London Archives - Page 61 of 122

24Mar

By Gonzalo SentanaNo Comments

London

Killing the Cat – Riverside Studios

Can music and speech give fundamental answers to the questions that seem impossible to answer? Can we address the whys and what for of our existence through sound and bodies? Killing the Cat, the new musical with book and lyrics by Warner Brown and music by Joshua Schmidt, undertakes a very ambitious task, both dealing with very complex and interesting topics, while trying to develop a new and unique language in musical theatre. While the play does not reach those goals, it is undoubtedly a refined clockwork, performed with exquisite harmony. When going into the hall, the audience is met by a beautiful white set, designed by Lee Newby, where lights and colours designed by Jamie Platt will combine during the play, joining the music to display the different stages through which the cha...

24Mar

By Anisha PucadyilNo Comments

London

Trade – Pleasance Theatre

Ella Dorman-Gajic's Trade comes to Pleasance theatre. A gripping tale with powerful performances by Katarina Novkovic, in the lead role of Jana, superbly supported by Eleanor Roberts and Ojan Genc. Trade follows the life of Jana, who gets hoodwinked into the European trafficking industry but rises to power to claim her autonomy. Trade was awarded an OffComm commendation by the OFFIE Awards. Trade gives us a taste of some of the manipulation, deception, and violence meted out on women to submit to being involved in the sex trade. It can reflect on the socio-economic politics of gender lack of sexual health awareness of the clientele survivors of trafficking, and modern slavery has to put up with. The artistically integrated captions make Trade accessible to d/Deaf audiences...

23Mar

By Mark DavorenNo Comments

London

Turandot – The Royal Opera House

The Royal Opera House’s latest revival under director Jack Furness of Andrei Serban’s 1984 production is an epic on every scale and a true delight for all of the senses as it delivers the perfect synthesis of music and drama. In legendary Peking, a Mandarin (Blaise Malaba) advises that any prince seeking to marry Princess Turandot (Anna Pirozzi) must answer three riddles: if he fails, he will die. Among the crowd Calàf (Yonghoon Lee) discovers his long-lost father, Timur (Vitalij Kowaljow). As the latest failed suitor goes to his death, the crowd implore the princess to spare him, but she orders the execution to proceed. Calàf is transfixed by her beauty and decides to win her heart. Timor and the slave girl Liù (Masabane Cecilia Rangwanasha) as well as the ministers Ping (Hansung Yoo),...

Charlotte and Theodore – Richmond Theatre

22Mar

By Marita MatarNo Comments

London

Charlotte and Theodore – Richmond Theatre

‘Is this so bad if they see their mother succeed?’ – Charlotte In the wake of movements related to feminism, LGBTQIA+, disabled bodies, protected groups, hegemonies and systematic inherited structures, Charlotte and Theodore written by Ryan Craig, directed by Terry Johnson, performed by Kris Marshall (Theodore) and Eve Ponsonby (Charlotte) addresses the intricating and the strenuous gaps, that exist between people of different identities and age when talking about inclusivity, gender, pronouns, dilemmas of cancel culture, and dominant groups, etc. The 90 minutes long play proposes solutions, perhaps? Not in the same way Billy Wilder did in Some like it Hot but rather by following the evolution of conversation between two lovers and two professors, at different points in their lives. ...

22Mar

By Alice RoseNo Comments

London

Black Superhero – Royal Court

Danny Lee Wynter’s debut play at the Royal Court questions queerness, open relationships and loving your idols. David (Danny Lee Wynter) is unsettled by the route of his life. An actor occasionally auditioning, occasionally sleeping around and still recovering from a traumatic event that brought his life to a halt. Living with his sister Syd, (Rochenda Sandall) he can’t help but question his motive especially when comparing himself to friend and popular superhero in a movie franchise, King (Dyllón Burnside). However, when King reveals that he and his husband have decided to try an open marriage, David is plunged into something he might not be ready for. The action in the piece is highly driven, particularly in the first act. David, who is already vulnerable, creates chaos for himself by...

22Mar

By Anisha PucadyilNo Comments

London

Ophelia Rewound – Applecart Arts

Honest and vulnerable exploration of the artist's experience and reflections on attempted suicide. The piece has evolved over the three years of lockdown, and writer, director & performer Antigoni Spanou starts at that moment of transformation and reconsideration of 'Ophelia' choosing to reflect and hold on to her breath. Superbly supported in projection mapping, sound and lighting design by Joseph Thorpe. The character's imaginations and reflections get projected, transporting the audience from spirals of the mind to a meditative waterfall. The one-act play moves the audience from passive observers to actively recreating characters on stage, playing games and drinking tea parties! Even if you are not on stage with the actor, you are thinking through what you would reply to that...

21Mar

By Aditi DalalNo Comments

London

Hamlet – National Theatre

Shakespeare’s much-loved and much-performed tragedy is back with a neo classical adaptation for young audiences by Jude Christian, directed by Ellie Hurt. This energetic and funny show has the little ones completely enthralled, right from the pre-show crowd work that the actors employ to draw in the audience to the many moments of utter shock and surprise throughout the 65-minute performance. The audience is even asked to actively contribute to the play within the play by creating sounds and chanting ‘mur-der-er’ to shame and chase actors off stage. The play opens with a scene showing the funeral of Hamlet’s father; ‘dad’ and ‘king’ are spelt out in floral tribunals making the event very clear and this intentional clarity is evident throughout the play, making it easy for young audience...

20Mar

By Michelle KnightNo Comments

London

Burnout – Vault Festival

Burnout starts with tackling the impact of flooding in a northern town, the effects of climate change, on the local people, the environment and the activists vying for solutions. The characters Bridgette (Bridge) an activist and Amara a 16yr old girl who pops out to get milk quickly finds she is enthralled and curious about the activist (Bridge). Amara is keen to share her thoughts and feelings of the impact of activism on the cause and herself. The play focuses on the call to action from audience participation which is encouraged and the carefully provoking dialogue. Photo: Tom Johnson Written by Nicole Acquah and directed by Caitlin Evans, this short play is about activism, and the reality of climate justice, the show exposes the burnout of the planet and burnout of the acti...

20Mar

By Khushboo ShahNo Comments

London

Swim – Omnibus Theatre

Swim is a warm, tender, and humbling story, based on true events, written and performed by Liz Richardson. In an hour-long performance, she encapsulates her journey of moving out of London’s anonymity with her family and settling into a village up north amidst nature and within a community where everyone knows everyone’s business. Of course, at the centre of it, is the experience of swimming in natural water bodies, like she did in her childhood, and how it affects this community at different phases in their lives, particularly her best friend whose sisters have lost their children. The metallic backdrop and oval flooring with blurry visuals shifting in tandem with the story, invite the audience to experience this tale which opens casually with Richardson talking about why she wanted to...

Accidental Death of an Anarchist – Lyric Hammersmith

20Mar

By Stewart Who?No Comments

London

Accidental Death of an Anarchist – Lyric Hammersmith

Dario Fo’s Accidental Death of an Anarchist is justifiably championed as a paragon of political theatre. It’s a satirical farce, focussed on police corruption and collusion with right-wing agitators. The play premiered in 1970 and was inspired by the 1969 Piazza Fontana bombing and the very suspicious death of Giuseppe Pinelli, while being interrogated by the police. Why would a 50-year-old Italian comedy still have relevance today? Hmmm. Well, Lord Scarman’s 1981 report into the Met’s handling of the Brixton riots recommended major changes to police training and law enforcement. In ’93, after the murder of Stephen Lawrence, the Macpherson Report found the Met’s investigation was “marred by a combination of professional incompetence, institutional racism and a failure of leadership”. Th...