London Archives - Page 5 of 147

1884, an anti colonial game-theatre show at the Wellcome Collection

28Oct

By Alice RoseNo Comments

London

1884, an anti colonial game-theatre show at the Wellcome Collection

Without any previous research, I chose to enter this piece blind in which I am immensely glad I did. Created by Rhianna Llube, we wait patiently at the doors. We are told this is as immersive as you chose it to be, you can simply observe or be as active as you desire. Once inside you have a choice of 5 tables to sit at, you are encouraged to start as strangers and so as a solo traveller that is what I did. In front of you, you have a home, a letter holder, and a few counters with pieces of furniture on them. The actors begin their welcoming speeches, inviting us to a new society in which we are all separate families building their homes. The set and costume is beautifully designed, almost 50’s American style with pale blues, pinks and browns to express solidarity and neutrality. We begi...

27Oct

By Zain RussellNo Comments

London

The Monkey’s Paw – The Hope Theatre

The Monkey’s Paw, currently haunting the intimate Hope Theatre, is a stage adaptation of the classic supernatural tale of the same name. This version narrows its focus onto a young married couple wrestling with real-world struggles, mounting bills and the deep emotional fallout of a recent miscarriage. The show opens with a beautifully staged movement sequence tracing their relationship from first sparks of romance to marriage, pregnancy, and heartbreak. It’s wordless but full of emotional detail, giving the audience a sense of the life they’ve built, and what they’ve lost, before the supernatural intervenes. When a mysterious talisman, the titular monkey’s paw, enters their lives, it allows them to grant their desperate wish: a child of their own. But as with all good cautionary tal...

The Constant Cold – Baron’s Court Theatre

27Oct

By Charles PipeNo Comments

London

The Constant Cold – Baron’s Court Theatre

With a runtime of just 30 minutes, The Constant Cold by Zoë Cooper delivers a tight package of thrills and jump-scares while attempting to explore wider themes of misogyny, gaslighting, sexual assault, and the silencing of women’s voices. The plot follows three flatmates, one of whom – Megan – comes home frightened after a terrifying experience while walking home at night. As more and more frightening and unexplained things happen, the three are forced to face the existence of the supernatural as well as confronting difficult truths about one another as past events resurface. The script is engaging and creepy at times, but falters during the more intimate, character-focused moments. The characters aren’t well-developed, including the protagonist Megan (Zoë Cooper). Most of what we le...

The Wolf of Poyais – Golden Goose Theatre

24Oct

By Charles PipeNo Comments

London

The Wolf of Poyais – Golden Goose Theatre

The Wolf of Poyais is a new one-man historical satire play from BlueBar productions, written by Sam Went and starring Joz Norris. It tells the fascinating true story of con man Gregor MacGregor, who – in the early 1800s – swindled hundreds of people out of hundreds of thousands of pounds with an outrageous, fraudulent scheme. Sam Went’s script is both well-researched and very entertaining. The story itself is absolutely fascinating in itself, but Went’s script injects it with even more humour and poignancy. The script is darkly funny; it revels in the absurdity of MacGregor’s scheme, while still treating the devastating impact it had on people’s lives with gravitas. Many plays based on true stories fall into the trap of simply depicting one historical event after another, w...

24Oct

By Zain RussellNo Comments

London

The Wanderers – Marylebone Theatre

The Wanderers is a moving and thought-provoking play inspired by true events. It delves deeply into the complexities of relationships, faith, and family, offering a nuanced exploration of how people navigate love and identity within different cultural frameworks. Set within the Jewish community, the story follows two very different marriages that reflect contrasting worlds. Esther and Schmuli are Orthodox Jews living within the confines of strict religious rules and traditional gender roles. Their lives are guided by faith and duty, highlighting the tension between devotion and personal freedom. In contrast, Sophie and Abe are secular Jews, free to make their own choices, yet still bound by the universal struggles of marriage, expectation, and emotional fulfillment. The narrative cen...

24Oct

By Alan Stuart MalinNo Comments

London

The Unbelievers – Royal Court Theatre

Silence sits heavily in Nick Payne’s “The Unbelievers”, a play that dares to explore the uneasy space between grief, uncertainty and the fragile bonds of family. In a production of striking control and emotional weight, the Royal Court presents a portrait of people suspended between hope and despair, clinging to ritual as time slips around them. It is a thoughtful and often gripping piece of writing, although it leaves behind an unsettling aftertaste that is difficult to define. Designer Bunny Christie’s set is extraordinary in both concept and execution. What initially appears to be an ordinary kitchen slowly becomes a canvas for the passage of time. Subtle changes in lighting (Jack Knowles), shifts in everyday clutter and the creeping disarray of domestic life reveal the ache of waiti...

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

23Oct

By Khushboo ShahNo Comments

London

Every Brilliant Thing (Minnie Driver) – Soho Place Theatre

With a premise like the one mentioned for Every Brilliant Thing, it is seldom that one can go through the entire play without feeling a sense of alienation from the theme in an attempt to keep oneself safe from the seriousness of it. But Every Brilliant Thing amalgamates the journey of a seven-year-old child grappling with her mum’s depression and suicide attempts with such tenderness and light humour that one can’t help but simply connect completely with the whole of it, while holding a smile through it all. The narrator (Minnie Driver) starts writing down every brilliant thing about the world at seven, a list that continues well into her adulthood, hoping to change her mother’s perspective on life. Driver brings a sense of sublime charisma to the character, inviting her audience i...

Fawlty Towers The Play – New Wimbledon Theatre

22Oct

By Maani WayNo Comments

London

Fawlty Towers The Play – New Wimbledon Theatre

John Cleese’s iconic Fawlty Towers begins its UK and Ireland tour in Wimbledon following its record-breaking sold-out run in the West End and it does not disappoint. The nostalgia is evident from the start. The iconic opening theme track plays as the audience settle down into a completely immersive and true to style sequence at Fawlty Towers. The set is eye catching and captures the essence of the series completely. The familiar reception and dining area are the perfect spaces for the dialogue and humour to play out and the characters float effortlessly between the two sets, providing the perfect backdrop for the chaos to unfold. What makes this show standout is the performances from each cast member, their impeccable acting skills and comedic timing which is a true joy to experience...

20Oct

By Charles PipeNo Comments

London

Skeleton – Etcetera Theatre

Skeleton is a new one-woman horror play, written and performed by Lucy Spreckley, which delivers some intriguing and spooky thrills. At its best moments, Skeleton is atmospheric, unsettling, and creepy. Spreckley’s script does an excellent job of keeping the audience slightly disorientated, by drip feeding just the right amount of information to keep us intrigued and wanting to know more, without leaving us totally confused. Uncomfortable descriptions of childhood trauma are sprinkled in with just the right amount of frequency to gradually build a sense of mystery and dread. Lloyd Smith’s direction makes effective use of sound and lighting design to enhance this sense of dread further. Spreckley’s performance is solid; she equally effectively portrays emotional vulnerability, panicked t...

Michael Rosen: Getting Through It – The Old Vic

20Oct

By Charles PipeNo Comments

London

Michael Rosen: Getting Through It – The Old Vic

Getting Through It is a poignant, inspiring, heartbreaking and heartwarming storytelling show by acclaimed children’s author Michael Rosen (We’re Going on a Bear Hunt, Michael Rosen’s Sad Book). Unlike Michael Rosen’s best-known work, Getting Through It is not aimed at children. The show is a double bill of two true, personal stories. The first – The Death of Eddie – is about the sudden death of Michael’s son Eddie to meningitis, and Michael’s subsequent grief. The second story – Many Kinds of Love – is about Michael’s 48-day stay in intensive care due to COVID-19. Despite the heavy subject matter of both stories, the show is life-affirming, humorous, and absolutely engaging. Like in his children’s books, Michel’s language is simple and matter of fact. He chooses to describe events s...