London Archives - Page 57 of 123

4May

By Anisha AnantpurkarNo Comments

London

The World’s Wife – Barbican

Clad in red, sitting on blocks shaped like the roof of a house, the Ragazze Quartet sit while Baritone Lucia Lucas stands leaning against the roof with her back to the audience. The sound of one violin and Lucia Lucas’ baritone radiates through the theatre. We don’t see her sing, all we see are the choreographed responses of the rest of the Ragazze Quartet. For the entirety of the performance we are immersed in a production where words, sound, and movement are in conversation with one another as they tell us the stories of women hidden from history. The performance The World’s Wife is based on and named after the book of collection of poems by Carol Ann Duffy’s. It includes the poems The Little Red Cap, Pilate’s Wife, Salome, Mrs. Icarus, Medusa, Mrs Aesop, Anne Hathaway, Mrs Beast, Que...

3May

By Marita MatarNo Comments

London

Stars – Institute of Contemporary Arts

Just because I am born here doesn’t mean I am from here’ -MRS In an effort to elicit sexual arousal and understanding of bodies that are queer, Black, female, or undocumented, STARS present an Afrofuturist music play performed by Debra Michaels (MRS) and Bradley Charles (DJ Michael Manners), written by Mojisola Adebayo, an internationally acclaimed theater maker artist and Alfred Fagon award winner and directed by Gail Babb and S. Ama Wray. Huge acknowledgments to the cast, the creative team and the production who successfully made a 90-minute piece possible with the creative intervention of experimental music, digital tills, acting, animation, lighting and stage managing. The actor was accompanied by music played by the DJ in a space-like cabin who sets the tone with his trippy, univer...

3May

By Zoё MeeresNo Comments

London

Blanket Ban – Southwark Playhouse

Performing to a packed Southwark Playhouse audience on Tuesday night, writers and performers Davina Hamilton and Marta Vella open their one act show by extolling the virtues of their home country, Malta. And it sounds idyllic – 300 days of sunshine, beautiful beaches and coastline, jewel blue sea – which features as a recurring theme of beauty and power – delicious food and a friendly community spirit across the country. Ah, and it has – or had up until very recently – a blanket ban on abortion. And so, the premise is set, with Hamilton and Vella breaking down the internal conflict they feel for a country they clearly love, with otherwise open and progressive views, taking such a stern, outdated position on abortion. The piece has been well researched and uses a mix of first-person t...

The Beekeeper of Aleppo – Richmond Theatre

3May

By Alan Stuart MalinNo Comments

London

The Beekeeper of Aleppo – Richmond Theatre

‘The Beekeeper of Aleppo’, adapted for the stage by Nesrin Alrefaai and Matthew Spangler, is based on Christy Lefteri's bestselling novel. The play follows the story of Nuri, a beekeeper, and his wife Afra as they navigate a dangerous journey from war-torn Syria to the UK. The couple's experiences are shaped by the trauma they faced during the war, and the challenges they encounter as refugees seeking safety and a new home. As Nuri and Afra struggle through Turkey and Greece, leaving behind the shattered remains of their lives, audiences bear witness to their resilience and strength and see the power of the human spirit in the face of adversity. Lefteri's novel is a powerful story that offers a glimpse into the harsh realities faced by refugees, and the play adaptation seeks to bring th...

2May

By Maani WayNo Comments

London

Glory Ride – Charing Cross Theatre

“Good is something you do, not what you talk about”. A new musical based on the true story of a heroic conspiracy to rescue children from fascist Italy by bicycle, Glory Ride a tale of passion, friendship, grief and pride. The plot centres around the beloved Italian athlete Gino Bartali (Josh St. Clair), an Italian household name, who cycled across European countries delivering edited identity cards to fugitives to save their lives. Written by Victoria and Todd Buchholz and directed by Olivier-winner Kelly Devine, this production has been developed through workshops in New York and Los Angeles and a staged concert at The Other Palace in London last year. The set is dimly lit and has a sombre feel to it, setting the scene for Italy in 1935, depicting the tone of the musical a...

Eurovision (Your Decision) – Above The Stag

2May

By Alice RoseNo Comments

London

Eurovision (Your Decision) – Above The Stag

In the upcoming, major event that is Eurovision we are transported back to the classics throughout the years. Four actors take us through a parody musical journey all the way back to the 70's, to covid finding all the most wonderful obscurities through the way. Set in a cabaret style theatre, the audience are encouraged to band together, make new friends and sing-along in the true Eurovision style. This fast-paced piece parodies every element, from the voice-over to the presenters. Incredibly well-timed comedy and chemistry between the cast as they jostle on and off stage clownishly. Even if you don't know the older tunes, everything is so easily available for the audience to get involved and show support. Interactive, of sorts as we decide the winner of the whole show during the int...

2May

By Alice RoseNo Comments

London

The Retreat – Finborough Theatre

Jason Sherman's The Retreat follows the dreams of Rachel (Jill Winternitz), a Hebrew school teacher whose passion for writing was re-enlightened from a dare to try one more time. After being accepted on a writer's retreat led by an independent film production studio, David (Max Rinehart) falls in love with her script about a false Messiah but upon her arrival falls in love with her too. David's business partner Jeff (Michael Feldsher) is wrapped up in the current obsession of slashers knowing it'll help expand their business but David can't get behind work he doesn't feel passionate about and walks away from Jeff to help produce Rachel's script. In an effort to bring David back, Jeff meddles with Rachel's script to see if she is a wannabe writer or a true writer at heart. Rachel becomes vi...

30Apr

By Gonzalo SentanaNo Comments

London

Richard III – Rose Theatre

What is the right way to do Shakespeare? Is there a right way? Is there only one way? How are his characters seen today, and what do they mean for today's audiences? Adjoah Andoh takes a bold swing at one of Shakespeare's most hateful villains, and strikes the audience with wit. This staging of Richard III, coproduced by Rose Theatre and Liverpool Everyman & Playhouse Theatre, toys with the idea that the non-able bodied title character is being judged by his appearance more than his actions. All the historical explanations notwithstanding, it is interesting to think about discrimination and marginalization based on physical appearance. It's just… well… according to the text, Richard did order the murder of two children who were in his way, amongst several other people. The question ...

The Marriage of Figaro – Royal Opera House

28Apr

By Mark DavorenNo Comments

London

The Marriage of Figaro – Royal Opera House

Mozart’s classic four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, is delightfully brought to life in director David McVicar’s own revival of his 2006 production, again conducted by Antonio Pappano, of this satirical and deeply human drama. As the day of Figaro (Riccardo Fassi) and Susanna’s (Giulia Semenzato) wedding arrives, it becomes clear that their master, Count Almaviva (Davide Luciano), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess (Federica Lombardi) to outwit her husband and teach him a lesson in fidelity. Plans however are thrown awry when Bartolo (Henry Waddington), seeking revenge against Figaro for thwarti...

Love Talk – New Wimbledon Theatre Studio

28Apr

By Gonzalo SentanaNo Comments

London

Love Talk – New Wimbledon Theatre Studio

How would it feel to see a very toxic relationship described as love? How would it look like to see the representation of a separation letter gone wrong? In this production of Love Talk, written and directed by Emma Gueye, the audience is presented with the characters of Lauren, played by Megan Cooper, Adam, played by Will Charlton, and Ethan, by Chris Austin. The set and costume design are minimal and have little to no interest in the performance, but that will come back later. When the audience enters the theatre, there seems to be a party going on, with between 6 to 10 people having fun, talking, and laughing on stage. This is a very promising start that is, however, deceptive. The rest of the play will be surprisingly static, not only from a corporeal point of view, but from the ...