Monday, December 8

London

Marriage Material – Lyric Hammersmith
London

Marriage Material – Lyric Hammersmith

The clash of cultures is a tale as old as time. Gurpreet Kaur Bhatti's adaptation of Sathnam Sanghera's novel, itself a take on Arnold Bennett's 1908 "The Old Wives' Tale", focuses on the conflict between tradition and change within a Sikh Punjabi family in the 1960s and over the following decades. Family and cultural expectations demand that sisters Kamaljit and Surinder marry, have children, and work in the family business, the corner shop that forms the centrepiece of the story. Their mother juggles the demands of the family, managing the shop after her husband falls ill while fending off suggestions from "Uncle" Dhandra, a more successful shop-owner, that she sell the shop to him. She's a firm, sometimes even cruel matriarch, determined like her sick husband to make a better life for h...
House of Life – Soho Theatre
London

House of Life – Soho Theatre

Mad, glitzy and totally camp, what a glorious night of theatre House of Life is. A silly show with heaps of heart, The Raverend (Ben Welch) and Trev (Laurence Cole) take their audience on a journey of joyous enlightenment through a 6 step plan to get happy quick.  Mad as a concept, the performance is less of a story and more of a cabaret-come-religious-experience, with glorious concoction of house, gospel and a cracking set of pipes (the Raverend in particular knocking it out the park vocally every time). Attacking the audience's insecurities with mantras of radical self love, honesty and community, House of Life’s great success is that it leaves no audience member un-nurtured. Chickens often the theme - an unsubtle metaphor for rebirth - we are offered egg-maracas (as well as f...
Radiant Boy: A Haunting – Southwark Playhouse Borough
London

Radiant Boy: A Haunting – Southwark Playhouse Borough

Radiant Boy is a unique, evocative, and intensely personal play that explores a young man’s relationship with his mother, his sexuality, and his faith. Russell has returned home after a ‘sickness’ prevented him from continuing his singing training in London. Unsure of how else to help Russell, his mother Maud has called a Priest who specialises in supernatural occurrences. Part kitchen-sink drama, part Exorcist style horror, Nancy Netherwood’s script effortlessly moves from understated but heartfelt conversations between a mother and son one moment and a dramatic exorcism the next. Her use of music, particularly traditional folk and New Wave, not only add to the atmosphere of the play but also embody Russell’s internal struggle. As Netherwood says in her Playwright’s note, folk and New Wav...
Little Brother – Jermyn Street Theatre
London

Little Brother – Jermyn Street Theatre

The Jermyn Street Theatre is known for its office winning productions is tucked away in the corner of the prestigious west end boulevard in central London. It has a neat line up of programs like creative associates supporting early career under represented theatre makers and women in Theatre lab. ‘Little Brother’ retraces the steps of adolescent Ibrahima Balde searching for his younger brother in Libya. The book on which the play is based, began with the conversations Ibrahima had with Amets Arzallus Antia, while seeking asylum. Youness Bouzinab, Blair Gyabaah, Whitney Kehinde, Ivan Oyik and Mo Sesay recreate memorable plethora of characters that young 11-year-old meets. Special mention to the innocence, grief and honesty captured by Blair Gyabaah. In his recreation of wide eyed ...
Shucked – Regent’s Park Open Air Theatre
London

Shucked – Regent’s Park Open Air Theatre

Tony Award-winning musical comedy Shucked has officially kicked off Regent’s Park Open Air Theatre’s 2025 summer season with its highly anticipated UK premier. The question on everyone’s lips, will such an American show be enjoyed by a UK audience? Set in the fictional Cob County, Shucked tells the story of young couple Maizy and Beau as they prepare to get hitched; however, crisis strikes when the town’s much-loved corn begins to die off. Maizy sets off on the adventure of a lifetime when she heads to Tampa in search of help and meets smooth-talking Gordy (Matthew Seadon-Young), who seemingly offers the solution to all their problems. Will Maizy bring back the close-knit town’s happily ever after? Indeed, Shucked is a musical that revolves around corn, yet Robert Horn’s clever writing ...
The Crucible – Shakespeare’s Globe Theatre
London

The Crucible – Shakespeare’s Globe Theatre

The Crucible, written by the extraordinary Arthur Miller, remains a powerful examination of mass hysteria, moral panic, and how fragile truth becomes in a climate of fear. At Shakespeare’s Globe, the play is given fresh urgency in a setting that amplifies both its historical weight and its emotional resonance. The Globe Theatre itself enhances the drama. Watching a performance in this open-air venue, with its wooden balconies and standing pit, is a unique and deeply atmospheric experience. The historical design transports you to another era, which makes The Crucible—though written in the 20th century—feel like a natural fit. The architecture reinforces the themes of scrutiny, public shame, and isolation. Set in 1692 Salem, the play dramatises a society tearing itself apart over accus...
The Mikado – Drayton Arms Theatre
London

The Mikado – Drayton Arms Theatre

One presumes it is no easy task to reimagine a classic from a time long gone for an audience of today. Preserving its original form could horrify modern sensibilities; washing the script in political correctness would strip it of its essence. What does one do? Forbear Theatre does a refreshing job of giving comic operetta The Mikado a new look. With a few tweaks, it dusts off the exoticism and stereotypes of the original, while preserving the wit and the tension, the topsy-turviness that the creators intended. Photo: Jon Lo Photography Deviating from the original setting of Japan, this new iteration takes place in the fantasy land of Pa’gæn, populated with woodland creatures, elves, and mages. The names are no longer Far-Eastern either. Rather, according to the director’s note, th...
The Fifth Step – @sohoplace
London

The Fifth Step – @sohoplace

David Ireland’s Edinburgh Fringe hit The Fifth Step transfers to London, making its debut at @sohoplace in a new version with substantial changes. Staying from its Edinburgh run is Jack Lowden with Martin Freeman joining to complete the two-hander.  The title refers to the fifth step of the 12-step programme; writing down everything which brings guilt and shame so you can tell them to a trusted friend in order to reduce the chance that these will drive you to drink. There is the usual David Ireland wit and black humour as he explores themes of addiction, masculinity, and in particular, religious faith.  Photo: Johan Persson The set is minimal - a blank stage with just a few chairs and a coffee point. Director Finn den Hertog has chosen to strip away all the staging from the E...
Die Walküre – Royal Ballet & Opera
London

Die Walküre – Royal Ballet & Opera

Following 2023’s Das Rheingold, conductor Antonio Pappano and director Barrie Kosky reunite to continue the mythical adventure with Die Walküre (The Valkyrie), the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen. On a stormy night, fate brings Siegmund (Stanislas de Barbeyrac) to the door of Sieglinde (Natalya Romaniw), the fearful wife of bully Hunding (Soloman Howard), unleashing a love with the power to end worlds. Meanwhile, in the realm of the gods, an epic battle ensues between their ruler Wotan (Christopher Maltman) and his rebellious daughter, Brünnhilde (Elisabet Strid), after his wife Fricka (Marina Prudenskaya) has laid her own law down to him, and the battle of the Valkyries – Helmwige (Maida Hundeling); Ortlinde (Katie Lowe); Gerhilde (Lee Bisset); ...
Diagnosis – Finborough Theatre
London

Diagnosis – Finborough Theatre

Athena Stevens commands the stage in the world premiere of her new play, Diagnosis, playing at the Finborough Theatre. In a dystopian London police station, a woman with a disability, S/he (Athena Stevens), is questioned about an alleged assault against a stranger. In accordance with new procedural law around ‘vulnerable individuals’, she is taped, watched by an audience through a one-way mirror, and forced to be taken seriously - or that’s the idea. In reality, the endless red tape acts less as a support system than as a distraction from the truth of her story. The set is immediately eerie. There is one window, blinds drawn, through which an ominous red glow seeps into Juliette Demoulin’s dark interrogation room. A camera on a tripod records and projects onstage the entire questioni...