Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Monday, April 14

London

This Girl: The Cynthia Lennon Story – Upstairs at the Gatehouse
London

This Girl: The Cynthia Lennon Story – Upstairs at the Gatehouse

The Programme description:  The play is also a musical featuring original songs and music arrangements by BBC Radio Merseyside’s Frankie Connor, Billy Kinsley and Alan Crowley and depicts the emotional journey of Cynthia (CIN’s) life before, during and after Beatlemania. THIS GIRL features eight brand new songs making it a must see musical for theatre lovers of original and contemporary theatre. THIS GIRL tells a story of Cynthia Powell a shy student from Hoylake, who fell in love with a young musician called John when they met at Liverpool Art College in 1957. She became Cynthia Lennon and mother of their son Julian. This play has been created it seems to showcase their love and affection for each other, her struggles and the challenges she faced in her relationship with John Lenn...
Horrible Histories: Terrible Tudors – Garrick Theatre
London

Horrible Histories: Terrible Tudors – Garrick Theatre

Keeping kids entertained over the school holidays is no easy feat, but the team at Horrible Histories are pulling out all of the stops. After the ‘Orrible ‘Opera at BBC Proms, and alongside the Terrible Thames cruise, comes Horrible Histories: Terrible Tudors at The Garrick Theatre London. If you’re a fan of mayhem and murder, excitement and execution, and Terrible Tudors, this show is for you. This 70-minute production runs most mornings/afternoons throughout the holidays and promises non-stop fun for the family. As the name suggests, this production tells the stories of the Tudors with song, dance, puppets and a plethora of jokes to keep the kids entertained as they unknowingly learn British History. In a short space of time they cover various monarchs, William Shakespeare...
The Crown Jewels – Garrick Theatre
London

The Crown Jewels – Garrick Theatre

The Crown Jewels has opened in London’s West End this summer for a limited run. With its star-studded cast and satirical comedy, this play is an interesting take on the monarch and the true story of Colonel Thomas Blood’s attempt to steal the Crown jewels in 1671. It is evident from the opening number that this show sets out to mock and provide the audience with humour. Carrie Hope Fletcher opens the show as the Lady of the Bedchamber to King Charles II singing a folk-like song ‘Praise Him’ which draws the audience in. However, it is later unclear whether this show is attempting to be a musical. Fletcher has an undeniable range and belt – the limited songs giving her the opportunity to showcase her impressive talent. Unfortunately, the songs throughout the show felt somewhat misplaced a...
Word-Play – Royal Court
London

Word-Play – Royal Court

Artist – audience - resonance - reflection - WEIRD - discomfort - indifference - values - public - harm - community - responsible? – cracked - so many tiny pieces. Rabiah Hussain has made a masterpiece. Word- Play is evocative, heart-wrenching and poignant. Kudos to director Nimmo Ismail for the skilled use of light, space, and direction. Each of the actors painted with broad strokes scenes from across London. Some we have observed, some we have heard of and many that clawed into our skins and made us feel deeply. From scenes of bastions of power making guffaws to the playground to dinner-time social niceties, the drama uncovers the discomfort that often remains unexpressed in social interactions using words that give light to our unconscious biases and blind spots. Also, how we lean...
Same, Same, But Different – Brixton House
London

Same, Same, But Different – Brixton House

‘Same, same, but different’ is a rocking blockbuster. It packs the romance, the relationship's transformation and deepening, and almost a decade of the queer couple in an hour-long play! With its keen perception of the lived realities of mixed-race couples, heteronormative families, and insensitive work environments, it is crafted with finesse to hit a nerve across broader demographics. This play must be seen, celebrated, talked about and seen again. We meet the endearing characters of Cam and Jesse at the age-old queer meet cute outside the dance hall. Though one is familiar with all the beats of romance, it is refreshing to see a queer and non-binary couple express their love, friendship, commitment and decision-making on stage. The agony and ecstasy of romance is scene painted with t...
Frank Sinatra’s Songs for Swingin’ Lovers! – Cadagon Hall
London

Frank Sinatra’s Songs for Swingin’ Lovers! – Cadagon Hall

A one night only extravaganza of songs from the Frank Sinatra’S iconic album; ‘Songs for Swingin Lovers!’ released in 1956, performed by Stephen Triffitt and supported by the amazing Manhattan Swing Orchestra, a full big band with strings. Stephen performed classic favourites such as ‘You Make Me Feel So Young’, ‘Old Devil Moon’ and ‘Come Fly with Me’ and with extra songs such as ‘Witchcraft’ and ending in a rapturous rendition of ‘My Way’ and ‘New York New York’. Stephen included facts and narrative surrounding Franks’ songs, his collaborations with Capital records until he left in 1960 and his lyricist Nelson Riddle. It is an evening of celebration of the magnitude of the Frank Sinatra songbook, Stephen Triffitt undoubtedly is a master of his craft he is very comfortable with the song...
Ride – Southwark Playhouse Elephant
London

Ride – Southwark Playhouse Elephant

Ride is a British musical that Returns to London after a period at the Charing Cross Theatre last year. This show is back and even better than before. Presented as a pitch for her very own newspaper column we see Annie Londonderry commandeer office assistant Martha and together the two of them narrate Annie’s journey in 1894 to be the first woman to circumnavigate the globe via bicycle. The performers speak directly to the audience as though we are the panel they are pitching to. Which is great for this story especially given the double act cast and small intimate set. The transition between relaying the story to the board vs Annie disappearing into her reality was profound and the shift was palpable via the energy in the audience. All the book, music and lyrics are by Freya Cat...
Henry I – St Paul’s Church
London

Henry I – St Paul’s Church

Rabble Theatre presents a fine dramatization of King Henry I’s life. It was truly thrilling to watch history reenacted, made even more pungent by the gore and striking stage combat. I knew very little about Henry I, so it was a delight to learn about the past in a way that was so visceral. We sat on pews before a skatepark of a stage (designed by Sarah Jane Booth), streaked with blood red and earthy tones in the holy setting of the St Paul’s Church. The acoustics brought the play to life and the church setting reflected its reverence to an immersive effect. The in-depth research by writer Beth Flintoff must have inspired and informed the strong character choices which were cohesive with their actions and decisions. I could see parallels between modern archetypes in the characters suc...
Around the World in 80 Days – Churchill Theatre
London

Around the World in 80 Days – Churchill Theatre

This Titled Wig Production, originally developed in collaboration with York Theatre Royal, is a romp from beginning to end. It is colourful, energetic and engaging.  Based on Jules Verne's famous novel, it creatively combines Verne's narrative of the imaginary journey of Phileas Fogg with that of Nellie Bly, a real life American journalist who circled the world in 72 days in 1890. The stage design by Sara Parks had a circus theme, with a colourful red and white tent-like tower structure with several gangway protrusions. The cast ascended and used these in a number of creative ways as the story progressed. Fogg’s journey was illustrated by means of a revolving banner, wound on by the cast. It gave some problems on press night which the cast imaginatively solved. The five strong e...
Diana – Soho Theatre
London

Diana – Soho Theatre

In Diana, a captivating one-person musical, Peter Smith draws inspiration from the enigmatic Diana, the blonde British icon who bared her soul on television. Smith, a renowned figure in the New York cabaret circuit, reveals their fascination with Diana, ignited by watching Martin Bashir's infamous interview. Yet, the show appears more about Smith, frequently delving into anecdotes about family, leaving us perplexed about its true focus. The lack of clarity leaves us yearning for a clearer narrative. Smith excels at crafting sensationalist one-liners, but disappointingly, do not lead anywhere substantial. Instead, it feels like a collection of shallow headlines, akin to tabloid gossip that entices but lacks depth. This alluring yet ultimately open production leaves much to be desired. ...