London Archives - Page 49 of 149

Mario the Maker Magician – Underbelly Boulevard

25Jun

By Alice RoseNo Comments

London

Mario the Maker Magician – Underbelly Boulevard

After an incredible whirlwind of success in the USA, London finally gets to witness the incredible Mario the Maker Magician- currently sold out for June at the Underbelly Boulevard. Mario has made whistle stop tours on Sesame Street and Jimmy Fallon and although the show centres and celebrates the children in the audience, it is definitely not just a kids show. It’s a hug to your inner child and a beautiful reminder that you should ALWAYS do what you love. The stage is seemingly cluttered with old broken objects, inflatable tins of soup tower over the magician as he enters with the most breathtaking energy- I couldn’t quite believe how a person might keep it up. But he did. The most difficult audience is an audience of children, keeping them in their seats and excited all the same ti...

The Dao of Unrepresentative British Chinese Experience – Soho Theatre

24Jun

By Alice RoseNo Comments

London

The Dao of Unrepresentative British Chinese Experience – Soho Theatre

Daniel York Loh’s semi-autobiographical piece, new to the Soho Theatre is a non-linear experience following a young British Chinese young person growing up in the West Country. Their experience is washed with extreme racism in the playground, difficulty with exclusion which leads to an unhealthy drug habit and after stealing a car has to deal with a racist police officer believing they ‘will be dead by 21’. Our two actors (Melody Chikakane Brown and Aruhan Galieva) bring this story to life supported by Daniel himself on the side, guitar in hand. An important part of this story is its rage through punk rock- sudden bursts of pent up fury, beautifully poetic writing in the genre of rock. Our younger performer’s personal purpose is to write the Dao of the British Chinese experience in w...

24Jun

By Paul AckroydNo Comments

London

My Father’s Fable – Bush Theatre

Faith Omole' first produced play is a real cracker. It tells the story of Peace, a young black woman of Nigerian descent, who is living with her partner Roy, a mixed heritage man, in their comfortable middle-class home in England. Their lives are disrupted when Bolu, Peace’s half-brother from Nigeria of whom she was not previously aware, contacts her via social media and comes to England to stay with them. The domestic situation is further complicated by the fact that Peace's mother, Favour, also arrives, ostensibly ill and needing to be looked after. The play then becomes a fascinating psychological thriller as the four characters interact. Mysteries and suspicions abound. Who actually is Bolu? And why did he come to the UK at this time? ...

24Jun

By Carole GordonNo Comments

London

Where You Go – Etcetera Theatre

Millie Henson's new play follows Aniyah and Finn's relationship, following an argument that threatens to destroy the couple. Finn is sleeping on the sofa, slobbing around their tiny messy apartment trying to break through his musical block and forgetting to water the plants, while Aniyah does long shifts as a nurse and is permanently exhausted. They used to be singer-songwriting partners, with aspirations to sell out stadiums and go on worldwide tours. This dream comes crashing down when Aniyah accepts that they have bills to pay and leaves the singing partnership, much to Finn's resentment. Without his "muse", his songwriting stalls. Suddenly at this pivotal moment in their relationship, a global apocalyptic event forces them to make major life choices, renew familial ties and attem...

20Jun

By Kira DanielsNo Comments

London

Kiss Me, Kate – Barbican

What rhymes with Coriolanus? Kiss Me, Kate is one of Cole Porter’s musical and lyrical triumphs with each melody seeming catchier than the last and every turn of phrase pushing the envelope further. Although its source material, Shakespeare’s Taming of the Shrew is hardly considered radical, Porter’s daring sense of humour and lecherous joy in lewd lyricism give this show an undeniable boldness. Its characters are imperfect. Not only are their love lives tempestuous, but every aspect of their personal lives is magnificently messy. Director Bartlett Sher in this production attempts some half-hearted tidying of the grand imbroglio that is this play within a musical within a musical but achieves much the same effect as using a dab of Purell to clean up mud-caked hands. Adrian Dunbar is ...

Michaela’s Fluent Aphasia – Bush Theatre

18Jun

By Kira DanielsNo Comments

London

Michaela’s Fluent Aphasia – Bush Theatre

This play’s tongue twister title is aptly representative of the confusion its performance elicits in audiences. The direction is uninspired and although not entirely difficult to follow, neither is it enticing enough to engender much investment in the play’s plot or characters. The non-linear nature of Christina Carrafiell’s script most severely hampers this process and results in plot twists that feel like a dog chasing its own tail rather than a cohesive narrative unfurling. Individual scenes are punctuated with sharp, immediate, and absolute blackouts but despite the story featuring multiple shifts in time and place the elements of set and costume remain completely static. The play’s cast of four is forced then to flutter around the playing field without any grounding context ...

Pull My Goldfinger – Hen and Chickens Theatre

18Jun

By Kira DanielsNo Comments

London

Pull My Goldfinger – Hen and Chickens Theatre

Shaken, not stirred, both intoxicating and disgusting, the worst of James Bond is what we love most. Fearless and feckless, this secret agent is on a mission to make a mess. From the deranged mind and nimble body of writer/actor, Carlos Sandin, Pull My Goldfinger is a seductive wingding of a play and a delight to behold and be held by. This absurd and interactive one-man clown show is chock full of buffoonery. Performed with aplomb, surprising sound effects, bare bravado, and unmitigated waggery, this hour’s entertainment is sure to amuse and arouse. Woodwind enthusiasts will be either delighted or horrified to see the tremendous use Sandin manages to put his clarinet to. In fact, there is very little in the playing space that Sandin doesn’t manage to pervert in some delightful a...

The Trials and Passions of Unfamous Women – Brixton House Theatre

18Jun

By Carole GordonNo Comments

London

The Trials and Passions of Unfamous Women – Brixton House Theatre

Throughout mythology and history, women who go against societal norms face the judgement of others and come up against a justice system that appears to be designed against them. Theatre makers Janaina Leite and Lara Duarte here produce a journey exploring the nature of judgement - by others, by the legal system, by other women and too often by themselves. The show presents a gamut of historical figures such as Jean d'Arc and Mary Queen of Scots, alongside mythological goddesses, plus the contemporary, personal stories of women who are seen as transgressive. Told in three parts, the first, in promenade form, focuses on the goddesses, forthright and full of passions, and chastised and pilloried as a result. Act 2 moves to the courts in what is part drama, part TED-talk on the evolution of...

Three Men in a Boat – The Mill at Sonning

17Jun

By Zain RussellNo Comments

London

Three Men in a Boat – The Mill at Sonning

Three Men in a Boat was performed in a delightfully charming theatre nestled by the waters of the Thames, just outside London in Sonning. The theatre itself featured a beautiful mill inside the building, adding to the unique and picturesque atmosphere of the venue. Each theatre ticket included an exemplary two-course meal, with attentive staff who ensured everyone was well looked after. The meal for me was the highlight, offering delicious options that catered to various tastes. The dining experience set a warm and inviting tone for the afternoon, making the audience feel well cared for even before the performance began. The production was set just before the First World War, highlighted by a poignant final image. It followed a trio of friends: Jerome, played by George Watkins; his b...

17Jun

By Paul AckroydNo Comments

London

Longitude – Upstairs at the Gatehouse

There seems to be no story which cannot be made into a musical nowadays. The fascinating history of the struggle to devise a marine navigational aid to accurately measure longitude is the latest, in a new musical written and produced by Kaz Maloney. The story focuses on John Harrison, the northern carpenter and clockmaker, who responded to the Board of Longitude's appeal in the early 1700s for solutions to this navigational dilemma, which was causing the loss of thousands of lives at sea. For the most part, the narrative of the story accurately follows John Harrison's story and his interactions with the Board, who were made up of well renowned establishment figures of the day. The style of the production was an interesting contrast between the more or less realistic ...