Sunday, January 12

London

<strong>Vix & Helen – Vault Festival</strong>
London

Vix & Helen – Vault Festival

Performed in a small brick theatre in the vault located under waterloo station creating an atmosphere; an intimate feeling of being alone with the characters. The stage set out to replicate a school locker room, simplistic but instantly recognisable. The play centred on a bemusing incident involving Vix played by Heloise Spring and Helen (Lucy Sherraft) younger siblings. Vix and Helen are friends however their friendship is intertwined with complexities of family life, their friendship and feelings of how they are perceived by each other as well as the outside world. Their story is peppered with confliction and expression of thoughts created by the turmoil they feel about themselves and how they are perceived by others. Helen is tall and effervescent in her approach to life unlike V...
My Son’s a Queer (But what can you do?) – Ambassadors Theatre
London

My Son’s a Queer (But what can you do?) – Ambassadors Theatre

My Son’s a Queer (But what can you do?) is a fabulous solo show that sets out to educate the audience and re-claim the word Queer as something to be celebrated! Rob Madge has successfully crafted a piece of theatre that is heart-warmingly hilarious and poignantly moving. The message is obvious, yet powerful: you should let everyone be who they are. Rob openly shares the highs and lows of their magical childhood and explains how Rob’s family encourage them to shine. The structure of the show itself is powerful: 7 steps of putting on a Disney Parade in your living room. Using clips from their family video archive, Rob explains how we can make life magical just by using our imaginations. Rob’s ode to Disney encapsulates the joy and relatable challenges of childhood. The show is written as ...
<strong>Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre</strong>
London

Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre

Bernadette and Oliver meet at a cat's funeral. One of them is an aspiring musician and the other is a lawyer. One of them has parents who ‘live in a castle’ and the other doesn’t want to have anything to do with the circumstances they worked their way upwards from. As they begin to get to know each other, their past and present, they’re presented with a challenge - they have a strict limit on the amount of words available to speak each day. How many do they need at work and how many can they use at a party? How many are they left with to communicate with each other? What happens when one of them has more words left than the other and what happens when they run out completely? While they use made-up abbreviations and morse code to navigate the literal challenge, what does not having enough ...
<strong>Welcome Home – Soho Theatre</strong>
London

Welcome Home – Soho Theatre

Willy Hudson takes us on an adventure into a lurid, phantasmagoria of his past. It begins with Willy returning to his parents’ house after a messy breakup, which ignites memories of the past as he inadvertently seeks closure. The older Willy decides to avenge himself and portrays himself as the villain, fighting the good. With clever Doctor Who crossovers, comparing monsters to certain daunting figures in his life, Hudson’s personal story feels epic. Hudson is an engaging storyteller with sass and warm expressiveness, keeping the narrative buoyant throughout with direction from Zach James. His descriptive, visual script evokes nostalgia, and the conversations are naturalistic with comedic undertones as Willy re-enacts them. The back and forth time jumping was in keeping with the Doctor ...
<strong>Sound of the Underground – Royal Court</strong>
London

Sound of the Underground – Royal Court

‘Sound of the Underground’ by Travis Alabanza [BURGERZ, Before I Step Outside [You Love Me] and co-created by Debbie Hannan [Constellations, The Panopticon] is an angry, ambivalent, and vibrant call to arms in a crisis of money, dignity, culture and community. This brilliant two act evening of radical art, comprised of some of the brightest stars in the current grass roots drag scene, presents us with these problems and the/a solution- radical art and the rejection of commodification. After a review style introduction to the show (heavily featuring the excellently crass Midgitte Bardot), we are presented with a one scene play. Informed by the traditional theatre setting and location (the salubrious Sloane Square) the curtain rises to a modern kitchen box set. The play begins: beige, ...
<strong>The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre</strong>
London

The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre

The Strange Case of Dr Jekyll and Mr Hyde written by Robert Louis Stevenson in 1886 will be familiar to many.  However, in order to avoid impairing the pleasure of those who do not know the story I will be circumspect in this review about the plot. This one-man stage adaptation has been written and performed by Mark Stratford.  It closely follows the plot and characterisation in Stevenson's original. The play starts with the investigating officer Inspector Newcomen explaining to the audience of background to the case and introducing the testimony of Gabriel Utterson, the lawyer and friend of Dr Henry Jekyll.  Concerned by the strange behaviour and disappearance of his friend plus a strange will left in his keep, Utterson starts to investigate and soon comes across the str...
<strong>Noises Off – Phoenix Theatre</strong>
London

Noises Off – Phoenix Theatre

Michael Frayn’s ‘Noises Off’ is 41 years old this year, and yet it still manages to hold the audience in stiches from start to finish. Even after all this time, it remains a highly entertaining and truly hilarious comedy. In the very unlikely event that the reader is unfamiliar with the storyline, it is a farce within a farce, following the comedic and highly energetic mishaps of a small time theatre company as they perform a fictional play, "Nothing On". Frayn’s expertly crafted script, filled with puns, innuendo, snappy one-liners, and physical comedy, keeps the audience in fits of laughter throughout, and this latest version’s pacing is spot-on, with expertly choreographed action, and impeccable timing of jokes, which is a testament to Lindsay Posner’s skilful direction and the brill...
<strong>In Clay – VAULT Festival</strong>
London

In Clay – VAULT Festival

This is the first show I have seen at the 2023 VAULT festival and what a start. In Clay is one of the best new musicals I have seen, full of heart and passion, it was an experience I won’t soon forget. In Clay is a one-woman musical based on the life of Marie-Berthe Cazin, a French artist. The story is set in her home in the suburbs of Paris in the 1930s. When we meet her in this story, Marie is awaiting the arrival of her fellow artist friend Henrietta. As she waits, she starts to tell the story of how they met in school and as a result the story of her life thus far. She is reflecting on her journey and career, thinking about what could have been and how she ended up on her current path. Rosalind Ford is very charming as Marie. Her comedic timing bundled with her ability to convey ...
<strong>Othello – Lyric Hammersmith</strong>
London

Othello – Lyric Hammersmith

Frantic Assembly bring back their widely celebrated production of Othello adapted and directed by Scott Graham at the Lyric Theatre in Hammersmith. This modernised show follows Othello (Michael Akinsulire), the leader of a gang in a pub setting. They protect this area of land through violence shown in a series of movement pieces and dances. Desdemona (Chanel Waddock), daughter of gang member meets Othello in a montage hitting it off straight away, exuding with sexual connection and quite quickly becoming the metaphorical king and queen of the pack. In the background, Iago (Joe Layton) looks at this relationship as a threat and therefore creates his plan of revenge. The revenge? I’m not too sure- it could be the rumours that he has slept with his wife, Emilia (Kirsty Stuart) or simply just ...
<strong>The Elephant Song – Park Theatre</strong>
London

The Elephant Song – Park Theatre

When a psychiatrist misses work unexpectedly the head of the hospital, Doctor Greenberg (Jon Osbaldeston) covers for him. One of the patients, Michael (Gwithian Evans) claims to know Doctor Lawrence’s whereabouts but will only cooperate if he gets something in return. Nicolas Billon’s cleverly plotted script teems with intrigue, as two mysteries unravel throughout the play; Doctor Lawrence’s disappearance and Michael’s past related to his peculiar obsession with elephants. As he saunters in singing with abandon, we hear him before we see him, which already establishes the notion of prejudice in the play. Evans’ portrayal of Michael is immaculate, from his jerky movements to the playful yet calculating gaze. His sharp delivery indicates a disregard for social norms and Evans gives us a s...