London Archives - Page 45 of 107

For Black Boys Who Have Considered Suicide – Apollo Theatre

5Apr

By Stewart Who?No Comments

London

For Black Boys Who Have Considered Suicide – Apollo Theatre

The buzz around this play got fizzing when it first landed at the New Diorama Theatre in 2021. By the time it transferred to the Royal Court the following year, it had a grass roots momentum that grew without the help of critics or reviews. It became a sell-out sensation long before the big nods and nominations that are currently adding to the wild applause from enthusiastic audiences. For Black Boys Who Have Considered Suicide When The Hue Gets to Heavy by Ryan Calais Cameron has just transferred to the Apollo in the risk-averse and cheesy West End. It’s shaking up the quo and breaking down barriers with dizzying skill and gusto. Before the curtain went up, it was thrilling to note that it felt like an EVENT. The air crackled with excitement and anticipation. This was a largely blac...

2Apr

By Marita MatarNo Comments

London

Astoria – Jack Studio Theatre

‘There is so much we will never know’. Astoria written and directed by Tony Britten tells the story of Jura Soyfer, an Austrian political journalist and cabaret writer. His work was smuggled from Vienna and people worked hard to save it and archive it. The play is also the mouthpiece of this archive made visible in a performance. On stage we saw Jura Soyfer/Paul performed by Joshua Ginsberg, his partner Helli (Helene) Ultmann/Gwendolyn/Rosa (Olivia Benjamin,) as well as the group of actors and writers who were striving to keep the theater alive in a time where Germany is poised to annex Austria, in 1937, Jimmy Berg/Pistoletti/ The Applicant (Sam Denia), John Lehman (Taylor Danson), and Martin Miller/Hupka (Benjamin Chandler). Astoria appeared to be challenging modern ideas of a state...

31Mar

By Anisha PucadyilNo Comments

London

You Bury Me – Orange Tree Theatre

‘You Bury Me’ unearths a young woman's longing for hope, her city and love. Don’t miss the show for its heartfelt performance and fantastic script. Ahlam's 'You Bury Me' is a coming-of-age love letter to adolescent curiosity, revolution and cities. Set in Cairo, it captures the life and times of young teenagers a few years after the Arab spring revolution. The Paines Plough co-production, interspersed with vigorous ensemble choreography and pop culture references, realistically brings on stage friends, bloggers, and students' lives, expressing themselves against the backdrop of an almost invisible oppressive regime. Set to the noise and chaos of a bustling city portrayed through its soundscapes and poetry. Cairo is like the character for the author, a muse and a longing. The team's c...

31Mar

By Julia PanovaNo Comments

London

Berlusconi – Southwark Playhouse

Silvio Berlusconi: renowned former Italian prime-minister, celebrated billionaire and the self-proclaimed ‘Jesus Christ of politics.’ But perhaps, that’s just one side to his story... Performed at the Southwark Playhouse, ‘Berlusconi’ is a pop-rock musical communicating to audiences the affects this political leader has had on those close to him in addition to the affects he has caused among the global masses. However, beyond the topic of the property mogul himself, this is a piece of theatre about power. How it’s gained, how it’s misused, how it’s taken advantage of and the devastating consequences of it. What enticed me about this production was how it was framed through the device of media. One of the female leads, Fama who was played Jenny Fitzpatrick, was a news reporter, report...

Gone Too Far! – Theatre Royal Stratford East

31Mar

By Gonzalo SentanaNo Comments

London

Gone Too Far! – Theatre Royal Stratford East

As a young immigrant, seeing one's own problems and conflicts being represented on stage is a strong message of resistance and support. When a text is straightforward and the acting is full of life, nothing can go wrong. Gone Too Far!, written by Bola Agbaje and Directed by Monique Touko, is a clear and dynamic play, being staged again in Theatre Royal Stratford East after premiering in 2007 as a commissioned work for the Royal Court Theatre. Here, problems are faced straight on, without any fears of provoking booing or indignation from the audience. I found myself sighing and sitting on the edge of my seat, uncomfortable with some of the situations that the main characters had to go through. As soon as the piece starts, we are introduced to the two main characters: Yemi, played by J...

Thatcher – Rite – Streatham Space Project

29Mar

By Marita MatarNo Comments

London

Thatcher – Rite – Streatham Space Project

‘What sort of country do you want?’ – Margaret Thatcher Tea, cucumber, a table and Margaret Thatcher. This is how people’s fate is decided. The performance starts with Margaret Thatcher played by Jack Boal, sitting in the middle of a table, looking at a projection screened behind her. It talks about nuclear families and gendered roles; the tone is already set. The character looked at the audience, the performance started. Thatcher – Rite written and performed by Jack Boal, directed by Lila Robirosa, revisits the political and personal legacy left by Margaret Thatcher. Verbatim and lip-syncing techniques, coupled with visuals of Margaret Thatcher herself, extracts of news and political shows, as well as written messages on the screen projection are vigorously explored by the techni...

29Mar

By Paul AckroydNo Comments

London

One Minute – King’s Head Theatre

The Working Actors Studio have revived Simon Stephens 2003 play One Minute at the King's Head Theatre. 'One minute' refers to the time it takes 11-year-old Daisy Schults to vanish, and the play depicts five characters impacted by her disappearance. In part this is a police drama, with the two detectives, played by Frederick Lysegaard and Lee Lomas, leading the investigation into her disappearance, but later being left on their own as other resources are taken away due to their lack of success. But it is much more an emotional study of the interaction of the five characters. The story unfolds slowly through numerous short scenes, many of which are only tangentially linked to the actual events of the disappearance. For example, the two characters of Mary Louise and Catherine, played by Im...

25Mar

By Dave SmithNo Comments

London

Leaving Vietnam – Park Theatre

On a career break in my late 20s, I spent a few months in Southeast Asia. I followed the well-trod backpacker's routes to the standard tourist sites and the occasional pub. These days most of us know the Vietnam War through pop culture like Robin Williams wishing us good morning or Marlon Brando telling of terrors. When I went to Vietnam, all I really knew was from pop culture. One of the first things I did was visit the Vietnam Military History Museum and I will never forget the moment the guide pointed out to me that of course in Vietnam, they call it the “American War”. Leaving Vietnam is a monologue written and performed by Richard Vergette about an American Vietnam vet. Jimmy wasn’t drafted, he signed up to become a marine and spent a tour in Vietnam, in the jungle, interrogating v...

24Mar

By Paul AckroydNo Comments

London

Slow Violence – The Pleasance Theatre

We are on the sixth floor of the office building of Happy Holidays. Claire is welcoming a new team member, Peter. Initially, things get off to a promising start, although there is a clear mismatch between the personalities; Claire, controlling but clearly needy, and Peter who is more restrained but wants to fit in and make a good impression. As the days turn into weeks and months the constraints of working in that office environment become dominant, it is far too hot, but the "people upstairs" will not allow the radiator to be turned down, the watercooler dispenses stagnant water, the electricity starts fusing, and there is flooding in the lower floors of the building water plus a leak from the ceiling. This is a brilliantly devised piece by Laura Ryder and Harry Kingscott,...

24Mar

By Gonzalo SentanaNo Comments

London

Killing the Cat – Riverside Studios

Can music and speech give fundamental answers to the questions that seem impossible to answer? Can we address the whys and what for of our existence through sound and bodies? Killing the Cat, the new musical with book and lyrics by Warner Brown and music by Joshua Schmidt, undertakes a very ambitious task, both dealing with very complex and interesting topics, while trying to develop a new and unique language in musical theatre. While the play does not reach those goals, it is undoubtedly a refined clockwork, performed with exquisite harmony. When going into the hall, the audience is met by a beautiful white set, designed by Lee Newby, where lights and colours designed by Jamie Platt will combine during the play, joining the music to display the different stages through which the cha...