Saturday, November 16

London

David Copperfield – Riverside Studios
London

David Copperfield – Riverside Studios

David Copperfield is one of the best-loved of Charles Dickens' novels and is believed to be at least a semi-autobiographical narration of his life. He said that Copperfield was always his "favourite child". Dickens' family were extremely poor; he was forced as a young boy to work in a factory in conditions that informed his later efforts to achieve social reform by highlighting the cruel lives of London's poorest. Dickens ensured that his writings could reach the general public by publishing in magazines, so that the poorer in society could read them when they could not afford books.  Simon Reade's innovative adaptation re-imagines the story as a Victorian Music Hall performance, a popular form of theatre in the 19th century, which reflects the period of Dickens' and Copperfield's lif...
Fabulett 1933 – Drayton Arms Theatre
London

Fabulett 1933 – Drayton Arms Theatre

"Fabulett 1933" at the Drayton Arms Theatre presented a thought-provoking and bold take on the impact of the rise of fascism in 1933 Germany on the queer community. Michael Trauffer, who wrote and performed the one-man musical, deserves applause for his ambition in connecting a historical piece to today's world, where many societies are moving to the right. He did a fine job in embodying Felix, the host of Berlin's “most decadent” club, with his portrayal of the flamboyant character, wearing various costumes, including black leather, big skirts, sequined caps and a whip. However, the limited time for plot development and a lack of tension throughout the piece detracted from its overall impact. The inclusion of surprising details, such as the attendance of Nazi officers at the club, of c...
<strong>Much Ado About Nothing – Duke of York’s Theatre</strong>
London

Much Ado About Nothing – Duke of York’s Theatre

Love Island meets Shakespeare in this new adaptation of the celebrated play “Much Ado About Nothing”. In this classic Shakespeare tale of love, twists and dark humour, this adaptation is a new take and one which younger audiences are sure to enjoy. The play revolves around two romantic pairings, who have found themselves on a reality TV show, ‘Nothing Island’. The typically happy couple, Claudio and Hero, find trouble in paradise when the cast conspire against them in order to provide those at home with the reality TV drama they crave. Becoming involved, unlikely pair Benedick and Beatrice, form an unlikely romance (with a little help from hearsay) fuelled with plenty of wit and banter for the audience to enjoy. The set is particularly standout. As the audience wait for the action to...
Breathless – Soho Theatre
London

Breathless – Soho Theatre

Laura Horton's "Breathless" is a stunningly crafted and expertly performed play that explores the complexities of self-discovery and the challenges of growth. The play follows the journey of Sophie, a woman in her late-thirties, who opens up to new experiences and begins to delve into long-repressed aspects of herself. With humour and poignancy, Horton delves into the heart of Sophie's struggle as she grapples with the secret of her compulsive hoarding habits and the fear of being discovered for who or what she really is. The play is heart-warming and offers up an incredibly genuine performance by Madeleine Macmahon as Sophie. Her portrayal of the character is both hilarious and touching, capturing the confusion and vulnerability of Sophie's journey with nuance and sensitivity. The w...
<strong>Police Cops: Badass be thy name – Vault Festival</strong>
London

Police Cops: Badass be thy name – Vault Festival

I’ll be honest, I’m not overly sure I got the storyline right – but what I can tell you: this is the most frenetic, supercharged, high production piece of theatre you’ll likely see at the Vaults. The story is set in the 1990s. Tommy Dixon quits his job because he wants to get more out of life. But he also wants to find his dad who walked out on him when he was younger – not before repeatedly punching a photograph of his young son. As it turns out Tommy then ends up on a quest to become a vampire slayer and finds his dad. And there’s a lot of talk of Manchester and sweets. I wish I could explain more about how all of this makes sense, but I can’t, and I don’t think it really matters because this is a feast (and feat) of physical comedy theatre you rarely get to see. It’s unbelieva...
Quench – Vault Festival
London

Quench – Vault Festival

I bet you’ve walked past a drinks vending machine many times in your life and never given a second thought to the lives of those who reside within. Those cartons, cans and bottles all illuminated and waiting to be picked have lives too – or so that’s what Quench made me realise. Set in a vending machine in a leisure centre facing closure we follow the tragi-comedy lives of Appletania, Sparkling, Fizzy Orange and Electrolyte. If it sounds absurd – it is, but the minimal yet effective costumes and behavioural tics make this an incredibly believable set – and idea. Despite sounding like an insane idea for a play, this works really well to tell the story of the hopes, dreams and fears of life. On the surface this may be a funny comedy, but there’s a depth to the writing that leaves t...
Titus Andronicus – Sam Wanamaker Playhouse
London

Titus Andronicus – Sam Wanamaker Playhouse

The Globe’s winter fest comes to its closing but not before tackling Shakespeare’s most gruesome tragedy directed by Jude Christian, with an all-female cast bringing us the horror tale without an ounce of blood spilling. Knowing it to be the bloodiest tale, I sat down with sight swell of excitement to how they might butcher each other on stage but what I received was quite the opposite and I don’t think I was too mad about it. Our two opposing leaders, Titus and Saturninus played by Katy Stephens and Lucy McCormick bring a delightful contrast between power and how to use it. McCormick utterly rocks the stage, stealing more than a glance at every moment they perform with force, making a parody of every male leader as we know them in classics creating a clown of who we should respect the mos...
<strong>Vix & Helen – Vault Festival</strong>
London

Vix & Helen – Vault Festival

Performed in a small brick theatre in the vault located under waterloo station creating an atmosphere; an intimate feeling of being alone with the characters. The stage set out to replicate a school locker room, simplistic but instantly recognisable. The play centred on a bemusing incident involving Vix played by Heloise Spring and Helen (Lucy Sherraft) younger siblings. Vix and Helen are friends however their friendship is intertwined with complexities of family life, their friendship and feelings of how they are perceived by each other as well as the outside world. Their story is peppered with confliction and expression of thoughts created by the turmoil they feel about themselves and how they are perceived by others. Helen is tall and effervescent in her approach to life unlike V...
My Son’s a Queer (But what can you do?) – Ambassadors Theatre
London

My Son’s a Queer (But what can you do?) – Ambassadors Theatre

My Son’s a Queer (But what can you do?) is a fabulous solo show that sets out to educate the audience and re-claim the word Queer as something to be celebrated! Rob Madge has successfully crafted a piece of theatre that is heart-warmingly hilarious and poignantly moving. The message is obvious, yet powerful: you should let everyone be who they are. Rob openly shares the highs and lows of their magical childhood and explains how Rob’s family encourage them to shine. The structure of the show itself is powerful: 7 steps of putting on a Disney Parade in your living room. Using clips from their family video archive, Rob explains how we can make life magical just by using our imaginations. Rob’s ode to Disney encapsulates the joy and relatable challenges of childhood. The show is written as ...
<strong>Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre</strong>
London

Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre

Bernadette and Oliver meet at a cat's funeral. One of them is an aspiring musician and the other is a lawyer. One of them has parents who ‘live in a castle’ and the other doesn’t want to have anything to do with the circumstances they worked their way upwards from. As they begin to get to know each other, their past and present, they’re presented with a challenge - they have a strict limit on the amount of words available to speak each day. How many do they need at work and how many can they use at a party? How many are they left with to communicate with each other? What happens when one of them has more words left than the other and what happens when they run out completely? While they use made-up abbreviations and morse code to navigate the literal challenge, what does not having enough ...