London Archives - Page 27 of 148

5Apr

By Zain RussellNo Comments

London

Wake – Peacock Theatre

Wake is an exhilarating variety production by Irish theatre company THISISPOPBABY, showcasing an eclectic mix of talent and movement. The show features everything from Riverdance-inspired footwork and tap dancing to balloon dancing, acrobatics, pole dancing, strip teases, and breakdancing. It seamlessly blends traditional Irish music with club classics, creating a vibrant, unexpected fusion that feels both nostalgic and cutting-edge. I went into the performance with scepticism, unsure of what to expect. As it opened with traditional folk music, my doubts remained. But then—the beat dropped, a breakdancer took centre stage, and suddenly, the party had begun. One of the show’s greatest strengths was its unpredictability. It was packed with comedic moments that had the audience in fits ...

5Apr

By Michelle KnightNo Comments

London

Fluff – New Wimbledon Theatre

This is a one-woman play and is the first creation from the duo James Piercy and Tayla Kenyon, the founders of Teepee productions. This story focusses on a life afflicted by Alzheimer’s in ways that highlight how this debilitating disease impacts the lives of the people it penetrates. Tayla Kenyon as Fluff herself acts out the story through her many different roles, narrative and dramatisation from birth, school years from young love and boyfriend crush to her adult years as a teacher and a mother. Surrounded by her father for whom she loved dearly, and an Irish mother. Fluff faced challenges of her own as she navigated her way through life. The staging is simplistic, the lightning and projection of pictures amplify the poignancy of how people change and mem...

4Apr

By Ralph JeffreysNo Comments

London

RELIC – Coronet Theatre

RELIC suggests in its blurb that it is about “what survives from the past. A thing left behind, be it a memory, an object, a language or being”. On stage, we are treated to a barrage of images, sequences, and absurdist stand up and cabaret style performances from a strange figure: initially in just heels and a kind of bloated, amorphous body suit, this grotesque mannequin transforms and mutates throughout the performance, taking on several forms that are barely, but not entirely un-human. It's a strange show. At the heart of the piece is Euripides Laskaridis’ incredible performance which is itself a serious feat. Purely on a physical level, it demands a great deal of endurance and an incredible physical awareness of the body on stage. But considering he is also the director and set desi...

The Bollywood Guide to Revenge – Soho Theatre

4Apr

By Savitha VenugopalNo Comments

London

The Bollywood Guide to Revenge – Soho Theatre

Where there is Bollywood, there is melodrama. There is song and dance. There are beautiful faces. Shafeeq Shajahan’s cabaret brings all these to the stage and uses them to pick at some scars and talk about healing. And yes, revenge. As his springboard, Shajahan (who is also the writer and director of this performance) picks “Satyam Shivam Sundaram”, a 1978 Hindi movie about Rupa, a woman with a heavily scarred face, and her suitor Rajiv, who fails to see beyond the scars. It forms the backdrop not only to an exploration of his own life, but also to his mother’s, who grew up in Singapore as a neglected dark-skinned girl and found resonance in Rupa’s character. Photo: Marc Sirsi Through songs, storytelling and some playful interaction with the audience, Shajahan talks about his grow...

The Importance of Being Oscar – Jermyn Street Theatre

3Apr

By Paul AckroydNo Comments

London

The Importance of Being Oscar – Jermyn Street Theatre

There has never been anyone quite like Oscar Wilde. Famed as an author, playwright and poet in late Victorian England and then vilified for his homosexuality, his works remain as popular today,125 years after his death, as ever. Original Theatre and the Reading Rep Theatre have revived this dramatised biography, which was originally written and performed in 1960 by Micheál Mac Liammóir. Alistair Whately's one man show is a narrative of Wilde's life, illustrated with quotations from his best-known works: The Picture of Dorian Gray, The Importance of Being Ernest, as well as some of his best-known poems and letters. The first half focuses on his rise from his early life in Ireland to his fame in London for his poems and theatrical works. The second half is darker with his prosecu...

This Is Not a Happy Room – King’s Head Theatre

2Apr

By Zain RussellNo Comments

London

This Is Not a Happy Room – King’s Head Theatre

This is not a Happy Room is a new play written by and starring Rosie Day. It explores family dynamics, the ways families drift apart, and how they reconnect when brought together for major life events—such as a wedding and a funeral. Through witty dialogue and engaging performances, the play captures the complexity of sibling relationships, unresolved tensions, and the bittersweet nostalgia of shared memories. The story revolves around a family gathering for their father’s wedding to his new girlfriend. However, as he fails to arrive on time, his children begin to question his whereabouts while also rediscovering their relationships with one another. As they navigate awkward reunions and unspoken resentments, the audience is drawn into the emotional highs and lows of their interactions....

28Mar

By Alice RoseNo Comments

London

Asbo Bozo – Riverside Studios

18 minutes to start her day in silence, our lead and Anti-social Behaviour Officer (Georgina Duncan) needs to start her day off peacefully before dealing with the gruelling week ahead. Even more excitingly- it’s her birthday! With high expectations of the day, she prepares herself to play it cool when presented with cake and cards at work! She whirls around positive thinking, her phone quietly buzzes with yet another work meeting, a voicemail, an email. Her 18 minutes are cut 5 minutes short, so we journey with her on her walk to work through Wigan high street. Observant and suspicious of the locals, she’s seen far too much to just take life at surface level, but rather than confronting these demons, she remains forever bubbling on top of a kill switch. One small spark could set off an exp...

28Mar

By Michelle KnightNo Comments

London

Summoning Sondheim – The Glitch Theatre

The Queen of Cups presents Summoning Sondheim as part of the relaunch of Vaults before heading to 54 Below in New York in the autumn. Co written by Grace O’Keefe {best newcomer at Musical Comedy Awards 24) she has created a two woman show that centres around Stephen Sondheim the American composer and lyricist. He is regarded as one of the most important and influential people in the 21st C of musical theatre. The staging is intimate and minimal seating, the set is focussed on the candle lit alter placed in the centre of the room, the purpose being to attract the spirit of Sondheim. A séance, a place of worship to the great composer in the hope that he comes back to offer guidance and wise words to ‘Grace’ an inspiring writer who someday wants to become herself a renowned female scriptwr...

Murder, She Didn’t Write – Duchess Theatre

27Mar

By Carole GordonNo Comments

London

Murder, She Didn’t Write – Duchess Theatre

The Degrees of Error theatre company, having thrilled audiences at the Edinburgh Fringe, are now on tour around the UK and making their West End debut with their improv comedy of an Agatha Christie-style murder mystery. The audience throws in suggestions about the direction of the case, the murder weapon, the location of the crime, the suspects. There's audience participation, a flying deerstalker and much randomness. Will the audience find the murderer before the culprit is revealed? All characters have the standard means, motive and opportunity to have committed the murder but why and how, what does a giant cucumber have to do with it and why are the characters suddenly speaking in Latin? It's all totally bonkers and great fun. It's 1932 and Detective Agatha Crusty (Lizzy Sk...

24Mar

By Klervi GavetNo Comments

London

SPENT – Old Red Lion Theatre

In this daring one act, Greek Austrian playwright and performer Nikoletta Soumelidis and co-star Charlie Collinson draw us into a corrosive dance of love, power, and self annihilation. Soumelidis’s incisive writing examines the intoxicating pull of a BDSM inflected relationship — not for erotic spectacle, but as a stark metaphor for the emotional bondage we too often mistake for passion. Each night, tables turn, roles swap, and the dominant becomes the submissive. By watching both configurations, audiences confront ingrained assumptions about control, romance, and gender roles—as well as the earliest red flags of abuse. When Collinson dominates, his stripped back charisma evokes the familiar lure of a thrilling yet self-destructive darkness that irresistibly draws in Soumelidis’s naï...