Friday, December 27

London

Rush – Floral Pavilion
London

Rush – Floral Pavilion

Not your average theatre show, Rush brought a taste of Jamaica to New Brighton’s Floral Pavilion on Saturday night – billed as a joyous Jamaican journey, did it deliver? Narrated by witty stand-up comedian John Simmit, this is an uplifting tale of Jamaican history and the story of the ever-inspiring Windrush generation, peppered with an array of music from the nation over the years. There were plenty of tunes from Aswad, Bob Marley, Desmond Dekker and more performed by a talented band, alongside lead singers IKA and Janice Williamson whose voices were enough to stun the lively audience into silence at times. That silence didn’t last long, however. From uproarious laughter to dancing in the aisles, the crowd lapped up every moment of the show – especially the political moments, of whi...
An Ideal Husband – New Wimbledon Theatre
London

An Ideal Husband – New Wimbledon Theatre

What relevance could a play written 130 years ago possibly have today? But then, that is the magic of Oscar Wilde, giving us themes that stay relevant through the ages, food for thought for days. When Lady Markby remarked that society has become over-populated and that “someone should arrange a proper scheme of assisted emigration”, it certainly hit a nerve and prompted a few uncomfortable chuckles in the audience. Directed by Patrick Brione, the Carlton Theatre Group’s production of An Ideal Husband is rich in talent and rides the waves of wit and melodrama with flair. Sir Robert Chiltern’s perfect life hangs in the balance as the scheming Mrs Cheveley threatens him with social and political ruin. She blackmails him with a letter from his past in order to force his support for a canal ...
People Places & Things – Trafalgar Theatre
London

People Places & Things – Trafalgar Theatre

I’d heard the premise before going to see this. I knew it was about an actress with an addiction problem going to rehab, to get the paper that lets her get back to work. Yet it was much more than this - an intensive journey, from the excruciating detox to all the mental anguish, conceptualisation, denial, and the hopeful, desperate, desire to get better. It was a truly cathartic watch. Denise Gough’s characterisation was phenomenal, we saw all the nooks and crannies of this complex woman. Her visceral performance brought Emma’s story to life, and made the meta moments, the reminders that we are watching actors, even more trippy because her character was so embodied and real. There was a moment in the first scene where the back of the stage is ripped away, and throughout the drama, this ...
The Nine Day Queen – Barons Court Theatre
London

The Nine Day Queen – Barons Court Theatre

It’s said that birds of a feather flock together- until the cat comes. When danger looms does solidarity dissipate? Can you really save yourself if no one else is safe? How can women do right by each other when the world seems so determined to do us wrong? The fledgling Itchy Feet Theatre Company asks these questions and more in their new staging of The Nine Day Queen both written and directed by Jen Tucker. A youthful and bright-eyed company of four delicate but determined looking girls is anchored in this performance by Maddie White as Rita, a fifteen-year-old, whose best friend Lena (Moya Matthews) has suffered a brutal attack and is hospitalized and comatose. While Rita awaits Lena’s eventual reawakening or untimely passing, she dwells in memories of their friendship, buries herself...
Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre
London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

Acclaimed French pianist and composer Jean-Michel Bernard is best known for writing, performing, and scoring for films such as Hugo and Be Kind Rewind. But in his second of two nights delighting audiences at Notting Hill’s Coronet Theatre, Bernard played tribute to another icon of the genre, Lalo Schifrin. Bernard delicately took us along a journey through Schifrin’s music, as well as other compositions inspired by his artistry, for an evening that highlighted the inimitable power of music to transport us to another time and place entirely. Accompanied by nothing but his piano, simple lighting and an adorable picture of his beloved chihuahua Onion, Bernard had an astutely commanding presence in the characterful space, and his effortless mastery of his instrument was bewitching. ...
Tender – Rich Mix
London

Tender – Rich Mix

Phosphoros Theatre, renowned for its impactful and thought-provoking productions, returns with its fifth play, "Tender." Building on the success of their previous tours through a collaborative research and development process across the UK, "Tender" is a timely, robust, and engaging production. With the new Illegal Migration Act and Rwanda Bill, this piece fills an urgent gap that mass media seems unwilling to report on factually. The play features a diverse cast from Albania, Chad, Eritrea, Ethiopia, and Iraq. Each actor brings unique flavours and perspectives, adding authenticity and depth to the production. Abel, Klevina, Ibrahim, Ismael, and Sara form a terrific and talented team on stage, seamlessly adopting numerous roles. "Tender" humanises the pain and suffering of young ...
Now I See – Stratford East
London

Now I See – Stratford East

In a unique fusion of movement, music and text, “Now, I See” takes audiences on a vibrant, emotional journey through the joys and pains of being black and male in contemporary Britain. Directed, choreographed and written by Lanre Malaolu, this 130-min nugget offers a luscious dive into male consciousness and the culture that shapes childhood adventures and a man’s ability to choose his narrative later in life. Fans of Suzan-Lori Parks’ “Topdog/Underdog” should feel right at home. The story centres on three brothers, and the aftermath of the middle one’s death, Adeyeye, from sickle cell disease. His passing leaves big brother Kieron and youngest brother Dayo grappling with their grief and searching for a way forward. History, big and small, has not been kind to either and the brothers’ c...
Sniff – Park Theatre
London

Sniff – Park Theatre

Pissing on stage has never been more popular. From Travis Alabanza’s Overflow to Sam Grabiner’s Boys on the Verge of Tears plays set in bathrooms proliferate. It seems all the best new writing owes its inspiration to some form of cubicle poetry. Poetry this play is. Lewd, brash, and at times nauseating poetry it may be but it is poetry and a very powerful sort at that. With spectacular writing and performances by Gabriel Fogarty-Graveson & Felix Grainger under Ben Purkiss’s deft direction the chemistry between Liam (Fogarty-Graveson) and Alex (Grainger), two men who meet in a pub toilet, genuinely sizzles. Fogarty Graveson is especially undeniable as Liam, a character so intensely charming and menacing that he is somehow impossible not to root for even as he gets up to nothing but b...
Cold Water – Park Theatre
London

Cold Water – Park Theatre

Cold Water is fantastic writing by Philippa Lawford who also directs this both uproariously and understatedly funny small-scale, world-premiere production. The play is exceptionally well cast, a necessity in a two-character, full length play of any scale. Whereas some two-handers will focus on generating unbearable tension or palpable chemistry, Cold Water is the rare theatrical experience in which connection does not come at the cost of comfort. Both actors are thoroughly convincing in their characters both together and alone on stage. Under wondrously ambient lighting design by Ed Saunders even dim transitions between scenes feel captivating and revelatory. This is a play it is impossible to tear your eyes away from, not because it keeps you on the edge of the seat or fearmongers an e...
Stop Trying to Look at my D**k! – Canal Cafe
London

Stop Trying to Look at my D**k! – Canal Cafe

Challenging yet underdeveloped, Jacob Grunberger's one man show, ‘Stop Trying to Look at my D**k!’ staged at Canal Cafe Theatre aims to offer a bold exploration of masculinity in a modern world, but unfortunately falls far short of the standards expected for professional London theatre. While the play delves very lightly into provocative themes, its execution lacks the refinement and depth required for a polished production. The performance, more reminiscent of theatre student’s end of year showcase than a professional endeavour, suffers from several shortcomings. The use of props is questionable, detracting from the overall impact, the physical theatre and choreography feel rudimentary and lacking in sophistication, and the comedy and script content come across as stunted and disjointe...