London Archives - Page 14 of 149

23Aug

By Caroline WorswickNo Comments

London

Lavender – The Courtyard Theatre

We meet Edie (Maisy Fuggle) as she consults a psychiatrist in an effort to come to terms with the loss of a loved one. We are then taken on a journey of Edie’s life with Harvey (Patryk Wachowiak), who she meets in a coffee shop when she is venting to the barista about her coffee, which is definitely not made with coconut milk as requested. Harvey is intrigued by this fiery girl that he met in the coffee shop, and they begin dating. Harvey is a book shop assistant, and Edie works in an estate agency in a job that she complains about constantly. The couple grow closer together, meeting each other’s parents and eventually decide to move in together. The couple have their whole life ahead of them, making plans to go on a once-in-a-lifetime holiday to Australia, a...

Isn’t It Byronic – The Courtyard Theatre

23Aug

By Caroline WorswickNo Comments

London

Isn’t It Byronic – The Courtyard Theatre

As if you had not guessed by the title, this is a show about Lord Byron – no not the pub (of which I am sure there are many), but the romantic poet who penned his verse in the late 18th and early 19th century. Performer Zoe Maltby is a little obsessed with Byron, and to prove it, she has made a show in reverence to him, but in allusion to his very promiscuous lifestyle, Maltby summons up the camp, drag artist within herself, to become Lord George Gordon Byron – well sometimes at least! Maltby, clearly knows her Byron, and as she explores his life and work in a chaotic, dramatic, festival of riotous fun. Audience members are harpooned with the microphone and encouraged to participate within the realms of a script, but it is Maltby’s sharing of her personal difficulties, t...

23Aug

By Paul AckroydNo Comments

London

Every Brilliant Thing – Soho Place

Every Brilliant Thing was created by Duncan Macmillan and Johnny Donahoe and was first performed at the Edinburgh fringe in 2014 and has since been performed by many artists in 80 countries around the world. This is the first time that it has had a performance in London’s West End. It still has the feel of a fringe performance with a solo actor performing with no set dressing and largely without props and involving the audience in the performance. It works well in the intimate theatre in the round auditorium at Sohoplace. Another feature of this production is that it is to be performed by five different actors on different nights during its run. At Press Night it was the turn of Johnny Donahoe, who has performed it many times and his familiarity with the material...

Who Else Did Sam Hill Kill? – The Courtyard Theatre

22Aug

By Caroline WorswickNo Comments

London

Who Else Did Sam Hill Kill? – The Courtyard Theatre

Who is Sam Hill? He is the guy that everyone puts upon, feeds his Aunt’s cat, covers other work-mate’s shifts at work without being asked if he minds – he is single, and he is invisible! How easy would it be to blame a murder on him when he never raises his voice in protest, a perfect scapegoat! This farce dreamed up by Christian McKeon, is a mad-cap hour of fast paced theatre, which is fun, silly, and cleverly conceived. The plot has Sam Hill (Raphael Kris) working at Costello’s, when his Aunt Sal (Bylli Gomez) requires him to visit her flat to feed her cat, but when Sam arrives Sal is dead, allegedly by a self-imposed shot to the head, but how easy is it to shoot yourself from behind? As further people in Sam’s life are killed, all eyes turn to Sam, b...

Please don’t fall in love with me (it’s really not sexy when that happens) – Hen & Chickens Theatre

22Aug

By Ben PearsonNo Comments

London

Please don’t fall in love with me (it’s really not sexy when that happens) – Hen & Chickens Theatre

Brought to the Camden Fringe by Pinklepause Productions, Please don’t fall in love with me (it’s really not sexy when that happens) is an entertaining comedy that dives into the world of 2007 London’s most famous knicker shop: Knickers Forever. We follow the AGENT, played by the show’s writer Mollie Blue, as she takes us on a roller-coaster of creepy customers, charming clientele, and the constant craziness that comes with her chosen territory. Blue is charming in the role, the perfect host for a show which aims to be ‘silly, shocking, and ever so sexy’. At times, I found her performance a tad over-blown, but this, it turned out, was entirely intentional. We’ll get to that later. Poppy-Anne Taplin plays the AGENT’S hapless but lovable colleague BIMBO. Despite not being given much em...

22Aug

By Caroline WorswickNo Comments

London

Provocateur – The Hope Theatre

Welcome to the world of Letitia Delish (Tish Weinman), a mistress who will certainly put you in your place, and you will love it! But, under the veil of the dominatrix, lies a person who is exploring their gender identity, using the whip as a tool of the trade, and the persona of Letitia Delish to earn money. Written and performed by Tish Weinman, this play aims to strip back the layers of the character Letitia, to find out why she was needed, not just by the men who visit her, but why was she needed by her creator? Supported by her co-performer Alex Chorley, we follow Letitia on her journey of how she became involved in the sex industry. Letitia’s first experience is with a man whose sex-life with his girlfriend is boring, and he wished to explore a part of himself th...

22Aug

By Stewart Who?No Comments

London

A Manchester Anthem – Riverside Studios

A Manchester Anthem opens with Tommy (Tom Claxton) having it large to the 1990 dance classic ‘Anthem’ by N-Joi. He’s in underpants, dancing with the unhinged enthusiasm of a person who has no idea that anybody might be watching. It’s unsexy slapstick, totally relatable and introduces us to a character who’s about to take the audience on a one-man, one-hour trip into a messy night out in Manchester. When N-Joi released Anthem, I was at university in Liverpool and that summer, lived in a crazy rave squat in Hulme, Manchester. If you Google ‘Anthem by N-Joi Quadrant Park’ there’s a one-minute clip of the tune being dropped at the legendary Merseyside club. I was a regular at ‘The Quaddie’ and a loved-up devotee to the Hacienda too, but this show isn’t a misty-eyed flashback to ‘90s Madches...

Scenes with Black Folk – Camden People Theatre

20Aug

By Zain RussellNo Comments

London

Scenes with Black Folk – Camden People Theatre

Scenes with Black Folk sets out with a bold and important premise: to ask, what are the rules of being Black? Who decides, and who enforces them? And what happens when those questions are asked aloud? On paper, it promises to be thought-provoking and powerful, a piece that could explore the complexities, contradictions, and lived realities of Black identity across time. Unfortunately, the production falls short of that promise. While it gestures toward weighty themes, it lacks the substance and cohesion needed to make them resonate. Instead of offering sharp insight or meaningful reflection, the play leans heavily on clever-sounding wordplay and poetic fragments that ultimately feel hollow. Symbolism is suggested but rarely lands with clarity or impact, leaving the audience with mor...

Dragging your Heels – Camden People’s Theatre

20Aug

By Zain RussellNo Comments

London

Dragging your Heels – Camden People’s Theatre

Dragging Your Heels, part of Camden Fringe, is a charming little play about a recently divorced builder, Ben, who dreams of becoming a stand-up comedian. By the end of the show, he manages to face his stage fright by embracing a whole new persona by stepping into drag as a way to perform with confidence. The central message is thoughtful: drag can be many things: a character, a persona, an art form, even a political statement. Here, it becomes a means for someone to follow their dreams and step onto a stage. It’s a touching idea, and the play pays tribute to the transformative power of drag in a warm and accessible way. The production itself is minimal, with a cast of three who keep the story moving through jokes and small musical numbers. There were moments of genuine laughter, ...

18Aug

By Stewart Who?No Comments

London

Foolish – Courtyard Theatre

Foolish by Kate-Lynn Du Plessis looks at the pitfalls and commercial consequences of attempting to navigate a romance under the brutal and often chaotic lens of social media. The couple in question are introduced to us in the opening of the play, when Kiera (Kate-Lynn Du Plessis) invites Xander (Kelvin Ade) back to her flat for the first time. The fumbling, passionate, highly charged energy of this encounter was portrayed with such enthusiasm and skill that it almost felt intrusive to witness. It’s extremely challenging to convey credible sexual attraction on stage. Movies have the advantage of editing, body doubles, prosthetics, CGI and the fact that viewers aren’t actually in the room with the fornicating couple. There’s nowhere to hide on the stage. An audience can feel fakery, r...