London Archives - Page 61 of 115

<strong>Hamlet – Southwark Playhouse</strong>

22Jan

By Caroline WorswickNo Comments

London

Hamlet – Southwark Playhouse

Lazarus Theatre Company offer a different approach to producing a Shakespeare production. Reimagining the classics is their game, collaborating with their artists, they have an emphasis on ensemble work, which was in evidence in this Hamlet production. Lazarus have co-produced this show with Southwark Playhouse’s Shakespeare for Schools Project, and the youthful cast encouraged a younger audience to come along to watch. Hamlet was a reluctant choice for Artistic Director Ricky Dukes, as he felt that it has been exhausted, and there can be an issue of what can we add to a production, but they need not have worried, this production packs a punch and enables Shakespeare’s language to work within this ensemble framework. The opening scene is a case in point, The Voice (...

<strong>And Then The Rodeo Burned Down – King’s Head Theatre</strong>

21Jan

By Caroline WorswickNo Comments

London

And Then The Rodeo Burned Down – King’s Head Theatre

Coming direct from New York City in association with theSpaceUK, following a successful week-long debut run in Edinburgh and winning the coveted Fringe First Award; Chloe Rice and Natasha Roland have been collaborating for nearly ten years, writing, and performing their own material. Ye hawing their way into the King’s Head Theatre, their rodeo clown show packs a lot into the hour. With country and western music piped into the theatre, the clown puts on her make up ready for the show. Star of the show is the lassoing cowboy, and oh boy, does Dale the clown want to be a cowboy, but our clown has a shadow, someone who wants to be a clown. Dressed in cowboy clothes, the pecking order of life is dissected, with the cowboy representing the top of the food chain and the s...

<strong>George Takei’s Allegiance – Charing Cross Theatre</strong>

18Jan

By Zara OdetundeNo Comments

London

George Takei’s Allegiance – Charing Cross Theatre

A fantastic production, heart-warming and fulfilling, grounded in a real historic period. It highlights the strength of the human spirit against all odds and shows how things can bloom even through adversity. After the success of productions of Allegiance in San Diego and on Broadway it has arrived at the Charing Cross theatre, London. This musical is the story of Sam Kimura and his family who, like 120,000 other Japanese Americans during World War Two were forced into internment camps. Evicted from their homes and shipped across the country for the crime of being of Japanese descent during a war where Japan was considered the enemy. You could feel the love of the people involved; George Takei considers it his ‘legacy project’. The characters were inspired from his personal experi...

<strong>Nerubashenko Ballet presents Swan Lake – Richmond Theatre</strong>

14Jan

By Zoё MeeresNo Comments

London

Nerubashenko Ballet presents Swan Lake – Richmond Theatre

I should start this by qualifying up front that while I enjoy the ballet, I am by no means a seasoned or knowledgeable audience member. I find ballet staggeringly impressive in terms of the talent and physical/athletic demands and beautiful as an art form while still thinking things like “I wonder if her feet hurt” and “I hope he doesn’t drop her”. With that in mind, we continue… The story of Swan Lake is the stuff of fairy tales – prince falls in love with enchanted swan-woman, is tricked by evil magician into falling for an evil look alike; it’s all very Disney. The musical score will be recognisable event to those who have never been to the ballet before, so it’s one of my ‘entry level’ ballet suggestions for people who are keen to go. I’ve always thought of a trip to the ballet a...

<strong>Iphigenia – The Hope Theatre</strong>

14Jan

By Riana HowarthNo Comments

London

Iphigenia – The Hope Theatre

This take on a Greek classic directed by Elsie Yager focuses on how a woman may submit herself to a brutal ending. Set in a bedroom designed by TK Hay with all white props, against a red and black floor, it hints at the drama and tragedy, but the intimacy conveys the feeling of a lived experience. We enter the space with Iphigenia (Karen Barredo) sat incessantly brushing her hair solemnly. The chorus members manifest as real people in video interviews projected onto the bed and wall. Without an introduction to the people in the videos, I searched for the link between them and Iphigenia. I eventually understood that those interviewed were foreshadowing and reflecting upon Iphigenia’s experiences as a woman but throughout different eras. Alongside these, Iphigenia passes through the stage...

<strong>On The Ropes – Park Theatre</strong>

11Jan

By Anisha PucadyilNo Comments

London

On The Ropes – Park Theatre

Justice delayed is justice denied. ‘On the ropes’ is an autobiographical musical of Vernon Vanriel, co-written with Dougie Blaxland. The thought-provoking play recreates the life and hardships faced by Vernon Vanriel in 12 rounds. The play centres on the experience of a charismatic lightweight boxer from his rise to fame to his challenges with poverty, bipolar and coke. Until his painful marooning on the Jamaican Islands due to insensitive and unjust home office rules. It is a testament to the 57,000 people affected by the Windrush Scandal and those ‘whose rights and freedom are denied by arbitrary acts of injustice.’ Amber James and Ashley D Gayle accompanying our protagonist enthusiastically bring the chorus to life. They portray the entire gamut of accents, pathos, kindness and gr...

<strong>SIX – Vaudeville Theatre</strong>

11Jan

By Maani WayNo Comments

London

SIX – Vaudeville Theatre

Divorced, beheaded, live! Bursting with charm, humour and girl power, the modern musical ‘Six’ divulges the untold stories of Henry VIII through his six wives in an innovative and witty concert-style score. A step away from the conventional musical style, the wives of Henry VIII are in sisterly competition to ascertain which one of them had the most tragic end to their story. Each Queen has their time to shine with their solo, the other Queens providing faultless ensemble support. The moments where all six were in perfect unison and harmony were particularly special especially in the final number “Six”, their slick and impeccably timed choreography a joy to experience. Paired with each of their incredible belts, the songs are catchy and full of melodic and rhythmical surprises. Th...

<strong>The Ghosting of Rabbie Burns – King’s Head Theatre</strong>

6Jan

By Aditi DalalNo Comments

London

The Ghosting of Rabbie Burns – King’s Head Theatre

A heartbroken young woman (Emily Ashton) retreats into a cottage, frantically trying to rearrange it. As the realisation of being alone on Burns Night dawns upon her, she sinks into her chair. Little does she expect to be joined by Robert Burns (Kieran Francis Begley) himself! After testing whether he is the ghost of the real man himself through a laboured quiz on dates of publication of his plays, she is somewhat satisfied. Interspersed with song, which brings a lovely energy to the show, he tries to give her dating advice and ends up taking her through a, (again) quite laboured, practice date which only increases her frustration. The story ends with him literally ghosting her (though, to be fair, with warning) and some new insights spark for this young woman. From the outset, Begley p...

<strong>Salt-Water Moon – Finborough Theatre</strong>

6Jan

By Carole GordonNo Comments

London

Salt-Water Moon – Finborough Theatre

David French's Salt-Water Moon is set in 1926, when Newfoundland was still part of the British Empire, only becoming the Canadian province of Newfoundland and Labrador in 1949. Having won a slew of awards since its premiere in Toronto in 1984, the play has since become a classic of Canadian theatre. It's a moon-lit night in the isolated Newfoundland community of Coley's Point, and young Mary Snow is gazing at the stars as she awaits the return of her fiancé, the wealthy Jerome McKenzie. Due to marry Jerome the following month, she is startled by the sudden return of her former love, Jacob Mercer, who left suddenly and without even saying goodbye twelve months previously. Mary cannot forgive Jacob for leaving and not writing to her in the intervening months. But, as more is reveale...

<strong>Mr Charles Dickens presents A Christmas Carol – Greenwich Theatre</strong>

20Dec

By Zoё MeeresNo Comments

London

Mr Charles Dickens presents A Christmas Carol – Greenwich Theatre

I’ve been struggling with this review since I left Greenwich Theatre last night, unsure of whether I’d just witness a masterclass in stage performance or a relatively dry rendition of a festive favourite. I shall expand; the clue is in the title, and ‘Mr Charles Dickens presents’ means exactly that. For an hour and 35 minutes, John O’Connor in the role of Charles Dickens narrates and performs A Christmas Carol solo on a static stage, as the author himself would have in the mid-1800s. Sound and lighting are used sparingly to create effects such as the weighty chain Marley forged in life, but otherwise this the epitome of a pared back performance. On the one hand, O’Connor as Dickens is superb. Alone on stage for the duration of the play, O’Connor’s Dickens is jovial and charming and deli...