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Monday, April 14

London

Grandad, Me and Teddy Too – Polka Theatre
London

Grandad, Me and Teddy Too – Polka Theatre

Encouraging children to experience theatre at a young age can be difficult, as parents and grandparents know, asking a child to sit in a restrictive environment to watch a pantomime or similar, which can be two hours long, is not ideal.  Polka Theatre in London offer the chance to combine theatre and play in their building which is especially dedicated to children.  The theatre combines a café, playground, garden with access to books, colouring-in and dressing up. Grandad, Me and Teddy Too has a target audience of 2–5-year-olds and is performed in the Adventure Theatre.  This space allows children to sit on the floor or sit around the edge of the theatre in seats.  The feeling is of informality and provides a less stressful environment for parents and children alike ...
<strong>Harry’s Christmas – King’s Head Theatre</strong>
London

Harry’s Christmas – King’s Head Theatre

One could say that it is a brave choice to put on a play about mental health at Christmas whilst the populous spreads festive cheer, and shops, bars and restaurants play Christmas music on a loop.  But I guess this IS the time to put on such a play, as many people struggle with loneliness and isolation, feelings that are magnified at Christmas. Threedumb Theatre offer their second Steven Berkoff play of the year, having performed Dog/Actor at Edinburgh Fringe Festival in August.  When Berkoff wrote this play which was first performed at the Donmar in 1985, he received responses from many people who felt similarly, that this time of year overwhelmed them and exaggerated feelings that during the rest of the year, they could just about cope with. Harry (Stephen Smith) lives al...
<strong>Wickies: The Vanishing Men of Eilean Mor – Park Theatre</strong>
London

Wickies: The Vanishing Men of Eilean Mor – Park Theatre

Park Theatre have teamed up once again with the team that gave us ‘When Darkness Falls’ in 2021.  This play delves into the mystery of the disappearance of three ‘wickies’ (lighthouse-keepers), who were staffing a lighthouse on one of the remote islands in the Outer Hebrides called Eilean Mor in December 1900.  Their task was to keep the light always working to aid ships in the hostile seas and severe weather.  Eilean Mor was uninhabited apart from the lighthouse keepers.  As the play explains, this is the bleakest place on earth to do your wickie shift, and the weather was particularly bad when the men went missing.  Their disappearance was discovered after a particularly bad storm hit Eilean Mor, and the supply vessel managed to reach the island after being de...
<strong>Newsies – Troubadour Wembley Park</strong>
London

Newsies – Troubadour Wembley Park

One of Broadway’s biggest hits in recent years, Newsies has finally landed in London for the first time ever. Set in New York City at the turn of the century, the show is based on the true story of the Newsboys Strike of 1899 a group of working-class boys who fought for better working conditions, standing up against the exploitation of wealthy publishing tycoons. The story was made into a Disney film starring Christian Bale before being adapted for the stage, becoming a Broadway sensation With no expense spared, Morgan Large has truly transformed the Troubadour Wembley Park Theatre for Matt Cole’s fresh version of the show. From the huge gangways to the West Side Story-style scaffolding, this production means business from the moment you step inside the auditorium. The cast emerges from...
<strong>A Christmas Carol-ish – Soho Theatre</strong>
London

A Christmas Carol-ish – Soho Theatre

I’ll say it now: I love a good Christmas Show. I don’t consider myself over-the-top when it comes to festive feelings, but I do like the spirit of Christmas – the warmth, good tidings and all that razz the season brings. And so it was with much excitement I got myself down to Soho Theatre for ‘A Christmas Carol-ish’ by Mr Swallow (aka Nick Mohammed). I was not disappointed. ‘A Christmas Carol-ish’ is loosely based on a musical retelling of Dicken’s festive classic ‘A Christmas Carol’. And when I say loosely, I mean basically think of the story outline: three ghosts turn up to change a man to be a better person, and that’s as close to Dicken’s as this show gets. And it’s all the better for it. The writing on this show in insanely clever, funny, relevant and on the pulse of current eve...
<strong>Alice in Wonderland – Brixton House</strong>
London

Alice in Wonderland – Brixton House

Alice in Wonderland devised by Poltergeist is an original, lurid take on the classic. On the tube, Alice and her Mum wait on the platform after a Christmas shopping spree. An argument ensues and suddenly Alice gets transported to a zany, alternate dimension of the London underground, meeting strange characters at every turn. She explores the world with confusion and wonder as she tries to return home, before becoming embroiled in the problems in her new environment. It is magically creative in the way it transforms some mundane aspects of tube life into strange, absurd characters. Photo: Helen Murray All of the odd characters created a coherently bizarre world tied together by effective, energetic multi-roling. Rabbit (Khai Shaw) stresses as he rushes to his corporate job. Tortoise (...
<strong>Snow White and the Seven Dwarfs – New Wimbledon Theatre</strong>
London

Snow White and the Seven Dwarfs – New Wimbledon Theatre

Few pantos can boast such an illustrious cast as this production of Jonathan Kiley's Snow White. Ruthie Henshall, Lee Mead, Brenda Edwards, Matthew Kelly, Dick and Dom -it's a cavalcade of West End and TV talent.  And they deliver a wonderfully traditional panto with contemporary elements and twists. There are all the usual topical references and innuendo for the grown-ups, lots of naughty humour for adults and children alike, groan-worthy jokes to make everyone laugh, booing and hissing the villain, cheering on the heroine. This version of Snow White, while keeping the songs from the classic, updates them with modern pop orchestrations, adding contemporary songs into the mix. The story is the well-known tale of orphan princess Snow White who threatens to outshine her wicked stepmo...
<strong>Othello – National Theatre</strong>
London

Othello – National Theatre

The most common thematic link in Shakespeare’s Othello to the present times has been race and patriarchy. While it would be grossly wrong to say that we are over these issues, the complexities in these two realms in contemporary society have simply multiplied with ever-increasingly polarising viewpoints. Clint Dyer’s Othello brings the production to “2022”’s National Theatre with scenographic brilliance, stellar performances, and contextual relevance. Performed by a powerful cast with Giles Terera as Othella distinguished from an all-white ensemble, Dyer’s Othello not only “cleans up”, both literally and figuratively, as witnessed in the beginning, the preceding production by Laurence Olivier of 1964 but also reinstates the fact that we are still far from a post-racial society. The strong ...
<strong>Mother Goose – Hackney Empire</strong>
London

Mother Goose – Hackney Empire

Mother Goose feels like that glass of mulled wine on a cold Christmassy evening. It has the rounded flavours, tastiest spices and leaves you smiling. If you want to join festive spirits, this is one celebration you wish to attend. The pantomime pays a fitting tribute to the ongoing 120 years that Hackney Empire came into being. The play brings together the familiar pantomime elements with some spectacular performances. A true testimony to this production's universality is to have younglings, grandparents and a 25-year-old celebrating their birthday in the audience! You will not be disappointed. Mother Goose is bright! Clive Rowe's presence and voice soar to the skies. The set is technicolour rainbow bursts of sunshine, the music lifts spirits while the improvised lyrics make you giggle ...
The Wind in the Wilton’s – Wilton’s Music Hall
London

The Wind in the Wilton’s – Wilton’s Music Hall

This enchanting adaptation of The Wind in the Willows captures the spirit of community with a magical, fantastical element from the talking animal characters. The home of a sheltered mole is destroyed by weasels as they construct a private road to the river. Mole finds companionship in Rat, and she endeavours to help him find a new home. On their journey, they encounter more problems, all of which can be traced back to the weasels. Piers Torday’s script makes a clear allusion to our current social climate with careless, wealthy people in power. The stunning set designed by Tom Piper and Emma Brunton’s movement direction wove the plot together to a symbiotic effect. The scene changes with ropes hinted at manual labour and gave the piece a community/village feel. The story was set in Lond...