London Archives - Page 86 of 122

Impromptu Shakespeare – New Wimbledon Theatre

18Jun

By Carole GordonNo Comments

London

Impromptu Shakespeare – New Wimbledon Theatre

"The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral; scene individable, or poem unlimited." Polonius (Counsellor to King Claudius in Hamlet) would likely be itching to be involved in Impromptu Shakespeare if he was around now. This talented troupe of improvisers take random words from the audience - acrobat, gaolers, window, rift - and weave a complex, chaotic and bonkers tale of love, castles, self-loathing, lobsters and twirling. As it's shaped by audience intervention, every performance is different, the cast of five (from a company of thirteen) taking on a variety of roles, whatever is required to create the Shakespeare-esque tale. Producing a Sh...

18Jun

By Alice RoseNo Comments

London

King Lear – Shakespeare’s Globe

An epic event overtakes The Shakespeare’s Globe this season in King Lear as the long-awaited return of director Helena Kaut-Howson, 25 years after debuting Kathryn Hunter in the role of King Lear the duo have reunited to place the production in the grandest of arenas. And even more of a treat is to spot Artistic Director, Michelle Terry as the Cordelia/ Lear’s Fool as she handles the text beautifully- we are watching a piece where masters of this craft manoeuvre us through a very complex tragedy with grace and fine tuning to each line spoken. It was a pleasure to see the excitement of the cast- the energy of the space was heightened by the meaning of placing this production back on a stage 25 years on. I wonder how the creatives tackled this piece differently, which parts hold different me...

Ten Days in a Madhouse – The Brockley Jack Studio Theatre

17Jun

By Paul AckroydNo Comments

London

Ten Days in a Madhouse – The Brockley Jack Studio Theatre

This multimedia adaptation by Douglas Baker is based upon the real-life account of Nellie Bly of her spell in New York’s notorious Blackwell’s Island Asylum in 1887. It documents her initial unsuccessful attempts to be employed as a journalist by the misogynist editor of the New York World, John Cockerill, who, taking advantage of her youthful enthusiasm to pursue investigative stories, sent her undercover to be committed to the asylum as a patient. The abuses of patients that she uncovered were published in The World and led eventually to the closing down of the asylum, as well as to a surge in young female investigative journalists. Although there are many characters in this story, there is only one actor, playing the role of Nellie Bly. Most of the other characters are portraye...

Alex Getting Better – Bread and Roses Theatre

16Jun

By Maani WayNo Comments

London

Alex Getting Better – Bread and Roses Theatre

Set in the United States, Alex Getting Better explores the story of re-emergence of old trauma and how it can affect people in different ways. The playwright, Audrey Lang, describes the play as a play about strength, moving forward and learning to deal with the present and the future. Written from Lang’s own experiences, the principal character, Alex, navigates her past and sexual assault through speaking with her therapist and reconnecting with her old friends from middle school. The friends visit their old stomping grounds, talk about their previous experiences of sexual assault, and carry out activities reminiscent of their youth. As the audience enter the theatre, Alex (Erin Maria Walther) and her therapist (Alice Gold) are on stage. While not conventional for the performers to b...

Scottish Ballet: The Crucible – Sadler’s Wells

16Jun

By Stewart Who?No Comments

London

Scottish Ballet: The Crucible – Sadler’s Wells

Arthur Miller’s The Crucible has a rare quality of being ubiquitous, but consistently relevant, provocative and timely. There’s always a witch hunt somewhere. Medieval villagers with pitchforks have evolved into middle aged idiots on Facebook. Or mob-giddy kids on TikTok. Theocracies continue to thrive, and the oppression in those places can make The Crucible seem tame. I’m looking at you; Yemen, Afghanistan, The Vatican, Saudi Arabia and Iran. Arthur Miller was famously a victim of McCarthy era ‘Reds under the Bed’ paranoia. The playwright was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. His play is more than just an allegorical spin on A...

Dictating To The Estate – Maxilla Social Club

15Jun

By Stewart Who?No Comments

London

Dictating To The Estate – Maxilla Social Club

We are approaching the 5th anniversary of the cataclysmic inferno that engulfed Grenfell Tower and killed 72 people. Post-pandemic, as we ponder war in Europe, food bank ubiquity and a shifty party-clown PM, there’s a danger of taking an eye off Grenfell. More fatalities could haunt us, if we don’t wise-up, listen to campaigners and hold the guilty to account. The luxury of looking elsewhere is not afforded to those who lost their lives, or to their loved ones whose grief is poisoned by righteous fury. The inquiry into the Grenfell Tower disaster has spent £117m of public money so far. £60m got sucked up by lawyers working for the core participants. Arconic, the company that made the combustible cladding sheets has splashed £55m on legal and professional advice for its defence. All. Tha...

14Jun

By Khushboo ShahNo Comments

London

The False Servant – Orange Tree Theatre

Gender fluid yet stereotypical, Martin Crimp’s translation of Pierre Marivaux’s French play The False Servant is probably the outcome of Commedia del'arte being shredded off its extreme archetypes and placed in a slightly modern context. Often reminiscent of Shakespeare and Moliere’s comedy, filled with subplots, disguise and conceit, wit and irony, courtship and lust, Orange Tree Theatre production presented The False Servant directed by their artistic director Paul Miller. The play opens announcing its period origins with the ensemble walking and bowing to festive and joyful music. We first meet Trivelin (Will Brown), the voluble and opportunistic aristocrat reduced to poverty by circumstance and Frontin (Uzair Bhatti) who introduces Trivelin to his mistress/ master successfully provi...

Bad Clowns: Invasion – New Wimbledon Theatre

11Jun

By Khushboo ShahNo Comments

London

Bad Clowns: Invasion – New Wimbledon Theatre

Promising an hour of absolute tomfoolery, laughter, and hoots, the Bad Clowns Trio presented Bad Clowns: Invasion at the New Wimbledon Theatre as part of their fringe festival. The Bureau for Alien Defence (B.A.D.) is faced with an arduous task which is to locate a mind-controlling alien and diffuse a time bomb that can wipe off the entire planet. Trying all kinds of unique and hilarious gimmicks to complete the task at hand, do Agents Sam and Christian succeed? The small black box theatre space known as the Studio welcomed the audience with two special agents curiously questioning spectators about their favourite planet, occasionally showing off their pistols. This interaction was enough to predict the laughter that was delivered quite efficiently in the due course of the play. The sho...

BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre

11Jun

By Riana HowarthNo Comments

London

BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre

BenDeLaCreme oozes charisma in her spectacular solo showcase. The show begins with her preparing for marriage, except she is missing a groom and a wedding dress amongst other “small” details. Coerced by a feisty and entitled wedding cake topper, BenDeLaCreme’s doubts are pushed aside as she plans her special day. She begins to question the notion of marriage and love, inspired by talking inanimate objects which come to life. Full of colour and range, from historical raps to a medieval version of Single Ladies, DeLa shows her talent as a performer, lyricist and creative director. The dramatisation of relatable events, of rejection, excitement and anticipation are almost cathartic to watch, as she allows her full emotional expression. The Grindr experience in which the men are ken dol...

The Girl on the Train – Upstairs at The Gatehouse

10Jun

By Gemma PrinceNo Comments

London

The Girl on the Train – Upstairs at The Gatehouse

Rachel Wagstaff and Duncan Able’s stage adaptation of Paula Hawkins’ hugely successful novel The Girl on the Train has been given a revamp in this new production, following its tour and West End debut in 2019. Directed by Joseph Hodges, the story focuses on Rachel Watson (Katie Ray), a struggling alcoholic that has lost her job and her husband Tom (Tom Gordon) who has moved on with his new partner Anna (Tori Hargreaves) and their baby. Rachel travels on the train to London every day, as it stops, she has a perfect view of the house where she lived with her ex-husband as well as the couple two doors down. As Rachel watches neighbours Megan (Chrystine Symone) and Scott (Scott Hipwell), she enviously imagines what life could be like for this couple she doesn’t know. When Megan suddenly goe...