London Archives - Page 18 of 111

1May

By Dave SmithNo Comments

London

Frozen – Greenwich Theatre

Nancy (Kerrie Taylor) finds herself with her hands full, managing the squabbles of her two young daughters. She sends the youngest, Rhona, on a small errand only for her to encounter Ralph (James Bradshaw) along the way - a man who preys on young girls who abducts her before assaulting and killing her. Indra Ové takes on the role of Agnetha, an American academic who travels to England to study Ralph and his crimes. In case you have not gathered, Bryony Lavery’s Frozen is far from a light-hearted play; it bears no resemblance to the musical of the same name playing nearby along the Thames. We follow Ralph and Nancy over two decades as his crime haunts Nancy and resonates through her life. Director James Haddrell's has clearly given a lot of thought to the staging, as Ralph and Nanc...

30Apr

By Zara OdetundeNo Comments

London

Minority Report – Lyric Hammersmith

Minority Report is a staging of a Nottingham Playhouse and Birmingham Rep co-production. This premise is best known for the 2002 film starring Tom Cruise. This play explores free will and the idea of justice in this adaptation of Philip K Dick’s short story of the same name, written by David Haig. The play opens with a ceremony of the 10th Anniversary of the British Pre-crime department. In which the CEO Dame Julia Anderton is extolling the virtues of detecting Pre-criminals. However, she soon finds out that she has been identified as a pre-murderer. She must go on the run in an attempt to prove her innocence and discover truths about her organisations that have been long buried. Jodie McNee led this play as Pre-crime CEO Julia, she commands the stage and explores so many emotions an...

Pippin: 50th Anniversary Concert – Theatre Royal, Drury Lane

30Apr

By Carole GordonNo Comments

London

Pippin: 50th Anniversary Concert – Theatre Royal, Drury Lane

Packed full of Stephen Schwartz's memorable songs, such as "Corner of the Sky" and "Magic To Do", Pippin is a show that has been re-produced and re-imagined over the last 50 years around the world, including in the West End and on Broadway. At its heart there's the simple tale of a young man, a prince, at a loss of what to do with his life, the curse of princes throughout history. Pippin is the son of King Charlemagne the Great and heir to the Frankish throne. He seeks fulfilment, believing that, as he's extraordinary, he should find something extraordinary to achieve. In his attempts to break through this existential despair, he tries leading an army, but only succeeds in losing most of his men. Then he has a period of debauchery, but that leaves him empty. Art and religion also fai...

This Is Memorial Device – Riverside Studios

29Apr

By Riana HowarthNo Comments

London

This Is Memorial Device – Riverside Studios

Capturing an art induced euphoria and a sense of estrangement, we are shown the meaning in the small, contained world of fictional band, Memorial Device. Graham Eatough brings to life David Keenan’s novel that merges an imagined world and the 80’s music scene in Airdrie. The set and concept was intriguing and provoking. The mannequins on stage was such a beautiful idea (slightly absurd and eerie nonetheless) - enlivening the way the band and the music made the speaker feel. Deeply poetic, lyrical words were woven in between the candid. The running thread through the script was of feelings; of awe and searching to reconnect to an ecstatic moment, and a feeling of mourning. In ways, it felt like an ode, and a eulogy. Actor Paul Higgins took us on a journey in this strange suspended time, ...

29Apr

By Riana HowarthNo Comments

London

The Tempest – Drayton Arms Theatre

Burnt Orange Theatre Rep Company bring The Tempest to life. In the black box theatre setting, the troupe form a striking ensemble with sizzling choreography as well as impressive individual performances. Such dynamic storytelling with swift transitions made Shakespeare’s language accessible and engaging. The group was cohesive and nimble, heaving to and fro throughout like the waves and the ship, and producing surreal hissing and clicking sound collages. I loved the interpretation of Ariel, with four actors embodying the spirit. They really captured the magic and elemental nature of the play. Ioan Oosthuizen’s fraught Prospero was heavy with responsibility, and it was charming to see his lighter side and fatherly affection around his daughter. As the principal storyteller in the ...

Remembrance Monday – Seven Dials Playhouse

29Apr

By Zoё MeeresNo Comments

London

Remembrance Monday – Seven Dials Playhouse

Watching Remembrance Monday, I was reminded of a description I’ve always liked of memories that I read in an interview. The interviewee (it may have been Florence Welch but don’t quote me on that), talked about memories being like photocopies of photocopies, blurring gradually over time as you get further and further away from the original. And so it is with Julius (Nick Hayes), as his recollections of what initially appears to be a regular Monday night with husband Connor (Matthew Stathers) quickly take a much darker turn. In Remembrance Monday, playwright Michael Batten weaves seeds of doubt and confusion very early on, presenting questions about the reliability of Julius’s narration. I’ll keep this a spoiler free zone, but I will say that the twists and unfolding of the plot are perf...

29Apr

By Kira DanielsNo Comments

London

Moby Dick – Wilton’s Music Hall

You know the story. Boy meets whale. Whale eats boy’s leg. Boy never gets over whale. The enduring power of the novel, Moby Dick is difficult to relate to in this modern day and age for audiences without a special interest in whale anatomy or sperm oil derivation methods. Some productions take on this difficulty by recontextualizing the story, playing up its tragic or romantic elements, and this production, by the theatre ensemble simple8 technically checks both of these boxes. Our narrator/protagonist Ishmael (Mark Arends) and his beloved bunkmate Queequeg (Tom Swale) have more than a hint of chemistry and jokingly allude to a sea marriage. The doomed Captain Ahab (Guy Rhys) and his gloomy mate Starbuck (Hannah Emanuel) both take their respective roles in spreading their component element...

25Apr

By Gemma PrinceNo Comments

London

What (is) a Woman – Arcola Theatre

Set across four decades, the one-woman play tells the one woman’s story of sex, love and identity as she matures from schoolgirl to woman. From critically acclaimed West End and TV actress Andrée Bernard, best known for her roles in Holby City, Hollyoaks and Kiss Me, Kate, the piece is written, composed and performed by Andree herself, directed by Michael Strassen and asks the question of what it means to be a woman of the Modern Age. Bernard expertly commands the stage from start to finish, the audience were enthralled as she encapsulates the various characters in the story, from wide-eyed university student to an overbearing Drama teacher, she does a brilliant job of quickly adopting these characters, showing her versatility. Bernard playing her character’s sho...

24Apr

By Stewart Who?No Comments

London

You Are Going to Die – Southwark Playhouse

It was noteworthy that the Southwark Playhouse was fizzing with an unlikely joi de vivre for the launch of You Are Going to Die. On a Monday? For a ‘nail-biting descent into existential anxiety’? The bar was jumping with a young, up-for-it crowd, and it was mystifying and exciting to be among them. Who told them and why are they here? As a long time supporter of the avant garde, I’ve endured excruciating boredom, genuine fear and questionable thrills, but the audience at such events always leans towards the gothy fringes of artistic society. That crowd were oddly absent and in their place were fresh faced Londoners, keen to party and free from the frosty demeanour of the serious aesthete. In attendance was Michelle Greenidge, who plays Lola, Mandy’s best friend in Diane Morgan’s BBC com...

20Apr

By Kira DanielsNo Comments

London

1884 – Shoreditch Town Hall

What makes a house a home? What makes a hall a theatre and what makes a game play? Conceived by theatre-maker Rhianna Ilube and brought to life by immersive game-theatre makers Coney, 1884, is a hoot and a half. Split into two parts, the first running around two hours that go by in a flash and the second making less of a second full act than a stunningly complex coda, this experience doesn’t waste a minute of the time it takes from you. Intriguingly complex, Jacob Wu’s set design is as functional as it is whimsical and establishes the playfulness of the environment being curated right from the get-go. Audience members self-select seatings of seven to begin the game and from these small pods communities are born. Each activity is thoughtful, engaging, and accessible. Sound designer, Mwen, a...