London Archives - Page 35 of 149

11Jan

By Zak RosenNo Comments

London

Belly Of The Beast – Finborough Theatre

Any kind of societal ill is, like society, gigantic. A hyperobject. Something that expands beyond what the human mind can easily grasp. Often, theatre that tries to engage with such phenomena can feel some combination of lost, scattered, bloodlessly instructional. This is not the case with The Belly of the Beast at Finborough Theatre. We begin in a small black box theatre, arranged tennis-court style, with two simple spaces dispersed across time – an office and a classroom – that, thanks to the set-lighting-sound work of Delyth Evans, Arnim Friess and Max Pappenheim, provides an excellent environment for the action of the play, dynamic and real without distracting from what happens next. Things really come to life, however, through the performances: Sam Bampoe-Parry and Shiloh Coke,...

Liar Liar Pants on Fire – The Union Theatre

11Jan

By Zandra OdetundeNo Comments

London

Liar Liar Pants on Fire – The Union Theatre

Liar Liar Pants on Fire delivers an authentic slice-of-life experience, anchored by the remarkable debut of Hayley Schiffer. From the very first scene, Schiffer’s performance draws you in with its raw emotion and unflinching honesty, encapsulating the all too familiar feelings of a second-generation immigrant with grace and depth. Her portrayal resonates deeply, leaving audiences feeling as if they are witnessing their own lives unfold on stage. Schiffer’s acting is nothing short of extraordinary. The way she speaks about Londoners and the observations she shares about everyday spaces feel incredibly genuine. It isn’t just dialogue; it’s a depiction of reality, infused with personal touches that make the narrative so relatable. This authenticity sets her apart, and it is evident in ...

11Jan

By Zain RussellNo Comments

London

Panacea – The Cockpit

Panacea is a tragedy centered on a scientist who creates an infectious disease intended to save humanity from future pandemics. While the synopsis may appear straightforward, the play explores profound themes, presenting a layered narrative that delves into navigating love and relationships while being on the autism spectrum, confronting grief and suicide, and grappling with ethical dilemmas about whether humans should "play God" and the consequences of such actions. This thought-provoking play weaves together these complex aspects into a seamless performance that lingers in the audience’s mind. Augustus Jameson, portrayed by Jonty O’Callaghan, delivered a superb and deeply empathetic performance. His portrayal of someone on the autism spectrum was both sensitive and authentic, capt...

1Jan

By Alice RoseNo Comments

London

The Creakers – Southbank Centre

What a way to end 2024 and bring in the new year than to spend it with Tom Fletcher's stage adaptation of ‘The Creakers’. Following Lily, the ‘bin girl’ to all the children on the street whose Dad works as a bin man and clears up all the rubbish on Clutter Avenue. One night, there’s a rumble under her bed and in the morning, her dad is nowhere to be seen. Along with the rest of the street’s parents. All the kids are now by themselves, much to their surprise and enjoyment. Lily takes it upon themselves to find out where the parents have gone and how to get them back. As this show opened, we are introduced to an incredibly interesting and beautiful set, explosive with colour and light and never for a second left a dull moment on stage. The cast enter with the opening number, the character...

21Dec

By Maani WayNo Comments

London

Ballet Shoes – National Theatre

Based on the well-loved novel by Noel Streatfeild, Ballet Shoes is the heartwarming story of three orphans who, in twists of fate, find themselves as sisters with the unlikely but chosen surname of “Fossil”. Pauline, Petrova and Posy make a vow to put their name in the history books and make a living to support their unconventional but loving family. Before we meet the Fossils, we are told of Sylvia (Pearl Mackie), who finds herself orphaned and taken to live with her only living relative, Great Uncle Matthew (Philip Labey), or more affectionately known as “GUM”. GUM is a collector of fossils and a devoted geologist, who adventures around the world looking for the next gem. The three treasures he happens to bring home are the three orphan sisters, much to the dismay of Sylvia’s Nana (Je...

21Dec

By Zain RussellNo Comments

London

Cinderella – Kings Head Theatre

I had the luxury of seeing Cinderella in Pantomime at the Kings Head Theatre in Islington. They have 2 varieties of this performance with a family showing and an adults only showing. I had the pleasure of seeing the adults only showing with different guest performances throughout their running. A standout feature of this show is the inclusion of voiceovers by none other than Dame Judi Dench and Miriam Margolyes. Their iconic voices add an extra touch of magic and prestige to an already delightful production. True to pantomime tradition, the show is packed with audience participation, cheesy jokes, and a script that keeps the laughter rolling from start to finish. As an adults-only performance, it adds an extra layer of risqué humour and cheeky innuendos, making it an unforgettable ex...

The King of Broken Things – Riverside Studios

20Dec

By Zak RosenNo Comments

London

The King of Broken Things – Riverside Studios

At the start of The King of Broken Things, we enter into a space full of lost, discarded objects. We sit. We contemplate the items around us – well loved, full of potential. A young child arrives, fleeing bullies, and then, having pushed out their cruel, overwhelming voices, shares with us what it means to be broken, what it means to mend and what possibilities exist for us when we dream, imagine and believe. The King of Broken Things, written and directed by Michael Taylor-Broderick, who collaborated on the (lovely) design with Bryan Hiles and Darren Peens, is a delightful story for the whole family. Creatively textured and built out, and ever inviting the audience to join in on the fun, whimsy, and heart, the show offers adults and children alike a window into a more joyous, mor...

20Dec

By Olivia CoxNo Comments

London

Cat on a Hot Tin Roof – Almeida Theatre

Hot off two acclaimed productions of Tennessee Williams’s Summer and Smoke and A Streetcar Named Desire, Rebecca Frecknall and the Almeida Theatre are reunited once more in her new staging of three-act play Cat on a Hot Tin Roof. But can she make it a hat trick? One of Williams’s most famous plays — and reportedly his favourite — Cat on a Hot Tin Roof tackles family dysfunction, falsehoods, and the fear of death. Gathering for patriarch Big Daddy’s (Lennie James) 65th birthday, alcoholic son Brick (Kingsley Ben-Adir) and rags-to-riches wife Maggie (Daisy Edgar-Jones) confront their crumbling relationship amid a web of lies about Big Daddy’s ailing health. Having undergone recent tests, Big Daddy and Big Mama (Clare Burt) have been told he’s in the clear. It’s only his children who know ...

18Dec

By Ralph JeffreysNo Comments

London

Cyrano – Park Theatre

Cyrano at the Park Theatre is an exceptionally entertaining evening out. Virginia Gay’s reworking of Edmond Rostand’s 19th century play is transformational, turning an old, ossified tragedy into an uplifting and heartfelt exploration of queerness and love. The play follows Cyrano, who has a brilliant mind but is deeply insecure in her body. She falls for the equally intelligent Roxanne, who instead falls for the handsome yet ineloquent Yan. Unable to express her love openly, Cyrano takes to seducing Roxanne through Yan, feeding him the right words. Through this tension, Cyrano explores unrequited love, self-hatred, arrogance, and manipulation. Virigina Gay and Jessica Whitehurst flourish as Cyrano and Roxanne respectively. Their chemistry is compelling as are the barriers to their ro...

Rodney Black: Who Cares? It’s Working – Lion & Unicorn

18Dec

By Zak RosenNo Comments

London

Rodney Black: Who Cares? It’s Working – Lion & Unicorn

Most shows are interested primarily in being funny. But what happens when you try to go deeper than that? To cut beneath humour, to the blood and the violence? What happens when the line between a joke and the real-world dissolves, and collapses? These are the questions that the Full Frontal Theatre poses in its no-holds-barred production of Rodney Black: Who Cares? It’s Working. Following the story of an edgelord-misogynist comedian who doesn’t seem to believe in anything he says on stage, but whose career skyrockets as he pursues a darker routine with real world impacts, Rodney Black isn’t a pleasant show to watch, nor is it meant to be; playwright Sadie Pearson and director Hen Ryan force viewers to contend with a side of comedy that most probably don’t enjoy ruminating on, their...