends or family and a few drinks via an alcohol-themed pun or two. But where is the line when enjoying a bevy becomes a serious problem? Helen Jeffery’s slick and thought provoking one-act play, Buckled, which she also directs, gives us a glimpse in the consequences of out-of-control drinking. A simple set of a table and two chairs is thoughtfully used and, through a mix of mono- and dialogues and ensemble speeches, delivered by three excellent actors, and a cleverly curated Britpop soundtrack, we have the opportunity to consider our own relationship with the ‘demon drink’ (and possibly feel s...
Brennan Reece: Me Me Me – Royal Exchange
North West

Brennan Reece: Me Me Me – Royal Exchange

Playing to a sold out , home crowd of family , friends and fans of this extremely popular, highly likeable and extremely watchable home grown Manc comedian on a Friday night at the beautiful Royal Exchange was Brennan Reece. What a brilliant venue and I was interested how he’d play to the audience in the round but he absolutely revelled  in it and worked every curve as he assessed his audience and fed off their laughter. With three supporting acts to open and warm up the crowd was the ‘ intense eyed ‘ Larry Dean whose manic expressions, quick patter and physical comedy, Norman Wisdomesque face pulling  and self analysis of his Autism making him conclude that all his previous relationships were gas lighters had me howling. Next, was Tito Giacotto, an ex-professional Sicilia...
Erocia – Royal Liverpool Philharmonic
North West

Erocia – Royal Liverpool Philharmonic

‘Dazzling’ was the first word that came to mind as Veronika Eberle played Beethoven’s violin concerto with the RLPO last night, but others, such as ‘breathtaking’ and extraordinary’ were not far behind. Despite an initially poor reception at its premiere in 1806, Beethoven’s concerto has since been acknowledged as one of the greatest pieces for the instrument. The orchestra, under Hindoyan’s direction, from the delicacy of the first five beats of the timpani to the final dramatic conclusion moved seamlessly from the tension of the rising scales to filigree lightness in the quieter sections, highlighting the relationship between orchestra and soloist. Eberle more than does justice to the music’s melodic lyricism with a tone that is both pure and warm and a virtuosity that, while demonstrati...