Monday, January 12

London

Kindling – Park Theatre
London

Kindling – Park Theatre

Per the final wishes of a dead mutual friend, five very different perimenopausal women come together for a camping trip in Wales. The set design by Abi Groves goes a long way to make the play really feel like an authentic camping trip. The entire floor of the stage is covered with plant litter and woodland detritus. As the actors move around, they kick up leaves and twigs, creating realistic sound. The stage quickly becomes cluttered with tents, camping chairs, rucksacks, Ikea bags, and Tupperware, all haphazardly scattered around. The design immediately and evocatively captures the essence of a camping trip with friends. Not everything is as effective as the set design; some issue with the script and direction hold the play back in the earlier scenes. Some characters are presented a...
The Assembled Parties – Hampstead Theatre
London

The Assembled Parties – Hampstead Theatre

First impressions, this play has no boundaries when it comes to flaunting American political ideology and Jewish patronage. But it is difficult to comprehend where it is positioned within the context of contemporary societal life in Manhattan in the 1980’s. Is this a drama about exposing family truths and values in the guise of Christmas tradition, rented housing, or world affairs. There are more questions than answers in this adaptation of Richard Greenbergs American stage play, The Assembled Parties. Set in an opulent rented apartment, West Side New York a proud extended Jewish family settle in to share and celebrate a Christian festival ‘Christmas Lunch. Their son Scotty is home from college and has invited his pal Jeff Sam Marks to join in the celebrations. Jeff’s relationship with ...
Play Dead – The Horse Hospital
London

Play Dead – The Horse Hospital

As the trend for celebrity performers and popular stories continues to dominate the West End, it becomes increasingly important to support and highlight new writing and underground talent. Last week, Nadine Rennie, co-chair of the Casting Directors Guild warned that this commercially driven, fever for the famous is like, “feeding a child too much sugar.” As the trend towards box office safe bets shows no sign of retreating, it was a bracing thrill to experience Play Dead by Bailey Edwards at The Horse Hospital. This wasn’t a spoonful of crowd-pleasing sugar. It more like a judicious jab of crystal meth, followed by a slap. Play Dead is a unique, queer, grimly comic modern myth about obsession, addiction, co-dependence and the fragile nature of sanity. It features the author, Edwards ...
1884, an anti colonial game-theatre show at the Wellcome Collection
London

1884, an anti colonial game-theatre show at the Wellcome Collection

Without any previous research, I chose to enter this piece blind in which I am immensely glad I did. Created by Rhianna Llube, we wait patiently at the doors. We are told this is as immersive as you chose it to be, you can simply observe or be as active as you desire. Once inside you have a choice of 5 tables to sit at, you are encouraged to start as strangers and so as a solo traveller that is what I did. In front of you, you have a home, a letter holder, and a few counters with pieces of furniture on them. The actors begin their welcoming speeches, inviting us to a new society in which we are all separate families building their homes. The set and costume is beautifully designed, almost 50’s American style with pale blues, pinks and browns to express solidarity and neutrality. We begi...
The Monkey’s Paw – The Hope Theatre
London

The Monkey’s Paw – The Hope Theatre

The Monkey’s Paw, currently haunting the intimate Hope Theatre, is a stage adaptation of the classic supernatural tale of the same name. This version narrows its focus onto a young married couple wrestling with real-world struggles, mounting bills and the deep emotional fallout of a recent miscarriage. The show opens with a beautifully staged movement sequence tracing their relationship from first sparks of romance to marriage, pregnancy, and heartbreak. It’s wordless but full of emotional detail, giving the audience a sense of the life they’ve built, and what they’ve lost, before the supernatural intervenes. When a mysterious talisman, the titular monkey’s paw, enters their lives, it allows them to grant their desperate wish: a child of their own. But as with all good cautionary tal...
The Constant Cold – Baron’s Court Theatre
London

The Constant Cold – Baron’s Court Theatre

With a runtime of just 30 minutes, The Constant Cold by Zoë Cooper delivers a tight package of thrills and jump-scares while attempting to explore wider themes of misogyny, gaslighting, sexual assault, and the silencing of women’s voices. The plot follows three flatmates, one of whom – Megan – comes home frightened after a terrifying experience while walking home at night. As more and more frightening and unexplained things happen, the three are forced to face the existence of the supernatural as well as confronting difficult truths about one another as past events resurface. The script is engaging and creepy at times, but falters during the more intimate, character-focused moments. The characters aren’t well-developed, including the protagonist Megan (Zoë Cooper). Most of what we le...
The Wolf of Poyais – Golden Goose Theatre
London

The Wolf of Poyais – Golden Goose Theatre

The Wolf of Poyais is a new one-man historical satire play from BlueBar productions, written by Sam Went and starring Joz Norris. It tells the fascinating true story of con man Gregor MacGregor, who – in the early 1800s – swindled hundreds of people out of hundreds of thousands of pounds with an outrageous, fraudulent scheme. Sam Went’s script is both well-researched and very entertaining. The story itself is absolutely fascinating in itself, but Went’s script injects it with even more humour and poignancy. The script is darkly funny; it revels in the absurdity of MacGregor’s scheme, while still treating the devastating impact it had on people’s lives with gravitas.  Many plays based on true stories fall into the trap of simply depicting one historical event after another, w...
The Wanderers – Marylebone Theatre
London

The Wanderers – Marylebone Theatre

The Wanderers is a moving and thought-provoking play inspired by true events. It delves deeply into the complexities of relationships, faith, and family, offering a nuanced exploration of how people navigate love and identity within different cultural frameworks. Set within the Jewish community, the story follows two very different marriages that reflect contrasting worlds. Esther and Schmuli are Orthodox Jews living within the confines of strict religious rules and traditional gender roles. Their lives are guided by faith and duty, highlighting the tension between devotion and personal freedom. In contrast, Sophie and Abe are secular Jews, free to make their own choices, yet still bound by the universal struggles of marriage, expectation, and emotional fulfillment. The narrative cen...
The Unbelievers – Royal Court Theatre
London

The Unbelievers – Royal Court Theatre

Silence sits heavily in Nick Payne’s “The Unbelievers”, a play that dares to explore the uneasy space between grief, uncertainty and the fragile bonds of family. In a production of striking control and emotional weight, the Royal Court presents a portrait of people suspended between hope and despair, clinging to ritual as time slips around them. It is a thoughtful and often gripping piece of writing, although it leaves behind an unsettling aftertaste that is difficult to define. Designer Bunny Christie’s set is extraordinary in both concept and execution. What initially appears to be an ordinary kitchen slowly becomes a canvas for the passage of time. Subtle changes in lighting (Jack Knowles), shifts in everyday clutter and the creeping disarray of domestic life reveal the ache of waiti...
Every Brilliant Thing (Minnie Driver) – Soho Place Theatre
London

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

With a premise like the one mentioned for Every Brilliant Thing, it is seldom that one can go through the entire play without feeling a sense of alienation from the theme in an attempt to keep oneself safe from the seriousness of it. But Every Brilliant Thing amalgamates the journey of a seven-year-old child grappling with her mum’s depression and suicide attempts with such tenderness and light humour that one can’t help but simply connect completely with the whole of it, while holding a smile through it all. The narrator (Minnie Driver) starts writing down every brilliant thing about the world at seven, a list that continues well into her adulthood, hoping to change her mother’s perspective on life. Driver brings a sense of sublime charisma to the character, inviting her audience i...