London Archives - Page 46 of 150

Beauty and the Beast – Greenwich Theatre

7Aug

By Zain RussellNo Comments

London

Beauty and the Beast – Greenwich Theatre

"Beauty and the Beast" is a beloved classic cherished by families across the globe. However, this new adaptation offers plenty of twists, new characters, and fresh plots, taking us on an entirely new spin of the well-known production. The cast was extraordinarily talented, not only acting, singing, and dancing but also providing the melodies for the show using various instruments, from guitars and accordions to even the small triangle. Each cast member's musical contributions enriched the performance, adding a unique charm for this whacky adventure. The story began by immersing us in the familiar tale of Beauty and the Beast. However, the Beast's character development felt lacking. He was immediately kind to Belle and, besides instructing her to clean, did not exhibit the loud or...

5Aug

By Kira DanielsNo Comments

London

Edward II – Courtyard Theatre

The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer is a title too long by half but hardly shorter than this abridged adaptation of Marlowe’s malleable history. Cut down to a run time of a mere fifty minutes by the Small Beer Theatre company this fun size production powers through pages of plot at an astonishing pace. Beginning with the recall of controversial courtier and king’s favourite Piers Gaveston (Ciaran Barker) to Edward II’s (Alex Levy) well fashioned domestic abode and ending with a slew of homebrewed murders, the play’s middle section is populated with brief love scenes and extensive ireful monologues. Gaveston’s sway (and bend) over the delicate monarch draws the wrath of Queen Isabella (Zoe Mavri...

3Aug

By Kira DanielsNo Comments

London

I Love You, Now What? – Park Theatre

First comes love. Then comes marriage. Then comes anticipatory grief? Written by actor and comedian Sophie Craig, I Love You, Now What? is a play that weaves its way through the chronology of courtship just as it plows headlong through each of the stages of grief. Craig plays Ava, a young musician who idolizes her father (Ian Puleston-Davies) both musically and personally. When he is diagnosed with a terminal illness Ava tries to blow off steam with a young actor named Theo (Andy Umerah) and instead finds herself completely fogged up in love. As their romance blooms and her father’s health fades, the intermingling of joy and grief becomes too potent a force for one woman to bear and Ava begins to lose her grip on all the things she loves most. Director and dramaturg Toby Clarke a...

Police Cops in Space – Underbelly Festival

2Aug

By Olivia CoxNo Comments

London

Police Cops in Space – Underbelly Festival

With multiple sell-out Fringe runs and an acclaimed full-scale musical under their belts, it’s safe to say that comedy group Police Cops (made up of Zachary Hunt, Nathan Parkinson and Tom Roe) have had a busy few years. Not ones to take their feet off the pedal, the trio are back at Underbelly Festival in Cavendish Square this summer, with the return of their 2017 sci-fi send-up Police Cops in Space. We meet galaxy-dwelling Sammy Johnson, the son of the late Jimmy Johnson — the so-called ‘Best Damn Police Cop Ever’ — who becomes embroiled in a cosmic caper after the Australian humanoid who killed his father returns for his revenge (and to destroy the universe, obviously). Parodying the likes of Blade Runner, Star Wars and The Terminator, Police Cops in Space picks apart the genre’...

1Aug

By Dave SmithNo Comments

London

The Grapes Of Wrath – National Theatre

For a novel written almost 100 years ago, the parallels with today are striking. A family of overcrowded refugees trying to make their way to safety, to employment and a home. Yet along the way people won’t even recognise them as human and are happy to cheat them, underpay them and generally take advantage of them. The systemic exploitation of the desperate hasn’t changed from the 1930s until today. Inevitably adaptations sacrifice depth for brevity. Frank Galati’s 1990 adaptation making its London debut under director Carrie Cracknell suffers from this, particularly in character development leading to less impact when some characters don’t make it to the end of the long drive. We are told about Tom’s great relationship with his grandpa but spend so little time in it that it does n...

1Aug

By Carole GordonNo Comments

London

Mixed Omens – Etcetera Theatre

Mixed Omens is literally one of a kind. Performed by narrative improv group, The Improvised Play, their previous productions have focused on the works of Tennessee Williams and Caryl Churchill. Here, they take the works of Neil Gaiman, looking at the interface between real life and myth and the creatures that inhabit those spaces. Demons and gods (like Gaiman's interpretation of Aziraphale and Crowley) mix with humans with varying success and outcomes. An evil father who wants to spread his darkness across the world is searching for his wayward daughter who has escaped to the human world to seek out her half-sister rather than following in his dark footsteps. Essentially a struggle between good and evil, the show is Good Omens meets Long Lost Family, with secret sib...

29Jul

By Paul AckroydNo Comments

London

The Box – The White Bear, Kennington

Brian Coyle’s tense, intriguing exploration of a couple in a relationship crisis. Although the reason for the crisis does not become evident until later in the piece Initially the couple Tom and Kate appear to be playing games with each other assuming alternate identities. They continually compare themselves unfavourably with the relationships of other couples they know who to them seem more " normal". Coyle is fascinated by deception. In the play he claims that lying is inherent almost everything we do, in work, in relationships, and even with those we are closest to. The setting was simple with the audience on two sides of the White Bear's playing area dominated by a large box wrapped in paper. The purpose of this box is not clear, although it is obviously very important to both t...

27Jul

By Klervi GavetNo Comments

London

Afrique en Cirque – Southbank Centre

"Afrique en Cirque," hailing from Guinea and making its debut in London, is a jaw-dropping riot of flexibility, tradition, and fun. With Guinean culture as a vibrant tapestry, the evening is a lively mix of thrilling circus acts, music, dance, and scenes from rural life. If you've ever thought your yoga class was tough, think again. For 90 minutes straight, the performers' flexibility and athleticism are on full display, making even the most dedicated yogis in the audience flinch at their spine-bending, gravity-defying feats. The acts flow one after another—high-flying gymnastics, balancing, juggling, and mind-boggling contortion—peppered with clowning bits and audience participation that are quickly to melt any hardened London little heart. The whole crew deserves a mention—from the...

The Wedding Singer – The Bridewell Theatre

25Jul

By Michelle KnightNo Comments

London

The Wedding Singer – The Bridewell Theatre

The Wedding Singer is from the book by Chad Beguelin and Tim Herlihy revived for the musical stage by Stuart James. Its 1985 in New Jersey, it is retro and audiences will be familiar with the film version. It features the story of Robbie Joe McWilliam a wedding singer, and with his band he forms part of the ‘experience’ many couples look forward to, the happiest day of their life, their wedding. However, his own relationship is not that straight forward, his true love Linda Heather Daniel leaves him jilted at the altar. Robbie meets Julia Abbie Minnock a waitress who consoles him and supports him to get through his rejection and encourages him to overcome his struggles with love. Julia on the other hand is set to be married to Glen, Toby Chapman a hard talking Wall Street sales shark wh...

25Jul

By Kira DanielsNo Comments

London

Bangers – Arcola Theatre

“A lyrical love letter to UK garage,” Bangers is a mixed bag mix tape of bright futures and crushed dreams. Under the neon glow of Laura Howard’s chilled/chilly lighting design, the Arcola Theatre is transformed into a concert venue. DJ Tanya-Loretta Dee cues up tracks under an industrial scaffold as audiences file into the space, meander across the stage’s set of club speakers, and make their way to their assigned seats. There’s a strange uneasiness to the arrangement of the space which places a playing stage not above its audience but in the arena pit of the small Hackney theatre. Very much a North London storytelling theatre, and despite its ushering staff’s best efforts the atmosphere cultivated in the room is not that of bouncer patrolled nightclub where the music is booming and th...