London Archives - Page 71 of 157

The Hills of California – Harold Pinter Theatre

10Feb

By Alice RoseNo Comments

London

The Hills of California – Harold Pinter Theatre

Jez Butterworth graces us with another play with depth and wonder, beautifully directed by Sam Mendes. The play currently resides at Harold Pinter Theatre in which the world is clear and grand as we walk into a house with a huge staircase, old wooden design and a little bar filled with very old alcohol. The staircase seems like it goes up and on forever, set in a hotel in the 80s which once in the past housed very many visitors but always 4 young girls and their mother. We switch from present day to past, now the mother is dying, the girls all await their eldest sister Joan to come say goodbye. In the past we watch the mother run the home, military style as the girls practice their singing and dancing with the biggest dreams of making it to the London Palladium. Their mother also, pushing ...

Songs for a New World – Upstairs at the Gatehouse

10Feb

By Samantha CollettNo Comments

London

Songs for a New World – Upstairs at the Gatehouse

When you watch a musical production, it usually follows a known formula with a beginning, middle and an end. Not so with ‘Songs for a New World’ for this is what’s known as a song-cycle. That means rather than having one fully formed narrative, the show is an anthology; a collection of short stories that hang together with common themes. For me, I think the best way to describe this production is as an immersive musical show. You honestly feel as though you’ve stepped into the making of a musical and are part and parcel of the actual show, such is the intimacy of this performance. The venue aids this feeling enormously, and to be seated just inches away from the action is a real thrill. Unlike most shows, the band are not hidden away, they are clearly visible, on display and are inte...

Empower in Motion: A Ballet Inclusive – Sadler’s Wells Theatre

9Feb

By Kira DanielsNo Comments

London

Empower in Motion: A Ballet Inclusive – Sadler’s Wells Theatre

Shocking, illuminating, poignant, and triumphant, Empower in Motion is unbeatable ballet. Fundraising for Children Today, this informal gala presents itself without ostentation but packs an overpowering punch. Featuring ten acts over the course of two hours, the strength and diversity of its featured dancers never fails to captivate for even a minute. The program is contextualized by video introductions to each act describing the work done by Children Today and celebrating the inclusive dance efforts made by the event’s various other partners. Host, Grace Spence Green, gives an invigorating preamble to the procession of performances each of which awes in turn. The evening starts strong with a seamless performance by Joseph Powell-Main and Hannah Rudd excerpted from The Royal Ballet’s Sl...

Candace Bushnell True Tales of Sex Success and Sex and The City – London Palladium

9Feb

By Michelle KnightNo Comments

London

Candace Bushnell True Tales of Sex Success and Sex and The City – London Palladium

Candace Bushnell now 65yrs old, the creator, entrepreneurial business woman and writer of the infamous Sex in the City books has come to the London Palladium to tell all, the real truth! She sets the scene in pink, from the apartment her retreat to her garnitures ‘shoes’ and the mini bar where she regularly sips on ‘cosmos’ cosmopolitan cocktails creating a true feel of Sex and the City life. Familiar names Mr Big, Carrie, Sam, Miranda, Charlotte all feature as she exposes the real truth behind the storylines with an audience participation game called ‘Reel or not Reel’. Candace explains why she chose the pseudonym Carrie Bradshaw, why she wrote her books about her single friends and their lives in New York; and what was happening at the time when the HBO series took off on the telev...

Kafka’s Metamorphosis – Lyric Hammersmith

7Feb

By Jennifer LaishleyNo Comments

London

Kafka’s Metamorphosis – Lyric Hammersmith

Frantic Assembly’s production of Kafka’s Metamorphosis is an outstanding piece of theatre that is certainly West End worthy! This is physical theatre deployed at its finest. Metamorphosis promises audiences an evening of suspenseful drama, curated by a team of incredible actors that are supported by stunning visual effects. Frantic Assembly is one of the leading British Theatre practitioners that are known for their storytelling through physical nuance. Frantic assembly certainly explores the brutalist in Kafka’s Metamorphosis both through the physical and vocal performances of the actors. Writer Lemn Sissay has worked closely with director Scott Graham to bring their vision to life, adapting the script throughout the rehearsal process so that this piece of theatre has metamorphosed int...

Jeffrey Bernard is Unwell – Coach and Horses

6Feb

By Kira DanielsNo Comments

London

Jeffrey Bernard is Unwell – Coach and Horses

Both set and staged in the Coach and Horses pub on Greek Street, Jeffrey Bernard is Unwell is pub theatre par excellence. The play opens with a bang and a crash as attendees are suddenly plunged into darkness and Jeffrey Bernard himself stumbles out into the light, or rather, into the bar itself, knocking over several items on his way to the wall mounted switch by which he will reignite the room’s several chandeliers. This is the first of several pub tricks within a pub trick that delights and disturbs audiences. The environs are more than suitable, and service is good at the bar throughout the 20 minutes of liberal drink pouring that precedes each performance. Seated tickets take bar and benches while the rest of the crowd files into the available standing space, all of which is well u...

6Feb

By Dave SmithNo Comments

London

Twelve Angry Men – Richmond Theatre

The evidence has been heard and the decision is now with the jury. Starting with a voiceover of the judge's instructions, Twelve Angry Men sees the men locked in the jury room. Their job is to decide if the 16-year-old accused is guilty of killing his father, and thus will face execution or if there is reasonable doubt. A quick first vote from the unnamed jurors seems clear, guilty and guilty and guilty again until the final vote is counted - a solitary not guilty. Jason Merrells does a fine job as juror number eight, the single not guilty vote which forces the other 11 men to talk, debate, argue and even come close to blows. Like the jurors, we never learn the name of the defendant or the witnesses. Reginald Rose’s classic script first staged in 1953 but mostly known for th...

6Feb

By Eleanor HallNo Comments

London

FutureQueer – King’s Head Theatre

Alexis Gregory’s one-man show did exactly what it said on the tin: it facilitated a co-imagining of future in which queerness is ubiquitous. Gregory’s ironic repetition of right-wing frenzied slogans (‘it’s woke gone mad!’) to open the show provided us with an effective comic introduction. The rest of the piece featured an enjoyable mix of contemporary journalistic articles and queer scholarship, notably the literature of Esteban Muñoz, as well as the presentation of imagined characters from the late 21st Century. For example, Gregory interpreted the role of ‘Futura’, an A.I. drag queen, who invited us into the possibilities of ‘alternative intelligence’, all the while serving us ‘deepfake realness’ and (garnering audience laughter along the way!). We journeyed through the ‘speculative ...

5Feb

By Kira DanielsNo Comments

London

The Handmaid’s Tale – London Coliseum

How well do you remember the beginning of the end? Make sure to do your homework before attending this production of The Handmaid’s Tale where the London Coliseum transforms into the venue of a future-set historical conference where a stunning and severe white-pantsuited Professor Piexoto (Juliet Stevenson) directly addresses audience members in her introduction to the overtaped cassettes which comprise the narrative bulk of The Handmaid’s Tale. Eliciting a few laughs in her pithy introduction but primarily conveying static gravitas and the restrained sensitivity of an academic among peers, Stevenson commands the stage at the opera’s bookends. However, her forceful presence is at times an unfortunate distraction as she every so often, ever so covertly interrupts the action to change the ta...

2Feb

By Zara OdetundeNo Comments

London

Bury Me – Riverside Studios

Bury Me is billed as a one act comedic drama which has been put on at the Riverside Studios as a part of their Bitesize Festival, a theatre festival meant to platform and uplift new and emerging theatre talent. This story was told in two timelines. The timeline in which Nadia is trying to track down her brother Noah’s body to be able to hold his funeral and the timeline in which Noah and his family are preparing for him to undergo a surgery to treat his cancer. Being able to get to know the person that these characters lost was a great choice, so we can imagine the extent of Nadia’s pain more and more throughout the play. The highlight of this show was the exploration of the strength of the sibling bond. Explored by Gillian Konko and Peter Todd through their characters Nadia and Noah...