London Archives - Page 50 of 115

27Apr

By Stewart Who?No Comments

London

F**king Men – Waterloo East

F**king Men by Joe Dipietro is based on Schnitzler’s La Ronde, written in 1897 and first performed in 1920. It provoked an almighty scandal that escalated into anti-Semitic attacks on Schnitzler and a court case where he was accused (but acquitted) of obscenity. The primary text is laughably tame and early productions left the sexual encounters to the audience’s imagination, but the playwright was still labelled a ‘Jewish pornographer’. La Ronde dared to suggest that sexual desire cuts through class barriers and unwise copulation is a universal human frailty. This is no longer news in 2023 and perhaps Dipietro was chasing the original’s provocative vibes when naming this adaption and filling the stage with rampant, often naked, gay men. Either way, the gambit proved a box office smash. ...

26Apr

By Paul AckroydNo Comments

London

Jules and Jim – Jermyn Street Theatre

Henri-Pierre Roche's classic 1952 novel, which was made into a renowned 1962 film directed by François Truffault, has been adapted for the stage by Timberlake Wertenbaker and presented at the Jermyn Street Theatre. It tells the story over 25 years from 1907 of two young men, one German, one French, who meet and form a firm and long-lasting friendship based upon their love of writing. Their friendship is disturbed when they come across the enigmatic Kath, whose smile they liken to the statue of a Greek goddess they had been infatuated with when they came across it on holiday. Kath has a dramatic impact on the lives of them, but never destroys the firmness of their friendship. It is a play about the centrality of love and friendship to life. Wertenbaker's script is...

Tony! The Tony Blair Rock Opera – Leicester Square Theatre

26Apr

By Carole GordonNo Comments

London

Tony! The Tony Blair Rock Opera – Leicester Square Theatre

Relentlessly loud, unsubtle and lacking any pretence to charm or wit, Tony! The Tony Blair Rock Opera by Harry Hill and Steve Brown rattles through Blair's greatest life hits, from birth to eventual death, interspersed by his political rise and prosecution of four wars. It's an in-your-face puerile comedy at times hilarious but also cringeworthy. Blair is presented as weak, ineffectual and easily manipulated by those around him, particularly his wife, Cherie, Comms Director Peter Mandelson, and President Bush. A parade of political figures from Saddam Hussein and Osama bin Laden to John Prescott, Gordon Brown, Neil Kinnock and David Blunkett (with toy guide dog) populate the political landscape of Blair's career. The saving grace of the production is the cast. Full of energy and t...

The Secret Life of Bees – Almeida Theatre

22Apr

By Akshay RahejaNo Comments

London

The Secret Life of Bees – Almeida Theatre

Set in South Carolina in 1964 and tells the story of Rosaleen, who is fighting for her right to vote, and Lily, who is trying to escape her abusive father. Together, they seek refuge at a remote honeybee farm run by the Boatwright sisters. Abiona Omonua, who played Rosaleen, was the standout performer. The ensemble cast also did an excellent job, including Eleanor Worthington-Cox as Lily, Ava Brennan as June, Tarinn Callender as Neil, Madeline Charlemagne and Shekinah Mcfarlane as the daughters of Mary, Danielle Fiamanya as May, Richard James-Neale as multiple characters, Rachel John as August, Mark Meadow as T-Ray, and Noah Thomas as Zachary. While there were a few moments where the dramatic moment could be anticipated in the performer’s body, overall, the performances were strong and ...

22Apr

By Stewart Who?No Comments

London

Splintered – Soho Theatre

‘How do you deal with coming out joyfully in a homophobic culture?’ This is the awkward question asked by Emily Aboud in her prize-winning show Splintered. In truth, same sex love isn’t overly celebrated anywhere on this melting, agitated planet. It’s geographical lottery that decides the level of homophobia one might experience should you start waving a rainbow flag. In Brunei, Iran, Mauritania, Saudi Arabia, Yemen and in some northern states of Nigeria, coming out might end in state enforced death sentence. Coming out in Cheam may be easier than in Chechnya, but unicorns and glitter aren’t guaranteed. Attitudes to queerness in the Caribbean stem from a very complex tangle of elements. It’s only quite recently that there’s been an understanding that laws criminalising homosexual relati...

22Apr

By Alice RoseNo Comments

London

Dancing at Luhgnasa – National Theatre

Michael casts his memory back to Bellybag, Ireland in 1936 when living in an isolated cottage with his 4 aunts and mother on the summer his uncle returns from Africa. Michael, (Tom Vaughan-Lawlor) now mid 40s narrates what he remembers from that summer as his uncle slowly dying from malaria drifts in and out of a soft psychosis and the 5 sisters struggling to adapt to the introduction of the industrial revolution. The Mundy sisters, all unmarried and combined supporters of their family home are challenged by their individual unfulfilled dreams. Kate, the breadwinner and teacher is under pressure to keep the sisters afloat, but the school threatens her place on the teaching board. Maggie, a beautiful calming presence keeps everyone happy, but a deep depression overwhelms her at times when s...

The Good Person of Szechwan – Lyric Hammersmith

22Apr

By Khushboo ShahNo Comments

London

The Good Person of Szechwan – Lyric Hammersmith

To celebrate the 80th anniversary of the first performance of Bertolt Brecht’s The Good Person of Szechwan, Lyric Hammersmith is an ideal home with its aim of reinventing classics. Boldly translated by Nina Segal, and directed by Anthony Lau, this rendition is surreal, emotionally unsettling, and powerful! True to Brecht’s convention of theatre, but ripped off its extreme didacticism, the creative team should take a bow for cohesively repositioning the production with oomph and wonder. The play begins with Wang, the water seller (Leo Wan) prancing in a swim-suit and flippers, mocking the city-dwellers and their stupidity in paying money for a free resource like water as he waits for the Gods (Nick Blakeley, Callum Coates, Tim Samuels) who appear in pristine white toga outfits whic...

Abigail’s Party – Churchill Theatre, Bromley

20Apr

By Carole GordonNo Comments

London

Abigail’s Party – Churchill Theatre, Bromley

It's the 1970s, the decade of social aspiration, middle class pretensions, horrible wallpaper, Estee Lauder's "Youth Dew", cocktail cabinets, gin and tonic and cigarettes. Beverly is awaiting her guests and anticipating the pleasure of showing off her new kitchen. Newcomers Angela and Tony have been invited for drinks to welcome them to the area and Susan, the next-door neighbour, has been asked to join them while her daughter, the titular but unseen Abigail, is having a party and wants mother out of the way. Alcohol flows, cigarettes are smoked, cheese and pineapple on sticks and crisps are handed around. Beverly lords it over her guests as she forces more and more alcohol and cigarettes on them and browbeats her stressed-out estate agent husband, Laurence. Eventually, t...

Village Idiot – Theatre Royal Stratford East

20Apr

By Riana HowarthNo Comments

London

Village Idiot – Theatre Royal Stratford East

Village Idiot is a sincere, hearty, and refreshing story about two families and the different needs for freedom, independence and community. Riddled with stereotypes and generalisations, we watch the prejudice crumble under the light of community spirit. Presented by Ramps On The Moon, the portrayal of people with disabilities is acute and uncompromising, with strong characters, showing the liberties and infringements that they deal with. We see the characters at cross roads in their lives as a high-speed railway line being built forces them to up and leave. All of this is administered by Peter who has no qualms about evicting his grandma and brother. With lots of different goings on, the grandma, Barbara somehow finds out, peering through binoculars and causes chaos as she spills the s...

20Apr

By Akshay RahejaNo Comments

London

Little Scratch – New Diorama

A Thought-Provoking and Emotionally Charged Exploration of Trauma Little Scratch, adapted from Rebecca Watson's novel by Miriam Battye and directed by Katie Mitchell, is a powerful and unconventional portrayal of a day in the life of a rape victim. The performance is narrated by four voices in her head, played with great coordination and nuance by Eleanor Henderson, Rebekah Murrell, Eve Ponsonby, and Ragevan Vasan. Their narrations are accompanied by foley sounds that enhance the play's visceral effect with occasional moments of poetic rhythm that feel like music to the ear. The sound and score by Melanie Wilson are also remarkable, as they accurately compose the protagonist's life experiences and trigger the audience's memories of daily sounds we usually ignore. Through this rapid i...