London Archives - Page 20 of 147

14Jun

By Paul AckroydNo Comments

London

Steel – Park Theatre

Written by Lee Mattinson and first performed at the Theatre by the Lake in Keswick, Steel centres around two teenage boys from the depressed ex-industrial town of Workington. They are informed that one of them is unexpectedly the beneficiary of an inheritance, from a distant relative, of one mile of British rail track estimated to be worth £1 million. However, there is a catch; the original copy of the contract for the purchase of the track has to be delivered by midnight that same day. This improbable scenario sets the scene for a frantic series of encounters by the beneficiary with almost forgotten relatives, and old school friends with whom he has lost contact. This leads him to relive parts of his earlier life and re-evaluate his relationship with the Lake District and realise what is ...

14Jun

By Dave SmithNo Comments

London

…Earnest? – Richmond Theatre

Celebrating 130 years of Oscar Wilde’s masterpiece The Importance of Being Earnest, Say It Again, Sorry? offer up their own chaotic twist - part homage, part catastrophe. Oscar Wilde meets The Play That Goes Wrong - a heady blend of farce, improv, and gentle audience manipulation. ...Earnest? begins as normal: a servant considers it rude to listen to the piano, then cucumber sandwiches - but then the doorbell rings and Earnest is loudly announced… Yet now, the door stays closed and no one arrives. A quick interruption from the director fills some time while the cast of the play-within-a-play try to figure out how the show will keep going. The answer is simple: an audience member will join them on stage to stand in for the missing actor. When funny, ...Earnest? is hilariously funny. ...

14Jun

By Zain RussellNo Comments

London

King of Pangea – King’s Head Theatre

King of Pangea is a new musical produced by Jerry Mitchell that takes audiences on an emotional journey through the challenges of growing up, family bonds, illness, and grief. It tells a moving story about a boy named Sam Crow, who grows up in a loving household only to face the devastating impact of cancer—not once, but twice. The musical begins with Sam watching his mother battle and survive cancer. Later, as a university student, he is confronted with a similar situation—but this time, it ends in loss. The narrative powerfully explores how grief reshapes a person's world. Sam Crow is played by Alfie Blackwell, with Tayt Joshua Silvester-Stoller portraying his younger self. Both deliver compelling performances, capturing the deep emotional struggle of processing trauma at a young a...

12Jun

By Alan Stuart MalinNo Comments

London

Romeo and Juliet – Wilton’s Music Hall

Flabbergast Theatre have returned to Wilton’s Music Hall, this time with a visceral reimagining of Romeo and Juliet. A thunderous, and unrelenting feat of physical theatre that carries an energy that brings something entirely fresh to Shakespeare’s tragedy. Renowned for rejecting classic Shakespeare, this latest production from Flabbergast is fiercely modern and embraces a raw, and highly expressive way of presenting the story of star-crossed lovers, injecting a whole new level of modern storytelling into the text. From the moment the audience enters the auditorium, it’s clear that something unusual, is about to unfold. The ensemble is already on stage, shifting and murmuring with an unnerving intensity. It’s difficult to tell whether they are intoxicated, possessed, or gripped by some ...

11Jun

By Ben PearsonNo Comments

London

The Ticking – Drayton Arms Theatre

Brought to the Drayton Arms Theatre by the Cellar Door Theatre Company, The Ticking explores the manic cocktail of emotions, questions and chaos that arises when 4 friends wake up after a night out with a mysterious ticking briefcase in their possession. As I’m sure you can guess, the briefcase contains a bomb. The 70 minutes that follow are just as absurd as the opening premise, and not only allow for some great moments of comedy, but also a discussion of blame, responsibility and climate change. The issue is that while these themes are undeniably important, they’re also well-trodden, and The Ticking does little to explore them from a new angle. We’re presented with a situation, a political message, and characters we’ve all seen before, which consequently makes it hard to emotionally inve...

STARS: An Afrofuturist Space Odyssey – Brixton House

11Jun

By Holly SewellNo Comments

London

STARS: An Afrofuturist Space Odyssey – Brixton House

STARS: An Afrofuturist Space Odyssey fulfils and surpasses every inch of its title. It’s the odyssey of one woman’s life on Earth and her need to go beyond, and encompasses everything from Monday mornings at the laundrette to primordial, ancestral spirits from the stars. It is asintimate as sex and as enormous as the cosmos. It made me feel seen, uplifted and part of something bigger than myself, and I cannot recommend it enough. When her husband dies, Mrs (Debra Michaels) decides to take matters into her own hands and have her first orgasm. She’s not sure where to start, but space travel seems as good a place as any. Woven into the first half of the play is the story of the Nommo, an ancient hermaphroditic people from a star called Sirius B, beautifully illustrated by Candice Purwin. M...

10Jun

By Michelle KnightNo Comments

London

Chicago – New Wimbledon Theatre

This production has Sass, Pizzazz, and whole lot of Jazz. Chicago originated from America and has become one of the most renowned musicals to hit Broadway and the West End; created by Kander and Ebb with the original choreography by the amazing Bob Fosse. The UK tour has begun, and it hit the New Wimbledon theatre with a bang. It showcases Strictly’s Jeanette Manrara as Roxie Hart like you have never seen her before. There is a cast of favourites from screen and theatre Darren Day who plays Billy Flynn and Brenda Edwards as Matron ‘Mama’ Morton. The story of Roxie Hart the devious chorus girl has its origins in the real gangster Chicago of the early 20th Century. When a junior reporter for the Chicago tribune was assigned to cover the trials of women accused of murder. So, it ...

10Jun

By Gemma PrinceNo Comments

London

Our Cosmic Dust – Park Theatre

Written and directed by Michinari Ozawa and translated by Susan Momoko Hingley, the critically acclaimed Our Cosmic Dust tells the story of Shotaro, a young boy who believes his recently deceased father has become a star. Originally a Japanese play performed in Tokyo, Our Cosmic Dust kicks off its UK premier at the Park Theatre in London. The story is an enchanting blend of puppetry, animation and acting, exploring the concept of death and what happens after we die. The play begins with Shotaro running away from his mother, Yoko (Millie Hikasa), in her desperate attempt to find him, she meets some colourful characters along the way. Hikasa does a great job of playing a grieving mother struggling to cope with her recent loss as she feels her quiet son slipping away from her. Pho...

7Jun

By Zain RussellNo Comments

London

Miss Myrtle’s Garden – Bush Theatre

Miss Myrtle’s Garden is a powerful and moving production that delicately explores the emotional terrain of memory, love, and loss. Centered around Miss Myrtle and the people closest to her, the story subtly but poignantly addresses themes of dementia and Alzheimer’s. Without ever explicitly naming the illness, the play allows the audience to experience the disorientation, warmth, and heartbreak that come with it. Diveen Henry gives a remarkable performance as Miss Myrtle. Her portrayal is layered and deeply human—she shifts effortlessly from moments of sharp wit to bouts of confusion and vulnerability. Her relationship with her late husband Melrose is the emotional core of the play. Mensah Bediako brings grace and gentle charm to the role of Melrose, and his onstage chemistry with H...

A Midsummer Night’s Dream – Bridge Theatre

6Jun

By Zandra OdetundeNo Comments

London

A Midsummer Night’s Dream – Bridge Theatre

If A Midsummer Night’s Dream should leave you feeling as though you’ve wandered through a strange, enchanted world, unsure what was real and what was play, then this immersive production succeeds beautifully. Bold, funny, sometimes outrageous, but always intelligent, it brings Shakespeare’s classic comedy to life with an energy that is both thoroughly modern and deeply respectful of the text’s spirit. Bunny Christie’s design is a triumph, a playful yet atmospheric space in which the audience moves freely as the world of the play shifts around them. The staging, with its moving platforms and layered set-pieces, constantly reshapes your perspective. I was fortunate to experience it from within the pits, which brought an exhilarating intimacy to the action. That said, if you...