London Archives - Page 33 of 149

10Feb

By Paul AckroydNo Comments

London

The Years – Harold Pinter Theatre

This is a very engrossing and imaginative dramatisation of Annie Emaux's partly autobiographical book. It charts the progress of a woman's life chronologically from 1941 to 2006. The woman is unnamed, as are all the men and women that she comes into contact with. The play uses five actresses of different ages to sequentially play the different periods of her life as she experiences childhood, adolescence, early sexual encounters, including a rather horrific abortion, and then moves through marriage, motherhood and divorce. The changing social mores, political events, technological changes and the evolving consumer society of those 80 years are the accompaniment to the changes in her own life. The Years was formerly presented at the Almeida Theatre to great critical acclaim. The stagi...

8Feb

By Olivia CoxNo Comments

London

Heaven – Southwark Playhouse

Of all the events in the social calendar, there are few with such potential to cause rifts, drama, and an onslaught of confusing emotions as a family wedding. In Eugene O’Brien’s Heaven, it’s this event that offers us a lens through which to observe the floundering marriage of long-time spouses Mal (Andrew Bennett) and Mairead (Janet Moran). While both characters are featured throughout, we never see them interact, instead hearing their differing accounts of Mairead’s sister’s wedding through a series of alternating monologues in which both characters speak candidly to the audience. As well as painting a colourful picture of the wedding, dancefloor scraps and dodgy speeches included, Mairead and Mal give the audience highly personal and often vulnerable insights into their lives and ...

5Feb

By Ralph JeffreysNo Comments

London

Vanya Is Alive – Omnibus Theatre

Vanya is alive is a unique play, telling the story of political censorship and the realities of war in Russia today. In its current form, it is calling out for a more complete staging, with moments of excellence not translating into a production that fully explores its own potential. The play focuses on Alya, whose son Vanya is captured and killed in the war, and her journey of political awakening that follows this. This tragedy is explored through a central conceit, namely that in Alya's society, the sentence that began this paragraph is not permissible, indeed it doesn't even exist. Instead, Aliya is told that her son is "absolutely free". In this way characters speak and emote through antonyms. It is an interesting idea, and at times can be incredibly moving. We are told how Alya ...

5Feb

By Olivia CoxNo Comments

London

Mrs President – Charing Cross Theatre

Mary Todd Lincoln is an enigmatic character in American history, shrouded in an equal parts myth and tragedy. The much-criticised First Lady witnessed the assassination of her husband president Abraham Lincoln as well as losing three of her four children, with her fourth child controversially committing her to an insane asylum. In John Ransom Phillips’s play Mrs President we see a different side to the infamous First Lady (played by Miriam Grace Edwards) as she poses for a series of portraits with esteemed photographer Matthew Brady (Sam Jenkins-Shaw), whose iconic photography of Abraham Lincoln reportedly helped him to secure the presidency. Photo: Pamela Raith As Mary strives to control her image through these photographs, whether that’s as a strong leader, doting mother, or a g...

4Feb

By Riana HowarthNo Comments

London

Second Best – Riverside Studios

Asa Butterfield is immaculate in Barney Norris' one-man tragicomedy. A mixture of playful and self-deprecating, the play, based on David Foenkino's novel, explores the cumulative impact of childhood trauma. Martin (Butterfield), who is at the brink of fatherhood, becomes troubled by past wounds. He recounts his experiences which all ultimately stem from losing the part of a lifetime - Harry Potter. Like a gawky, wry man you'd find in a British sitcom, Butterfield prances across the stage. His body moves erratically, finding expression before his words can catch up. The tone is conversational. Casual. But we see his dry wit progressively morph into a gritted teeth-resentment. The slow build is structured wonderfully. Martin begins half jokingly recounting his story, aware of its r...

Figaro: An Original Musical – London Palladium

4Feb

By Michelle KnightNo Comments

London

Figaro: An Original Musical – London Palladium

Figaro a musical with a stellar cast John Robyns as Figaro, known for his roles as Jean Valjean in Les Misérables, The Phantom, in The Phantom of the Opera. Cayleigh Capaldi as Sienna currently starring as Rose in the Off Broadway musical Titanique and Aime Atkinson as Lucia a British actress and recording artist, her musical accolades in Six the Musical as Katherine Howard and Vivian Ward in Pretty Woman Daniel Brocklebank as Antonio, Ava Brennan played Gia. The two child actors Gianni played by Cian Eagle-Service and Sophia Goodman as Amelia both too have credits to their name, Cian performing as Oliver in the 2024 production. Sophia who made her West End debut in Les Misérables and recently played the title role in Matilda the Musical. It goes without saying that the musicality...

4Feb

By Sadie PearsonNo Comments

London

Antigone (on strike) – Park Theatre

Antigone (on strike) written and directed by Alexander Raptotasios offered an exciting premise. The Greek classic reimagined into an all too relevant exploration of “the online court of public opinion”. Antigone, sister of an Isis bride righting for her remittance into the country. The likelihood of this, swayed by audience participation. You vote for how the story will turn out. A though provoking premise and a story of serious importance. Unfortunately, it sorely under delivered. Antiya is troubled by the loss of her sister. Not dead, rather at risk of a horrible fate, Esmeh is stranded in a refugee camp with her citizenship cancelled by the UK’s home secretary – Creighton. Having ran from home and joined ISIS at the impressionable age of 14, she is now forced to reckon with the conse...

2Feb

By Zara OdetundeNo Comments

London

Play On – Lyric Hammersmith

Play On is a jazz reimagining of Shakespeare's Twelfth Night set in 1940s Harlem. Vy is a talented songwriter looking to get her start in the music industry but soon finds it is a man’s world and she’s going to have to change to achieve her dream. With a convincing disguise Vy is soon entangled in the lives of major players of the Harlem music scene, the owner of the cotton club, world-famous songwriter The Duke and captivating songbird Lady Liv. Play On is embarking on a UK Tour, finally being brought to the UK in a co-production between Talawa and various theatres and producers, after previous runs on Broadway. This is a jukebox musical that relies on the timeless music of Duke Ellington, with over 20 of his songs featured in this show. The live jazz band is present on stage...

As Long as We Are Breathing – Arcola Theatre

1Feb

By Zak RosenNo Comments

London

As Long as We Are Breathing – Arcola Theatre

Modern life is not known for giving us opportunities to sit, and think, and be. We are constantly moving, working – there is very little time to do anything else. What is valuable about theatre and about storytelling is the space it gives us to contemplate the kind of lives we live and want to live, whether we want to progress or regress. What it means to more than just survive. A moment, to inhale, and to exhale. This is what great theatre, what As Long As We Are Breathing, does. A woman walks up and starts chatting about porridge, the same kind of interaction I might have with a particularly sociable soul on the street – the lights are still up, the audience is still chatting and taking their seats; this is a kind of immersion into theatre so smooth I didn’t realize at first that the ...

My Mother’s Funeral: The Show – Yard Theatre

1Feb

By Sadie PearsonNo Comments

London

My Mother’s Funeral: The Show – Yard Theatre

Theatre at its best is an incensing experience. Something which puts vital stories to stage. Which affirms you of humanity’s strength. And fills you with light, as well as heartache and rage. My Mother’s Funeral: The Show written by Kelly Jones at The Yard Theatre does just that. Without a doubt, this is the most moving piece of theatre I have ever been privileged enough to experience. Quite possibly the best thing I’ve ever seen on a stage. Abigail is a working-class writer, recently bereaved. Suffering the fresh and painful loss of her mother, she is confronted with the reality of economic inequality at a time where what’s crucial is support and humanity. She cannot afford the funeral. Her grim luck: she happens to work in an industry which is hungry for ‘authentic trauma’ from ‘peopl...