Friday, May 22

London

Scenes from a Repatriation – Royal Court Theatre
London

Scenes from a Repatriation – Royal Court Theatre

Scenes from a Repatriation is a bold and thought-provoking play that centres around a 1,000-year-old statue of Guan Yin, which was taken from China and is now housed in the British Museum. This production offers a rich philosophical exploration of the questions surrounding ownership of cultural artefacts—who has the right to possess them, and what meanings they hold for individuals across time and place. From the outset, the play is an intense, quite disturbing and an unconventional experience. It unfolds through a series of dynamic, often surreal scenes, each presenting a different perspective on the statue’s significance. The statue of Guan Yin becomes more than a historical object; it is a spiritual icon, a political flashpoint, and a symbol of commodification in a world where cultur...
I See Me & Meryl Streep – The Other Palace
London

I See Me & Meryl Streep – The Other Palace

This show has had a successful run in Australia and is all about ‘Me’ Meryl performed by actor and comedienne Alexandra Keddie. This sixty-minute tour of her ‘obsession not really’ with Meryl Streep, showcases Keddie’s skill of impersonation. knowledge and comedic portrayal of Streep’s iconic moments from the movies. Films such as the ‘The Deer Hunter’ ‘Devil Wears Prada’ ‘Sophie’s Choice’ and many more. Diane a skit on Diane Keaton Keddie’s ‘sister’ supports her performance with music and sisterly banter. This sixteen-year-old girl for her drama teacher wanted to shine and outperform her fellow classmates with her acting skills and knowledge of Meryl Streep’s meteoric rise to fame and fortunes. Keddie ‘namesake Meryl’ is a young girl finding her way in the world, vulnerable with her ow...
Ben and Imo – Orange Tree Theatre
London

Ben and Imo – Orange Tree Theatre

This is a superb production in all respects.  It tells the story of the collaboration between two dominant characters in the world of music in the early 1950s.  Benjamin Britten (Ben) at that time the foremost living British composer and Imogen Holst (Imo), the daughter of the renowned composer Gustav Holst.  The play started life as a radio play in 2013 and then was adapted by Mark Ravenhill for the RSC premiering at the Swan Theatre in March 2024. It has now transferred to the small, intimate theatre in the round at the Orange Tree in Richmond. Britten has been given the task of composing, in only 9 months, a new opera to be performed at the Coronation Gala of Queen Elizabeth the Second in 1952.   He has chosen for his subject the rather unpromising tale of th...
Boxed In – The Old Red Lion
London

Boxed In – The Old Red Lion

Mental health is a topic very close to my heart, so I was intrigued to watch Boxed In. This debut play written, directed and performed by Rebecca Weston Wright follows a young woman, A, who is trapped inside a featureless prison-like room and forced to confront her demons. These demons are given voice in the form of a small wooden box, which acts as the inner monologue of self-loathing that often accompanies and depression. There are moments of genuine and moving insight in Boxed In. Wright offers a thoughtful and vulnerable commentary on the relentless internal battles faced by those struggling with mental health whilst sprinkling in enough observational humour to stop the experience becoming utterly miserable. A’s impression of a boss demanding she perfectly perform an endless series ...
A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre
London

A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre

Tara Theatre’s vision to provide rehearsal space and financial support for 18-25-year-olds to script and develop new theatre is commendable. Over a 4-month programme, the young company works with industry professionals to develop their skills and build their professional networks. The culmination of this mentorship has resulted in the play, ‘A Practical Guide on How to Save the World when no one f***ing else is’. The vision of artistic director, Natasha Kathi-Chandra is to ‘uncover the urgent and current realities of those around you’. Over five weeks, the young team directed by Gavin Joseph rehearsed with provocations around the theme of 'Climate change'. Each actor formed characters through devising exercises, and conversation prompts. Between sessions, playwright Nicole Latchana wrote s...
Ghosts – Lyric Hammersmith
London

Ghosts – Lyric Hammersmith

Ibsen’s Ghosts is a serious challenge for anyone to update and adapt. This production falls unfortunately short of meeting that challenge, despite some bright moments. We follow a rich family of mother, Helena, and her difficult son, Oz, as they prepare for the grand opening of a children’s hospital using the money of Carl, Helena’s recently deceased husband. All this is complicated by the presence of Andersen, a lawyer helping to launch the hospital and an old flame of Helena, and Reggie and Jacob, who have worked for Helena and her family for a long time. Soon, all of the buried skeletons come out of the closet, and there is manipulation, suicide threats, and incest. Sadly, where Ibsen’s original is a masterpiece of writing, Gary Owen’s update is not of the same ilk. His adaptation...
Heisenberg – Arcola Theatre
London

Heisenberg – Arcola Theatre

A brilliant production, Heisenberg is a reimagining of Simon Stephen’s excellent play about relationships and their inherent uncertainty. Portrayed for the first time as a relationship between two women, we follow seventy-five-year-old Alex and the much younger Georgie in a story of an unlikely relationship that all begins when Georgie unexpectedly plants a kiss on Alex’s neck in the middle of a train station. The quality of Simon Stephen’s writing is superb. His characterisation is full of knotty complexity and his dialogue is expert at pulling out all of the tensions between Alex and Georgie. For example, Stephens plays with the form of the characters’ conversations to show us who is in control, who is driving, who is comfortable, and who is not. Thus, it is Georgie who does most of t...
Supersonic Man – Southwark Playhouse
London

Supersonic Man – Southwark Playhouse

Southwark Playhouse Borough hosted the world premiere of ‘Supersonic Man’ this week, a new musical written and directed by Chris Burgess, which sets out to blend science fiction spectacle with emotional resonance and love within the LGBTQI+ community. It is inspired by the remarkable real-life journey of Peter Scott-Morgan, as seen in Channel 4’s ‘Peter – The Human Cyborg’, and follows Adam, a Brighton-based influencer, who faces a devastating diagnosis and chooses to defy it, not by surrendering, but by exploring an experimental path, exploring transhumanism to reclaim control and live a full life. The production offers up a bold premise, full of potential for both drama and imagination, but unfortunately, it doesn’t quite live up to the ambition of its concept and remains somewhat und...
London 50-Hour Improvathon 2025 – The Pleasance Theatre
London

London 50-Hour Improvathon 2025 – The Pleasance Theatre

Improvisation - a theatre skill that is underrated, under paid, and underrepresented, but at the Pleasance Theatre from the 4th-6th April, the London Improvathon showed the audience, why the Improvathon, is in its 15th year.  This fifty hour, or three thousand minute event, pushes the boundaries of what is physically and mentally possible for a group of improvisers (and some audience members), who create a story in a loose framework, with many deviations, but with a strong emphasis on character development, to give this event a soap-like feel. The inspiration for this event comes from the Canadian company Die-Nasty who originated the Soap-A-Thon and in 2005, the then director of Die-Nasty Dana Anderson worked with Ken Campbell the British theatre impresario to bring the Soap-A-Thon...
Shanghai Dolls – Kiln Theatre
London

Shanghai Dolls – Kiln Theatre

“Shanghai Dolls” at Kiln Theatre traverses nearly 60 years of Chinese history in a brisk 80 minute run, centering on the intertwined fates of two legendary women. United by a passion for theatre yet divided by political beliefs, personal values, and the sweep of history, one transforms into Mao Zedong’s wife while the other rises to become China’s first female theatre director. Directed by Katie Posner, the production tackles vast historical events but occasionally buckles under its own weight. There’s a palpable sense of rushing to cover too much ground at once, with the dense narrative sometimes feeling overloaded—especially for Western audiences less familiar with the period. A clever nod to Ibsen’s A Doll’s House frames the struggle of these women, suggesting that the search for mea...