London Archives - Page 11 of 111

28Jun

By Mary FoggNo Comments

London

Closer To Heaven – Turbine Theatre

A musical by Jonathan Harvey & Pet Shop Boys. "Let us Take you back to the Millennium for the night of your life...London's club-land is thriving. Suddenly what was wrong seems right..." Writer Jonathan Harvey’s zesty and often outrageously risqué gay club land musical has once again landed into London since it first premiered in 2001 at The Arts Theatre. There have been subsequent new productions, more recently in 2015 and 2019 and to celebrate a season of queer love at The Turbine Theatre, Harvey's Closer To Heaven which features an original club score by Pet Shop Boys is once again giving audiences the opportunity to step back in time as the cosy and intimate theatre metamorphises into 'Vic's Club' for an evening. Closer To Heaven the musical is filled with a superb Pet Shop B...

The Secret Garden – Regent’s Park Open Air Theatre

27Jun

By Savitha VenugopalNo Comments

London

The Secret Garden – Regent’s Park Open Air Theatre

When a new adaptation of a favourite childhood novel is announced, you approach it with trepidation – will the experience of the book be ruined, will they change it so much that it is unrecognisable? With this production of Frances Hodgson Burnett’s classic, you have nothing to worry about. Created by Holly Robinson and Anna Himali Howard, it is delightfully fresh and endearing, with new layers of love and acceptance that only add to the tale’s magic. Mary Lennox (played to perfection by Hannah Khalique-Brown) is growing up as a neglected, spoilt child in India when an outbreak of cholera orphans her. She is transplanted from the only life she has known to the foreign new climes of Yorkshire, to Misslethwaite Manor with its 100 rooms. The maid, Martha (Molly Hewitt-Richards), is her fir...

Hourglass: A Suffragette Story – Soho Poly

26Jun

By Eleanor HallNo Comments

London

Hourglass: A Suffragette Story – Soho Poly

‘Hourglass: A Suffragette Story’ was advertised as a dark comedy, but I could count on one hand the number of times any audience member could be heard laughing. It felt as though five acts had been thrown into hamster wheel of amateur dialogue and could not disembark. This was not helped by a hefty running time. Set in the time before and during World War One, we watch a mother, daughter and their maid experience and support first wave British feminism. It seems that the men surrounding them has something to gain they seek to protect their social status, defend their gender or make their money. During Act 1, great ladles of pathos were heaped onto Kitty (Penny Bosworth), the maid-turned-beggar, by swamping the audience with repetitive scenes of her begging us. She is then offered reside...

25Jun

By Kira DanielsNo Comments

London

The Beckett Trilogy – Coronet Theatre

How much Beckett is too much Beckett? For performer and producer Conor Lovett it seems the limit may not exist. His prodigious memory and inexhaustible articulation are well displayed in this production of three plays from the novels Molloy, Malone Dies, and The Unnamable all written by Samuel Beckett. Alone on stage but very much confederate with a captive audience eager to absorb what they can from his nearly three-hour monologue, Lovett is tremendously impressive and knows it too. Directed and designed by Judy Hegarty Lovett, his conspirator in Gare St Lazare Ireland, a touring production company specializing in “presentations” of Beckett’s various works. The style of this production is extremely presentational and clearly preoccupied with faithful interpretation of the great ...

Mario the Maker Magician – Underbelly Boulevard

25Jun

By Alice RoseNo Comments

London

Mario the Maker Magician – Underbelly Boulevard

After an incredible whirlwind of success in the USA, London finally gets to witness the incredible Mario the Maker Magician- currently sold out for June at the Underbelly Boulevard. Mario has made whistle stop tours on Sesame Street and Jimmy Fallon and although the show centres and celebrates the children in the audience, it is definitely not just a kids show. It’s a hug to your inner child and a beautiful reminder that you should ALWAYS do what you love. The stage is seemingly cluttered with old broken objects, inflatable tins of soup tower over the magician as he enters with the most breathtaking energy- I couldn’t quite believe how a person might keep it up. But he did. The most difficult audience is an audience of children, keeping them in their seats and excited all the same ti...

The Dao of Unrepresentative British Chinese Experience – Soho Theatre

24Jun

By Alice RoseNo Comments

London

The Dao of Unrepresentative British Chinese Experience – Soho Theatre

Daniel York Loh’s semi-autobiographical piece, new to the Soho Theatre is a non-linear experience following a young British Chinese young person growing up in the West Country. Their experience is washed with extreme racism in the playground, difficulty with exclusion which leads to an unhealthy drug habit and after stealing a car has to deal with a racist police officer believing they ‘will be dead by 21’. Our two actors (Melody Chikakane Brown and Aruhan Galieva) bring this story to life supported by Daniel himself on the side, guitar in hand. An important part of this story is its rage through punk rock- sudden bursts of pent up fury, beautifully poetic writing in the genre of rock. Our younger performer’s personal purpose is to write the Dao of the British Chinese experience in w...

24Jun

By Paul AckroydNo Comments

London

My Father’s Fable – Bush Theatre

Faith Omole' first produced play is a real cracker. It tells the story of Peace, a young black woman of Nigerian descent, who is living with her partner Roy, a mixed heritage man, in their comfortable middle-class home in England. Their lives are disrupted when Bolu, Peace’s half-brother from Nigeria of whom she was not previously aware, contacts her via social media and comes to England to stay with them. The domestic situation is further complicated by the fact that Peace's mother, Favour, also arrives, ostensibly ill and needing to be looked after. The play then becomes a fascinating psychological thriller as the four characters interact. Mysteries and suspicions abound. Who actually is Bolu? And why did he come to the UK at this time? ...

24Jun

By Carole GordonNo Comments

London

Where You Go – Etcetera Theatre

Millie Henson's new play follows Aniyah and Finn's relationship, following an argument that threatens to destroy the couple. Finn is sleeping on the sofa, slobbing around their tiny messy apartment trying to break through his musical block and forgetting to water the plants, while Aniyah does long shifts as a nurse and is permanently exhausted. They used to be singer-songwriting partners, with aspirations to sell out stadiums and go on worldwide tours. This dream comes crashing down when Aniyah accepts that they have bills to pay and leaves the singing partnership, much to Finn's resentment. Without his "muse", his songwriting stalls. Suddenly at this pivotal moment in their relationship, a global apocalyptic event forces them to make major life choices, renew familial ties and attem...

20Jun

By Kira DanielsNo Comments

London

Kiss Me, Kate – Barbican

What rhymes with Coriolanus? Kiss Me, Kate is one of Cole Porter’s musical and lyrical triumphs with each melody seeming catchier than the last and every turn of phrase pushing the envelope further. Although its source material, Shakespeare’s Taming of the Shrew is hardly considered radical, Porter’s daring sense of humour and lecherous joy in lewd lyricism give this show an undeniable boldness. Its characters are imperfect. Not only are their love lives tempestuous, but every aspect of their personal lives is magnificently messy. Director Bartlett Sher in this production attempts some half-hearted tidying of the grand imbroglio that is this play within a musical within a musical but achieves much the same effect as using a dab of Purell to clean up mud-caked hands. Adrian Dunbar is ...

Michaela’s Fluent Aphasia – Bush Theatre

18Jun

By Kira DanielsNo Comments

London

Michaela’s Fluent Aphasia – Bush Theatre

This play’s tongue twister title is aptly representative of the confusion its performance elicits in audiences. The direction is uninspired and although not entirely difficult to follow, neither is it enticing enough to engender much investment in the play’s plot or characters. The non-linear nature of Christina Carrafiell’s script most severely hampers this process and results in plot twists that feel like a dog chasing its own tail rather than a cohesive narrative unfurling. Individual scenes are punctuated with sharp, immediate, and absolute blackouts but despite the story featuring multiple shifts in time and place the elements of set and costume remain completely static. The play’s cast of four is forced then to flutter around the playing field without any grounding context ...