London Archives - Page 56 of 115

3Mar

By Marita MatarNo Comments

London

Barely Visible – Jacksons Lane

"How can you know you're a lesbian if you've never been with a woman?" was one of the interesting thoughts made by an audience member concerning the subjects addressed by Rowena Gander, who had us spellbound with her outstanding performance. Barely Visible is a solo performance choreographed and performed by Rowena Gander, directed by Elinor Randle, and backed by a creative team that worked with digital tills and lighting to generate the ambiance. The performance addressed lesbian identity; one that is questioned, banalized, sexualized, objectified, and fetishized. “I always wanted references to relate to” was Rowena’s answer to Elinor’s question “Why did you put on this show?”. Barely Visible problematizes people’s perception of lesbianism that stems from misogynistic and patriar...

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

3Mar

By Gonzalo SentanaNo Comments

London

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

Seeing a play taking on a very well-known genre and trying to reference it, turning it into something different, is an entertaining and educational experience, though things can turn out less interesting than expected, if the intentions are better than the implementation. This show, written by Peter Rae, and directed by Helen Bang, both doubling as actors, is an attempt at making fun of the genre of the Murder Mystery trope. While the intentions are clear from the beginning, the actual running of the show is a hot mess of overly saturated references and misplaced punchlines. The show starts with "Manning – The Butler", portrayed by Christian Ballantyne, who is cleaning some props on stage, and makes the first attempt at getting the audience to laugh, when spitting a candleholder whil...

How To Break Out of a Detention Centre – Riverside Studios

2Mar

By Marita MatarNo Comments

London

How To Break Out of a Detention Centre – Riverside Studios

“I was born in a strange century where people are taken to jail because they were born with a heart that beats for honesty and justice” – Nawal el Saadawi (Memoirs from the Women’s Prisons, 1984). It is with deep solidarity that the production paid tribute to women in detention centres in the UK, and it is with tremendous honesty that art consolidated with social causes brings justice to women in detention, choosing to sensibilise the public’s eye rather than choosing to stay silent. Allowing visibility for women suffering because of multiple systems of oppressions for a staged production is an empathetic choice by nature. How To Break Out of a Detention Center? A compelling world premiere of a female migrant led international co-production from BÉZNĂ Theatre and Romanian theatre compan...

2Mar

By Maani WayNo Comments

London

Oklahoma! – Wyndham’s Theatre

A hit for over 75 years, the Tony Award-winning musical ‘Oklahoma!’ returns to London, bringing its charm, humour and heart with it. The classic tale of who will win the girl is transformed into a contemporary and deep portrayal of modern lust, with exotic artistic choices and set design utilised to revive this show. As the audience take their seats, they are met with bright blinding lights which remain almost constant, focusing the audience’s attention and indicating what’s to come. In addition to the sunlit stage, the set is panelled with a pine wood aesthetic, creating a modern barn feel, with shotguns displayed proudly on the walls. The set is kept minimal, with one long wooden dining table and several wooden chairs. The show begins abruptly, as no curtain is used. The audi...

1Mar

By Gonzalo SentanaNo Comments

London

BriTANick – Soho Theatre

They tell you to laugh and you laugh. They tell you how much to laugh, and you listen. But when you try to stop laughing, that seems impossible. Welcome to BriTANick. The comedy duo of Nick Kocher and Brian McElhaney, under the direction of Alex Edelman and produced by Zach Zucker and Allegra Rosenberg, brings a thrilling series of short comedy sketches with a non-stopping rhythm and precision that will keep you on the edge of your seat. Starting with a very short slapstick sketch of an annoying spirit that decides to haunt an innocent reader, the audience will be quickly introduced into this clockwork machinery were the two actors play a version of themselves playing characters through eight sketches and some intermezzos. The deceptively simple mechanism of addressing the audience a...

27Feb

By Gemma PrinceNo Comments

London

In PurSUEt – Vault Festival

At first glance, In PurSUEt - Eleanor Higgins’ one-woman show, is about a superfan and their obsession with Bake Off star Sue Perkins, yet, as the story unfolds, it is far darker and more tragic than you’d imagine. We follow an unnamed woman during a therapy session as she recounts her journey and love for Sue Perkins, from sneaking into backstage areas to drunkenly crashing a charity event for dogs. As her story progresses, it quickly becomes clear that the show goes beyond obsession and is a powerful tragicomedy which delves deep into mental health issues and addiction. Higgins artfully commands the stage as we see the ups and downs of her character, from self-assured and charismatic as she recounts her drunken nights out to lonely and self-destructive as her reliance on alcoho...

26Feb

By Jennifer LaishleyNo Comments

London

The Wedding Speech – Vault Festival

The Wedding Speech is a one-woman show all about a toxic mother-daughter relationship. Rose has been asked to do a speech at her mother’s wedding. But Rose is hiding in the toilets as she would prefer to tell the audience the truth about how her mother mistreats her. This is a story about co-dependency and different ways two people deal with trauma. The show reaches a huge climax when Rose finally gives her speech. Cheryl May Coward-Walker’s play deals with the toxic parental relationship issue in a setting that has a lot of room for comedic moments. There are serious heart-warming messages to take away, as Rose tells the audience her experiences and tries to comfort herself. But the stream of consciousness causes some pacing issues. There are a lot of key moments off-stage. This takes ...

The Walworth Farce – Southwark Playhouse Elephant

26Feb

By Paul AckroydNo Comments

London

The Walworth Farce – Southwark Playhouse Elephant

Southwark Playhouse have chosen the Walworth Farce by Enda Walsh as their opening production in their splendid new location at the Elephant. Apart from the location being appropriate it was not a good choice. This is an extraordinary play based on the scenario of a father and two sons exiled from Ireland who barricade themselves in a squalid flat in the Elephant and Castle district who cut themselves off from the outside world almost completely. They spend their time under the direction of the father, Dinny, in ever more extraordinary and surreal ways their recollection or imagined recollection of their final days in Cork. Only one of the sons, Sean, is allowed to leave the flat to obtain basic provisions. One day he returns home with the wrong shopping bag.&...

Grenfell: System Failure Scenes from the Inquiry – The Playground Theatre

24Feb

By Zoё MeeresNo Comments

London

Grenfell: System Failure Scenes from the Inquiry – The Playground Theatre

I still remember the horror I felt when I saw for myself the remains of the Grenfell Tower as I was driving through west London a couple of weeks after the fire. It was an appalling, brutal sight, and I found it so overwhelming that I immediately burst into tears. So, it was fitting that I – unintentionally – took that same route to the performance of Grenfell – System Failure last night, as the recollection helped set my mindset for the evening ahead. As the title suggests, the premise here is a snapshot into the evidence and conclusions from the first phase of the Grenfell inquiry. Richard Norton-Taylor, together with Nicholas Kent, have selected testimony from a range of people who were either affected by the tragedy or were part of the chain of events that led to it. The stage is se...

Women, Beware the Devil – Almeida Theatre

24Feb

By Alan Stuart MalinNo Comments

London

Women, Beware the Devil – Almeida Theatre

‘Women, Beware the Devil’ is a brand-new play by Lulu Raczka, and directed by Rupert Goold that manages to both dazzle and confound in equal measures. It takes place in 17th century England during a time of political turmoil and witch hunts and features a cast of strange and unconventional characters. At the start of the play, the devil himself (Nathan Armarkwei-Laryea) acts as the master of ceremonies, welcoming the audience and guiding them into the intricate and somewhat confusing plotline of the De Clare family. Lady Elizabeth De Clare (Lydia Leonard) is hatching a scheme to cling on to the luxurious family home. She has schemed to arrange a marriage of convenience between her brother Edward (Leo Bill) and Katherine (Ioanna Kimbook), the wealthy daughter of a shipbuilder, in the hop...