Wednesday, January 14

London

Ghosts – Lyric Hammersmith
London

Ghosts – Lyric Hammersmith

Ibsen’s Ghosts is a serious challenge for anyone to update and adapt. This production falls unfortunately short of meeting that challenge, despite some bright moments. We follow a rich family of mother, Helena, and her difficult son, Oz, as they prepare for the grand opening of a children’s hospital using the money of Carl, Helena’s recently deceased husband. All this is complicated by the presence of Andersen, a lawyer helping to launch the hospital and an old flame of Helena, and Reggie and Jacob, who have worked for Helena and her family for a long time. Soon, all of the buried skeletons come out of the closet, and there is manipulation, suicide threats, and incest. Sadly, where Ibsen’s original is a masterpiece of writing, Gary Owen’s update is not of the same ilk. His adaptation...
Heisenberg – Arcola Theatre
London

Heisenberg – Arcola Theatre

A brilliant production, Heisenberg is a reimagining of Simon Stephen’s excellent play about relationships and their inherent uncertainty. Portrayed for the first time as a relationship between two women, we follow seventy-five-year-old Alex and the much younger Georgie in a story of an unlikely relationship that all begins when Georgie unexpectedly plants a kiss on Alex’s neck in the middle of a train station. The quality of Simon Stephen’s writing is superb. His characterisation is full of knotty complexity and his dialogue is expert at pulling out all of the tensions between Alex and Georgie. For example, Stephens plays with the form of the characters’ conversations to show us who is in control, who is driving, who is comfortable, and who is not. Thus, it is Georgie who does most of t...
Supersonic Man – Southwark Playhouse
London

Supersonic Man – Southwark Playhouse

Southwark Playhouse Borough hosted the world premiere of ‘Supersonic Man’ this week, a new musical written and directed by Chris Burgess, which sets out to blend science fiction spectacle with emotional resonance and love within the LGBTQI+ community. It is inspired by the remarkable real-life journey of Peter Scott-Morgan, as seen in Channel 4’s ‘Peter – The Human Cyborg’, and follows Adam, a Brighton-based influencer, who faces a devastating diagnosis and chooses to defy it, not by surrendering, but by exploring an experimental path, exploring transhumanism to reclaim control and live a full life. The production offers up a bold premise, full of potential for both drama and imagination, but unfortunately, it doesn’t quite live up to the ambition of its concept and remains somewhat und...
London 50-Hour Improvathon 2025 – The Pleasance Theatre
London

London 50-Hour Improvathon 2025 – The Pleasance Theatre

Improvisation - a theatre skill that is underrated, under paid, and underrepresented, but at the Pleasance Theatre from the 4th-6th April, the London Improvathon showed the audience, why the Improvathon, is in its 15th year.  This fifty hour, or three thousand minute event, pushes the boundaries of what is physically and mentally possible for a group of improvisers (and some audience members), who create a story in a loose framework, with many deviations, but with a strong emphasis on character development, to give this event a soap-like feel. The inspiration for this event comes from the Canadian company Die-Nasty who originated the Soap-A-Thon and in 2005, the then director of Die-Nasty Dana Anderson worked with Ken Campbell the British theatre impresario to bring the Soap-A-Thon...
Shanghai Dolls – Kiln Theatre
London

Shanghai Dolls – Kiln Theatre

“Shanghai Dolls” at Kiln Theatre traverses nearly 60 years of Chinese history in a brisk 80 minute run, centering on the intertwined fates of two legendary women. United by a passion for theatre yet divided by political beliefs, personal values, and the sweep of history, one transforms into Mao Zedong’s wife while the other rises to become China’s first female theatre director. Directed by Katie Posner, the production tackles vast historical events but occasionally buckles under its own weight. There’s a palpable sense of rushing to cover too much ground at once, with the dense narrative sometimes feeling overloaded—especially for Western audiences less familiar with the period. A clever nod to Ibsen’s A Doll’s House frames the struggle of these women, suggesting that the search for mea...
Midnight Cowboy – Southwark Playhouse
London

Midnight Cowboy – Southwark Playhouse

Midnight Cowboy stars Paul Jacob French as Joe Buck, a young and naïve cowboy escaping his small-town roots for the bustling, unforgiving streets of New York City. French delivers a perfect American cowboy accent and brings depth and vulnerability to his role, proving his impressive acting range. Upon arriving in the Big Apple, Joe crosses paths with Rico “Ratso” Rizzo, played by Max Bowden - a streetwise, scrappy hustler barely surviving on the fringes of society. Bowden’s portrayal is gritty and raw, capturing the desperation and charm of a man who’s constantly scheming just to make it to the next day. Together, Joe and Ratso embark on a heartbreaking journey through the underworld of sex work, chasing dreams of wealth, happiness, and an escape to a better life in sunny Florida...
Speed – Bush Theatre
London

Speed – Bush Theatre

An entrepreneur, a nurse and a delivery driver arrive for their speeding awareness course. Each of them at fault for getting too heated in the moment. To save their license, must complete their specialised course with Abz (Nikesh Patel). Abz is running a new course which combines the speed awareness with self awareness- what is making you so angry that you feel the need to act on it? Each of our guests find moments of self discovery and shame as we dig deeper to understand their moments of crisis but they start to realise something unusual might be at play. Abz’s twitching, quick to rage tendencies and judgemental opinions showcase a deeper reasoning for why they’re here today. Faiza (Shazia Nicholls) our entrepreneur brings an absolutely hilarious performance straight off the bat, prou...
Manhunt – Royal Court
London

Manhunt – Royal Court

Back in the summer of 2010, the nation was glued to their news channels as police carried out the country’s largest manhunt for Raoul Moat after he shot three people, one fatally. True crime is a morbid fascination for many, but one that usually transfigures into podcasts, TV dramas, or Netflix documentaries. This time, Robert Icke is dissecting the life and mind of one of the UK’s most renowned criminals this century through his new play Manhunt, which is making its debut at the Royal Court. Inspired by a book by journalist Andrew Hankinson, Manhunt envelopes us in the complex interior and exterior worlds of Raoul Moat (played by Samuel Edward-Cook), jumping between timelines as he explains what drove him to shoot his ex-partner Sam (Sally Messham), Sam’s new partner (Leo James), an...
All The Happy Things – Soho Theatre Upstairs
London

All The Happy Things – Soho Theatre Upstairs

If your sister has died, are you still a sister?  All The Happy Things explores the devastating effects of grief and loss.  Overwhelmed by grief at the death of her older sister Emily, Sienna struggles with all aspects of her life without her. She imagines that Emily is still there with her, arguing, remembering their past, listening to music. Emily shadows her at work, at home and in her relationships.  On top of this delusion, Sienna is dealing with her father's decline into dementia and the likelihood of him having to leave his care home because of his aggressive behaviour.  Written by Naomi Denny (who also plays Sienna), All The Happy Things initially sounds like it will be a depressing piece, but it's told with great warmth and plenty of light-hearted moments, e...
The Play’s The Thing – Wilton’s Music Hall
London

The Play’s The Thing – Wilton’s Music Hall

Mark Lockyer’s The Play's The Thing is a completely exhilarating performance, and an incredibly impactful version of Shakespeare’s classic. A one-person Hamlet is a serious challenge to any actor and has become something of a byword for something you should probably give a miss. Do not miss this one. Mark Lockyer is a truly singular actor, and probably one of the few whose inventiveness, energy, and total command of the language allows for this incredible feat to come off so perfectly. Taking us through director Fiona Laird’s very cleverly abridged version of the play, Locker utilises deft characterisation to bring the cast of characters to us. There are subtle changes in voice, and neat, repeated gestures and mannerisms that make the complex task of following an actor switching ...