London Archives - Page 111 of 111

A Midsummer Night’s Dream – Bridge Theatre

27Jun

By Paul DownhamNo Comments

London

A Midsummer Night’s Dream – Bridge Theatre

Gwendoline Christie (Titania), Oliver Chris (Oberon), David Moorst (Puck) and Hammed Animashaun (Bottom) lead an ensemble cast of actors, acrobats, singers and dancers in The Bridge Theatre’s A Midsummer Night’s Dream, currently streaming on YouTube as part of the National Theatre's online programme. The production's advertising calls it “Shakespeare’s most famous romantic comedy”. Even in a sentence in which every word is necessary (no one could call it Shakespeare's most famous play, or his most famous romance) it is a bit of an over-statement, not just because of other, possibly more famous ones such as Much Ado About Nothing, but also due to the play itself: the romance is the least interesting thing about it. Even the “comedy” aspect isn't its main feature as, like happens with mos...

20Jun

By Paul DownhamNo Comments

London

The Magic Flute – Royal Opera House

Mozart’s The Magic Flute is a wonderful tale of princes, giant serpents, mysterious temples and birdcatchers. An enchanting damsel in distress meets a hilarious nonsensical birdman in this vibrant opera which is one of the most performed in the world today. Conducted by Julia Jones and directed by David McVicar, this funny show has plenty of peril and drama and is performed in the original German with English subtitles. The opera opens with beautifully energetic music before we see Tamino (Mauro Peter) fighting with a giant serpent. The serpent is a well-constructed puppet, controlled by several cast members, and its appearance and the dexterity of the performers mean that it is no surprise Tamino is losing the battle. He loses consciousness before being rescued by three ladies (Rebecca...

19Jun

By Paul DownhamNo Comments

London

Small Island – National Theatre Live

Andrea Levy’s Small Island is one of those novels which drags you in and doesn’t let you go and Helen Edmundson’s theatrical adaptation has perfectly captured its spirit. Directed by Rufus Norris, this is a vibrant piece of drama which beautifully tells the story of Hortense, Queenie, Bernard and Gilbert and their lives in 1940s Jamaica and Britain. Opening with a vintage film about the Caribbean, the play has an immersive atmosphere from the start as the actors step out of the film onto the stage. A revolving stage and exits and entrances through the stage floor create a sense of space as the projected scenery beautifully creates the various places the characters inhabit, from the busy streets of Kingston to the bombed out landscape of London’s post-war streets. The first character ...

17Jun

By Paul DownhamNo Comments

London

Jane Clegg – The Finborough Theatre

This revival of a 1913 play was written at the time of the Suffragette Movement, which writer St John Ervine (an Ulster dramatist), had an interest in, as he supported the Suffragette’s. It is rumoured that Ervine was standing close to Emily Davison on Derby Day 1913 when she threw herself under the King’s horse. Dr Andrew Maunder from the University of Herefordshire was working on a project about performance of ‘World War I Theatre’ and the focus is to help to revive World War I plays. In this connection, Dr Maunder worked with Neil McPherson at the Finborough Theatre to stage this revival which had previously been performed at the Gaiety Theatre in Manchester (now demolished) and transferred to the Royal Court Theatre, London. Dame Sybil Thorndike took on the original role...

A Midsummer Night’s Dream – Shakespeare’s Globe Theatre

16Jun

By Mark DavorenNo Comments

London

A Midsummer Night’s Dream – Shakespeare’s Globe Theatre

A Midsummer Night’s Dream is one of Shakespeare’s most popular comedies and is widely performed worldwide, with one of its many delights being the three interconnected stories within one overarching theme with the further added bonus of a fourth story if you count the hilarious rendition of Pyramus and Thisbe at the end. In a cleverly choreographed battle scene opening, we meet the Duke, Theseus (John Light), and his newly conquered betrothed, Hippolyta (Michelle Terry), whose animosity crackled across the stage. Egeus (Edward Peel) interrupts proceedings to complain about his daughter, Hermia (Olivia Ross), who loves Lysander (Luke Thompson) despite her father’s preferred match of Demetrius (Joshua Silver), who in turn is unwelcomingly pursued by Helena (Sarah MacRae). Hermia’s choice ...

La Fille mal gardée – The Royal Ballet at Royal Opera House

13Jun

By Paul DownhamNo Comments

London

La Fille mal gardée – The Royal Ballet at Royal Opera House

Based on a 1789 French ballet originally created by Jean Dauberval, Frederick Ashton’s final full-length ballet for The Royal Ballet premiered in 1960, with this joyous and colourful affair a fiftieth revival from 2010. Inspired by his love for the Suffolk countryside, the piece is set on a farm and tells the story of the burgeoning love between Lise (Marianela Nuñez), the daughter of Widow Simon (William Tuckett), and Colas (Carlos Acosta), a local farmer. But Widow Simone has far more ambitious plans for her only daughter and is determined that she marry Alain (Jonathan Howell), the half-witted son of a wealthy landowner (Christopher Saunders). The only question is, will love win the day? The ballet displays some of Ashton’s most virtuoso choreography in a ballet laced with exuberance...

The Madness of George III – National Theatre

12Jun

By Paul DownhamNo Comments

London

The Madness of George III – National Theatre

Alan Bennett’s The Madness of George III, directed by Adam Penford, tells the story of one of the first periods of George III’s illness which plagued the later years of his life and eventually led to the Regency of his son George IV. Wryly amusing and horrifying for its exposition of tortuous Georgian treatments of mental illness, this is a wonderful play which juxtaposes the appearances of royalty and the regular lives hidden beneath. The play has a very grand opening which emphasises the importance of show for the Royal Family from the start. An assassination attempt is made on George III’s (Mark Gatiss) life and the Court points out how lucky the failed murderer is as England has asylums for her to go to whereas in France she would be executed, the veiled point being that for man...