Saturday, November 16

London

<strong>Welcome Home – Soho Theatre</strong>
London

Welcome Home – Soho Theatre

Willy Hudson takes us on an adventure into a lurid, phantasmagoria of his past. It begins with Willy returning to his parents’ house after a messy breakup, which ignites memories of the past as he inadvertently seeks closure. The older Willy decides to avenge himself and portrays himself as the villain, fighting the good. With clever Doctor Who crossovers, comparing monsters to certain daunting figures in his life, Hudson’s personal story feels epic. Hudson is an engaging storyteller with sass and warm expressiveness, keeping the narrative buoyant throughout with direction from Zach James. His descriptive, visual script evokes nostalgia, and the conversations are naturalistic with comedic undertones as Willy re-enacts them. The back and forth time jumping was in keeping with the Doctor ...
<strong>Sound of the Underground – Royal Court</strong>
London

Sound of the Underground – Royal Court

‘Sound of the Underground’ by Travis Alabanza [BURGERZ, Before I Step Outside [You Love Me] and co-created by Debbie Hannan [Constellations, The Panopticon] is an angry, ambivalent, and vibrant call to arms in a crisis of money, dignity, culture and community. This brilliant two act evening of radical art, comprised of some of the brightest stars in the current grass roots drag scene, presents us with these problems and the/a solution- radical art and the rejection of commodification. After a review style introduction to the show (heavily featuring the excellently crass Midgitte Bardot), we are presented with a one scene play. Informed by the traditional theatre setting and location (the salubrious Sloane Square) the curtain rises to a modern kitchen box set. The play begins: beige, ...
<strong>The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre</strong>
London

The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre

The Strange Case of Dr Jekyll and Mr Hyde written by Robert Louis Stevenson in 1886 will be familiar to many.  However, in order to avoid impairing the pleasure of those who do not know the story I will be circumspect in this review about the plot. This one-man stage adaptation has been written and performed by Mark Stratford.  It closely follows the plot and characterisation in Stevenson's original. The play starts with the investigating officer Inspector Newcomen explaining to the audience of background to the case and introducing the testimony of Gabriel Utterson, the lawyer and friend of Dr Henry Jekyll.  Concerned by the strange behaviour and disappearance of his friend plus a strange will left in his keep, Utterson starts to investigate and soon comes across the str...
<strong>Noises Off – Phoenix Theatre</strong>
London

Noises Off – Phoenix Theatre

Michael Frayn’s ‘Noises Off’ is 41 years old this year, and yet it still manages to hold the audience in stiches from start to finish. Even after all this time, it remains a highly entertaining and truly hilarious comedy. In the very unlikely event that the reader is unfamiliar with the storyline, it is a farce within a farce, following the comedic and highly energetic mishaps of a small time theatre company as they perform a fictional play, "Nothing On". Frayn’s expertly crafted script, filled with puns, innuendo, snappy one-liners, and physical comedy, keeps the audience in fits of laughter throughout, and this latest version’s pacing is spot-on, with expertly choreographed action, and impeccable timing of jokes, which is a testament to Lindsay Posner’s skilful direction and the brill...
<strong>In Clay – VAULT Festival</strong>
London

In Clay – VAULT Festival

This is the first show I have seen at the 2023 VAULT festival and what a start. In Clay is one of the best new musicals I have seen, full of heart and passion, it was an experience I won’t soon forget. In Clay is a one-woman musical based on the life of Marie-Berthe Cazin, a French artist. The story is set in her home in the suburbs of Paris in the 1930s. When we meet her in this story, Marie is awaiting the arrival of her fellow artist friend Henrietta. As she waits, she starts to tell the story of how they met in school and as a result the story of her life thus far. She is reflecting on her journey and career, thinking about what could have been and how she ended up on her current path. Rosalind Ford is very charming as Marie. Her comedic timing bundled with her ability to convey ...
<strong>Othello – Lyric Hammersmith</strong>
London

Othello – Lyric Hammersmith

Frantic Assembly bring back their widely celebrated production of Othello adapted and directed by Scott Graham at the Lyric Theatre in Hammersmith. This modernised show follows Othello (Michael Akinsulire), the leader of a gang in a pub setting. They protect this area of land through violence shown in a series of movement pieces and dances. Desdemona (Chanel Waddock), daughter of gang member meets Othello in a montage hitting it off straight away, exuding with sexual connection and quite quickly becoming the metaphorical king and queen of the pack. In the background, Iago (Joe Layton) looks at this relationship as a threat and therefore creates his plan of revenge. The revenge? I’m not too sure- it could be the rumours that he has slept with his wife, Emilia (Kirsty Stuart) or simply just ...
<strong>The Elephant Song – Park Theatre</strong>
London

The Elephant Song – Park Theatre

When a psychiatrist misses work unexpectedly the head of the hospital, Doctor Greenberg (Jon Osbaldeston) covers for him. One of the patients, Michael (Gwithian Evans) claims to know Doctor Lawrence’s whereabouts but will only cooperate if he gets something in return. Nicolas Billon’s cleverly plotted script teems with intrigue, as two mysteries unravel throughout the play; Doctor Lawrence’s disappearance and Michael’s past related to his peculiar obsession with elephants. As he saunters in singing with abandon, we hear him before we see him, which already establishes the notion of prejudice in the play. Evans’ portrayal of Michael is immaculate, from his jerky movements to the playful yet calculating gaze. His sharp delivery indicates a disregard for social norms and Evans gives us a s...
<strong>Hamlet – Southwark Playhouse</strong>
London

Hamlet – Southwark Playhouse

Lazarus Theatre Company offer a different approach to producing a Shakespeare production.  Reimagining the classics is their game, collaborating with their artists, they have an emphasis on ensemble work, which was in evidence in this Hamlet production.  Lazarus have co-produced this show with Southwark Playhouse’s Shakespeare for Schools Project, and the youthful cast encouraged a younger audience to come along to watch. Hamlet was a reluctant choice for Artistic Director Ricky Dukes, as he felt that it has been exhausted, and there can be an issue of what can we add to a production, but they need not have worried, this production packs a punch and enables Shakespeare’s language to work within this ensemble framework.  The opening scene is a case in point, The Voice (...
<strong>And Then The Rodeo Burned Down – King’s Head Theatre</strong>
London

And Then The Rodeo Burned Down – King’s Head Theatre

Coming direct from New York City in association with theSpaceUK, following a successful week-long debut run in Edinburgh and winning the coveted Fringe First Award; Chloe Rice and Natasha Roland have been collaborating for nearly ten years, writing, and performing their own material.  Ye hawing their way into the King’s Head Theatre, their rodeo clown show packs a lot into the hour. With country and western music piped into the theatre, the clown puts on her make up ready for the show.  Star of the show is the lassoing cowboy, and oh boy, does Dale the clown want to be a cowboy, but our clown has a shadow, someone who wants to be a clown.  Dressed in cowboy clothes, the pecking order of life is dissected, with the cowboy representing the top of the food chain and the s...
<strong>George Takei’s Allegiance – Charing Cross Theatre</strong>
London

George Takei’s Allegiance – Charing Cross Theatre

A fantastic production, heart-warming and fulfilling, grounded in a real historic period. It highlights the strength of the human spirit against all odds and shows how things can bloom even through adversity. After the success of productions of Allegiance in San Diego and on Broadway it has arrived at the Charing Cross theatre, London. This musical is the story of Sam Kimura and his family who, like 120,000 other Japanese Americans during World War Two were forced into internment camps. Evicted from their homes and shipped across the country for the crime of being of Japanese descent during a war where Japan was considered the enemy. You could feel the love of the people involved; George Takei considers it his ‘legacy project’. The characters were inspired from his personal experi...