London Archives - Page 29 of 149

21Mar

By Alan Stuart MalinNo Comments

London

Sisyphean Quick Fix – Riverside Studios

Few plays handle the quiet complexities of family duty with as much tenderness as ‘Sisyphean Quick Fix’, Bettina Paris’ semi-autobiographical debut now playing at Riverside Studios. Set between London and Malta, the story follows two sisters, Krista and Pip, forced to confront the worsening alcoholism of their father, a man whose reckless behaviour has long been their shared burden. Paris plays Krista, a struggling actor in London juggling auditions and bar shifts, while Tina Rizzo’s character, Pip remains in Malta, holding down a steady job and a seemingly more conventional life. What unfolds is a careful dissection of how physical distance can breed resentment, as the sisters wrestle with uneven responsibilities, and the question of what anyone truly owes a parent who repeatedly hits ...

21Mar

By Paul AckroydNo Comments

London

Retrograde – Apollo Theatre

Sidney Poitier was one of the greats of Hollywood, whose influence went well beyond the world of film. The tributes to him at the time of his death in 2022, reproduced in the programme, demonstrate this. On transfer from the Kiln Theatre, this play deals with events early in Poitier's life, when he was on the verge of a major breakthrough into the world of film. He came to the attention of McCarthy's Un-American Activities Committee and was put under extreme pressure to sign a document implicating some of his friends as communists and repudiating his sincerely held views on the civil rights movement. This play is thus essentially about the conflict which he personally faced at this crucial juncture in his professional life but also reflects on the malign influence of the political thought-...

What If They Ate The Baby? / A Letter to Lyndon B Johnson or God: Whoever Reads This First – Soho Theatre

20Mar

By Sadie PearsonNo Comments

London

What If They Ate The Baby? / A Letter to Lyndon B Johnson or God: Whoever Reads This First – Soho Theatre

The ceiling is clanging. the spaghetti casserole is green and the two housewife’s mannerisms are disconcertingly in-sync. In this absurdist comedy, beneath a polite veneer, nothing is quite as it seems… Shirley (Natasha Rowland), 1950s housewife, is a picture of idealised domesticity - scrubbing floors in a marigold dress to match the marigold gloves that it is apparent she lives in. But when Dottie (Xhloe Rice) arrives to return a casserole tray, despite synchronised displays of social respectability - a polite remark to their husbands’ health - an exchange of recipes - it is clear something is desperately wrong beneath all this. Exploring female autonomy, McCarthyism and queer relationships, as the pretences unravel, so too does the world the characters inhabit. What hooks you firs...

13Mar

By Alan Stuart MalinNo Comments

London

The Little Prince – London Coliseum

A dazzling flight of imagination, Antoine de Saint-Exupéry’s, ‘The Little Prince’ has long enchanted readers with its poetic storytelling and profound themes. In this visually stunning and spellbinding adaptation at the London Coliseum, the tale is reimagined as an immersive blend of dance, aerial acrobatics, haunting audio, and digital projection. The result is a mesmerizing theatrical journey that captures the novella’s heart with elegance and innovation. Following sold-out performances in Paris, Sydney, Dubai, and a season on Broadway, and under the expert direction and choreography of Anne Tournié, the production unfolds in a dreamlike style, relying on movement and imagery rather than traditional dialogue, but accompanied by beautiful storytelling narration. At the centre of this c...

13Mar

By Sadie PearsonNo Comments

London

Weather Girl – Soho Theatre

A fiery tragicomedy and scorching analysis of our climate crisis, Weather Girl at Soho Theatre is a rallying cry for the necessity of protecting our planet. Weather Girl follows Stacey (Julia McDermott), a Californian weather girl who may look like a bleach-blonde-Barbie ‘perfect woman’, but in reality, is anything but. With a Stanley cup full of Prosecco, she is neurotic, impulsive, and a self-confessed alcoholic. See, California is on fire, and this is a fact which Stacey cannot stomach. As the wildfires consume her home, her life begins to be consumed with it. At the heart of this piece the question: how lost are we from nature, and therefore, from our humanity? Watkins delivers a script which boasts a multi-layered exploration climate change to match it’s multi-layered narrative....

12Mar

By Ralph JeffreysNo Comments

London

The Glass Menagerie – The Yard Theatre

When the audience walked into the theatre, an actor was spray painting the wall of the stage, and smoke was being pumped into the air, a fitting start for an exceptional and anarchic evening of theatre. Tennessee Williams' classic play focuses on the Wingfields. Abandoned long ago by their father, the family are waiting on the promise of change, symbolised by the 'gentlemen caller' a figure who might come into the family's life and marry the daughter, Laura (Eva Morgan), giving her 'security', allaying her mother's (Sharon Small) fears, and allowing the son, Tom (Tom Varey), to be free of his obligations to them. What follows is a tender exploration of repressed desire. Photo: Manuel Harlan Jay Miller's direction is teeming with creative energy and takes an anarchic approach to sp...

The Space Between the Sheets – Lion and Unicorn Theatre

12Mar

By Kira DanielsNo Comments

London

The Space Between the Sheets – Lion and Unicorn Theatre

Gripping from its opening moments, this sixty-minute play is a two-hander that invites audiences to saddle on up and hang on for dear life. Detailing the one-night encounter of a Stratford born boy and a Texas bred girl. The Space Between the Sheets gets into all the nit, grit, and gristle of cross-cultural connection without even getting out of bed. Sexy and fun as Estelle’s “American Boy” and heartachingly funny as a Dolly Parton medley, the rare and gentle thing this play explores isn’t as butterfly-like as love but has many of its flighty and fascinating qualities. Writer and star Kelsey Ann Moebius takes on the role of the capricious outsider, a young American actor in London fizzing with loneliness and bristling with indignation at the fractured society that has left her so...

12Mar

By Paul AckroydNo Comments

London

Birds of Passage – Drayton Arms Theatre

This is a new play with contemporary resonance. It takes place on the fictional Greek island of Zandros, where Emma, Bill and Sandra have been booked in to a beautiful hotel overlooking the sea. They notice a strange-looking concrete building in their sightline, which did not feature in any of the holiday company brochure pictures. It turns out to be a reception/detention centre for refugees who arrive by sea, and it's not long before they come face-to-face with the exacerbated refugee crisis, which upsets their holiday plans and changes their lives. Initially, the play is slow to get going with the characters appearing to be rather one-dimensional, and the dialogue rather stilted. However, as the plot develops it becomes more engaging, with the characters having to react to the develop...

11Mar

By Kira DanielsNo Comments

London

maliphantworks4 – The Coronet Theatre

A two-part program comprised of In a Landscape (Russell Maliphant) and Afterlight (Daniel Proietto), maliphantworks4 puts out a fourty-five minute program full of twists and turns. Its first act, a solo performance by Russell Maliphant, founder of the much awarded Russell Maliphant Dance Company and choreographer of both of the evening’s performances, is a conversation between shadow, light, and movement, brilliantly designed by Panagiotis Tomaras and dramatically scored by Dana Fouras. Maliphant himself is utterly captivating but it is the interplay between his stage presence and the diaphanous and dynamic set dressings that unfurl and undulate throughout the performance that make In a Landscape so inescapably enthralling. The miasmic nature of simultaneously revealing and obfus...

9Mar

By Dave SmithNo Comments

London

The House Party – Rose Theatre

August Strindberg's Miss Julie may be approaching 140 years old, but it's themes of sex, misogyny and class remain timeless. Laura Lomas’ The House Party brings this right up to the modern age, dialling up the sex but leaving class - or more specifically money - as an undercurrent throughout Julie (Synnøve Karlsen) is turning 18, her dad has skipped their evening plans to spend the evening with his 24-year-old girlfriend, so Julie throws a house party. Aided by best friend Christine (Sesley Hope) she anxiously awaits any of her guests to arrive. Director Holly Race Roughan has them arrive in full on Frantic Assembly style, slickly choreographed dance, leaps and dips and a flurry of youthful movement to an energetic beat. Without the traditional servant role to tell us how the charact...