Friday, January 16

London

<strong>Othello – Lyric Hammersmith</strong>
London

Othello – Lyric Hammersmith

Frantic Assembly bring back their widely celebrated production of Othello adapted and directed by Scott Graham at the Lyric Theatre in Hammersmith. This modernised show follows Othello (Michael Akinsulire), the leader of a gang in a pub setting. They protect this area of land through violence shown in a series of movement pieces and dances. Desdemona (Chanel Waddock), daughter of gang member meets Othello in a montage hitting it off straight away, exuding with sexual connection and quite quickly becoming the metaphorical king and queen of the pack. In the background, Iago (Joe Layton) looks at this relationship as a threat and therefore creates his plan of revenge. The revenge? I’m not too sure- it could be the rumours that he has slept with his wife, Emilia (Kirsty Stuart) or simply just ...
<strong>The Elephant Song – Park Theatre</strong>
London

The Elephant Song – Park Theatre

When a psychiatrist misses work unexpectedly the head of the hospital, Doctor Greenberg (Jon Osbaldeston) covers for him. One of the patients, Michael (Gwithian Evans) claims to know Doctor Lawrence’s whereabouts but will only cooperate if he gets something in return. Nicolas Billon’s cleverly plotted script teems with intrigue, as two mysteries unravel throughout the play; Doctor Lawrence’s disappearance and Michael’s past related to his peculiar obsession with elephants. As he saunters in singing with abandon, we hear him before we see him, which already establishes the notion of prejudice in the play. Evans’ portrayal of Michael is immaculate, from his jerky movements to the playful yet calculating gaze. His sharp delivery indicates a disregard for social norms and Evans gives us a s...
<strong>Hamlet – Southwark Playhouse</strong>
London

Hamlet – Southwark Playhouse

Lazarus Theatre Company offer a different approach to producing a Shakespeare production.  Reimagining the classics is their game, collaborating with their artists, they have an emphasis on ensemble work, which was in evidence in this Hamlet production.  Lazarus have co-produced this show with Southwark Playhouse’s Shakespeare for Schools Project, and the youthful cast encouraged a younger audience to come along to watch. Hamlet was a reluctant choice for Artistic Director Ricky Dukes, as he felt that it has been exhausted, and there can be an issue of what can we add to a production, but they need not have worried, this production packs a punch and enables Shakespeare’s language to work within this ensemble framework.  The opening scene is a case in point, The Voice (...
<strong>And Then The Rodeo Burned Down – King’s Head Theatre</strong>
London

And Then The Rodeo Burned Down – King’s Head Theatre

Coming direct from New York City in association with theSpaceUK, following a successful week-long debut run in Edinburgh and winning the coveted Fringe First Award; Chloe Rice and Natasha Roland have been collaborating for nearly ten years, writing, and performing their own material.  Ye hawing their way into the King’s Head Theatre, their rodeo clown show packs a lot into the hour. With country and western music piped into the theatre, the clown puts on her make up ready for the show.  Star of the show is the lassoing cowboy, and oh boy, does Dale the clown want to be a cowboy, but our clown has a shadow, someone who wants to be a clown.  Dressed in cowboy clothes, the pecking order of life is dissected, with the cowboy representing the top of the food chain and the s...
<strong>George Takei’s Allegiance – Charing Cross Theatre</strong>
London

George Takei’s Allegiance – Charing Cross Theatre

A fantastic production, heart-warming and fulfilling, grounded in a real historic period. It highlights the strength of the human spirit against all odds and shows how things can bloom even through adversity. After the success of productions of Allegiance in San Diego and on Broadway it has arrived at the Charing Cross theatre, London. This musical is the story of Sam Kimura and his family who, like 120,000 other Japanese Americans during World War Two were forced into internment camps. Evicted from their homes and shipped across the country for the crime of being of Japanese descent during a war where Japan was considered the enemy. You could feel the love of the people involved; George Takei considers it his ‘legacy project’. The characters were inspired from his personal experi...
<strong>Nerubashenko Ballet presents Swan Lake – Richmond Theatre</strong>
London

Nerubashenko Ballet presents Swan Lake – Richmond Theatre

I should start this by qualifying up front that while I enjoy the ballet, I am by no means a seasoned or knowledgeable audience member. I find ballet staggeringly impressive in terms of the talent and physical/athletic demands and beautiful as an art form while still thinking things like “I wonder if her feet hurt” and “I hope he doesn’t drop her”. With that in mind, we continue… The story of Swan Lake is the stuff of fairy tales – prince falls in love with enchanted swan-woman, is tricked by evil magician into falling for an evil look alike; it’s all very Disney. The musical score will be recognisable event to those who have never been to the ballet before, so it’s one of my ‘entry level’ ballet suggestions for people who are keen to go. I’ve always thought of a trip to the ballet a...
<strong>Iphigenia – The Hope Theatre</strong>
London

Iphigenia – The Hope Theatre

This take on a Greek classic directed by Elsie Yager focuses on how a woman may submit herself to a brutal ending. Set in a bedroom designed by TK Hay with all white props, against a red and black floor, it hints at the drama and tragedy, but the intimacy conveys the feeling of a lived experience. We enter the space with Iphigenia (Karen Barredo) sat incessantly brushing her hair solemnly. The chorus members manifest as real people in video interviews projected onto the bed and wall. Without an introduction to the people in the videos, I searched for the link between them and Iphigenia. I eventually understood that those interviewed were foreshadowing and reflecting upon Iphigenia’s experiences as a woman but throughout different eras. Alongside these, Iphigenia passes through the stage...
<strong>On The Ropes – Park Theatre</strong>
London

On The Ropes – Park Theatre

Justice delayed is justice denied. ‘On the ropes’ is an autobiographical musical of Vernon Vanriel, co-written with Dougie Blaxland. The thought-provoking play recreates the life and hardships faced by Vernon Vanriel in 12 rounds. The play centres on the experience of a charismatic lightweight boxer from his rise to fame to his challenges with poverty, bipolar and coke. Until his painful marooning on the Jamaican Islands due to insensitive and unjust home office rules. It is a testament to the 57,000 people affected by the Windrush Scandal and those ‘whose rights and freedom are denied by arbitrary acts of injustice.’ Amber James and Ashley D Gayle accompanying our protagonist enthusiastically bring the chorus to life. They portray the entire gamut of accents, pathos, kindness and gr...
<strong>SIX – Vaudeville Theatre</strong>
London

SIX – Vaudeville Theatre

Divorced, beheaded, live! Bursting with charm, humour and girl power, the modern musical ‘Six’ divulges the untold stories of Henry VIII through his six wives in an innovative and witty concert-style score. A step away from the conventional musical style, the wives of Henry VIII are in sisterly competition to ascertain which one of them had the most tragic end to their story. Each Queen has their time to shine with their solo, the other Queens providing faultless ensemble support. The moments where all six were in perfect unison and harmony were particularly special especially in the final number “Six”, their slick and impeccably timed choreography a joy to experience. Paired with each of their incredible belts, the songs are catchy and full of melodic and rhythmical surprises. Th...
<strong>The Ghosting of Rabbie Burns – King’s Head Theatre</strong>
London

The Ghosting of Rabbie Burns – King’s Head Theatre

A heartbroken young woman (Emily Ashton) retreats into a cottage, frantically trying to rearrange it. As the realisation of being alone on Burns Night dawns upon her, she sinks into her chair. Little does she expect to be joined by Robert Burns (Kieran Francis Begley) himself! After testing whether he is the ghost of the real man himself through a laboured quiz on dates of publication of his plays, she is somewhat satisfied. Interspersed with song, which brings a lovely energy to the show, he tries to give her dating advice and ends up taking her through a, (again) quite laboured, practice date which only increases her frustration. The story ends with him literally ghosting her (though, to be fair, with warning) and some new insights spark for this young woman. From the outset, Begley p...