London Archives - Page 22 of 111

17Mar

By Kira DanielsNo Comments

London

The Good Father – Riverside Studios

What are you doing for sex tonight? When was the last time you felt comfortable singing in front of someone? Who do you belong with, really? The Good Father poses all these questions and leaves plenty of empty space in its performance for you to spend the whole night coming up with your own personal answers. Directed by Mark Fitzgerald and written by Christian O’Reilly, this play is somewhat lacking in theatricality and sitting in the audience you get the sense that it’s only being performed live in front of you because there wasn’t enough budget to turn it into a proper film. Both actors’ performances are serviceable and occasionally attention-grabbing, but they have a lot of empty space to fill, and it is an intimate enough story that audiences feel more like interlopers than particip...

17Mar

By Zoё MeeresNo Comments

London

Hide and Seek – Park Theatre

Touching on issues like identity, peer pressure, friendship and the negative impact social media culture is having on young people, Hide and Seek doesn’t feel like entirely untrodden territory. Written by Italian playwright Tobia Rossi and translated and directed here by Carlotta Brentan, Hide and Seek charts the course of an unlikely friendship formed by two boys, Gio (Louis Scarpa) and Mirko (Nico Cetrulo) under quite bizarre circumstances. Bullied and belittled by his classmates, Gio retreats to a cave to escape after leaving a final mark on social media. Mirko finds him, and the two bond over their shared role in sensationalising Gio’s disappearance to feed the ensuing media circus, resorting to some fairly drastic measures to twist the story and stay relevant. As their friendship b...

14Mar

By Kira DanielsNo Comments

London

Harry Clarke – Ambassadors Theatre

A rose by any other name… still has its thorns. It’s what we love about our favourite conmen, Anna Delvey, Elizabeth Holmes, Remington Steele… They’re beautiful but also terribly cringe inducing. We love to hate them but can’t quite bring ourselves to look down on them, so powerful is their allure. Maybe it’s the accent, each one unique and bizarrely captivating, all the more for its inauthenticity. Harry Clarke’s is immaculate, as is Philip Brugglestein’s. In fact, all of the characters Billy Crudup speaks on behalf of over Harry Clarke’s 80-minute runtime are perfectly articulated, under the supervision of vocal coach, Deborah Lapidus. The stage cousin of Matt Damon’s Talented Mr. Ripley, Crudup’s Philip Brugglestein / Harry Clarke is no less charming for being 30 years his film fellow’s...

The Wizard Of Oz – New Wimbledon Theatre

14Mar

By Maani WayNo Comments

London

The Wizard Of Oz – New Wimbledon Theatre

This classic tale is reimagined with an inventive and modern take on The Wizard of Oz as we know it. With a talented and enthusiastic cast, comedic and heartfelt moments, this production is an enjoyable watch for all ages. Projections are used extensively which is seemingly becoming the norm for a tour production, and we are launched into Dorothy’s world in Kansas quite abruptly with a somewhat dominating video. While the scene was indeed set, this dynamic video established the tone for much of the staging throughout the production. Despite some extensive and inventive set pieces, the large screen at the back of the stage is used primarily to distinguish scenes and at times this choice feels unnecessary and lazy, particularly as the cast performances are entirely believable. While st...

14Mar

By Gemma PrinceNo Comments

London

Gingerline – The Grand Expedition

Immersive dining trailblazers Gingerline have returned to London with their show The Grand Expedition. The culinary journey started off as a secret project in Tottenham back in 2019 before travelling the world, visiting cities such as Shenzhen, Shanghai, and Seoul. The Grand Expedition is back, bigger and better than before with a full-scale re-imagining of the original story. The team takes you on an edible journey that transports you around the globe with five courses of delicious dishes, telling a story while appealing to your senses with colourful sights, sounds and tastes. As we queued up outside the secret location, the crowd was a mix of Gingerline superfans donning aeronaut-inspired costumes and immersive dining newbies. After we entered the venue, winded and ducked ...

A Most Pressing Issue – New Wimbledon Theatre

14Mar

By Olivia CoxNo Comments

London

A Most Pressing Issue – New Wimbledon Theatre

If you imagine a prison, it probably doesn’t strike you as a place teeming with comic potential. Add in the fact that the prison is on fire, and you’re probably visualising a very dark segment on the News at Ten rather than a comedy. But somehow, Tim Harris manages to turn this rather bleak scenario into a very funny 60-minute show in A Most Pressing Issue, playing this week at Studio at New Wimbledon Theatre. At the centre of this caper is Penton (Harris), the prison’s arrogant and sleazy warden who is desperately on the pull, and his nice-but-dim assistant Orly (Matt Williams, who also collaborated on the script). As the pair plan out how they can woo women — while also dealing with the minor inconvenience of the prison somehow catching fire — the two actors show off their brill...

13Mar

By Kira DanielsNo Comments

London

Macbeth (an undoing) – The Rose Theatre

She didn’t know what she was headed for, and when she found out what she was headed for, it was too late. Macbeths come undone. Playwright and director Zinnie Harris’s new and old work, Macbeth (an undoing) sets out to prove that what is done can in fact be undone rather than merely redone. Shakespeare’s Macbeth is arguably overdone, especially at the moment. From Ralph Fiennes to David Tennant, powerful male actors can’t take their grubby hands off it. Audiences too never seem to tire of it. It’s an enduring story, full of sound and fury, and rife with juicy monologues for actors to sink their fangs into. The juiciness of the plot even translates well into foreign adaptations and lubricates applications to very specific historical metaphors. However much of its adaptive appeal rests on wh...

The London Improvathon – Wilton’s Music Hall

13Mar

By Caroline WorswickNo Comments

London

The London Improvathon – Wilton’s Music Hall

After taking time to catch up on sleep and sustenance, it is comforting to reflect on what a special event the London Improvathon is. I covered the whole show but had breaks to grab a couple of hours sleep and to eat, so you could consider me to be a lightweight in comparison with these improvathoners. For cast and audience, there is an invisible bond that forms over the fifty hours, the commitment to perform, or to watch the equivalent of twenty-five shows back-to-back, binds the two together, and the final bows are met with celebration. For those who do not wish to commit to fifty hours, there was an option to buy a two-hour episode ticket. The history of the Improvathon goes back to 1993, when the first Canadian Improvathon took place, and then some years later Ken ...

13Mar

By Stewart Who?No Comments

London

London Zoo – Southwark Playhouse

London Zoo is set at the dawn of the Millenium, as print media faced the oncoming juggernaut of online content. Job losses and a decline in quality journalism came in its wake, except in a few rarified and fortunate corners. This play highlights the subtle ways in which prejudice, power and ambition are thinly veiled by passive aggressive marketing jargon, jokey office politics and the cold reality of number crunching. As someone who left print media at the turn of the century and then worked for an online brand that expanded in the boom, I can attest to the accuracy of some of the vibes seen in this odd window onto that period. Much like this fictional news corporation, GAY.com, where I held the role of Editor, imploded due to rapid expansion, shareholder tyranny and phantom accountanc...

10Mar

By Alice RoseNo Comments

London

The Duchess of Malfi – Globe Theatre

For the Sam Wanamaker’s 10th anniversary season, we are treated to John Webster’s Duchess of Malfi. This beautifully clear and impactful performance modernised the themes to highlight the sexism and misogyny of men in power, lit only by candlelight and at one point plunged into darkness completely. We follow this tale with huge anticipation and energy: Francesca Mills as Duchess lights the stage with incredible generosity and spirit as she takes on this ‘young Widow’ to discover her new love in life. Passionate to find romance herself and not on her brother’s command. Her twin Ferdinand (Oliver Johnstone) shares the deepest connection with her and yet betrays her so suddenly when discovering her pregnancy. His rage from losing control of her sends him mindless and he loses his sanity. The ...