Saturday, December 6

London

The Pitchfork Disney – King’s Head Theatre
London

The Pitchfork Disney – King’s Head Theatre

“Through indiscriminate suffering men know fear / and fear is the most divine emotion.” Zora Neale Hurston’s sermon-like words, which open The Pitchfork Disney’s epigraph, paint fear as a sacramental rite in the pursuit of wisdom. Fear allows us to know truth; it is holy because it is the realest thing there is. Pitchfork’s characters live in the realm of dreams, but their words are devastating precisely because they touch the darkest knowledge each of us carries in our gut: we are afraid, and we are right to be. Philip Ridley’s debut play is often credited for sparking the ‘90s ‘in-yer-face’ British theatre movement. Its influence extends to the likes of Sarah Kane and Jez Butterworth: the blood, guts, sex and violence that is so unflinchingly depicted in Ridley’s script carries over i...
Cascando – Jermyn Street Theatre
London

Cascando – Jermyn Street Theatre

Cascando was written by Samuel Beckett as a radio play, originally in French. It was first broadcast in English in 1963. Now, it has been boldly reimagined by Pan Pan theatre company as a promenade piece. Listeners arrive at Jermyn Street Theatre where they dump their bags, before being issued with hooded black cloaks, iPods, and headphones. They are lined up single file, the audio track is begun, and they are led in procession around St James’s. With their hoods up tp conceal their headphones, they appear to onlookers like some kind of strange, anachronistic cult or monastic order. Should the weather turn foul, umbrellas are provided, but audience members should bring their own layers for if the weather is chilly, and of course wear comfortable footwear. If you’re a lover of Beckett...
The Glamification of Loki – Southwark Playhouse Elephant
London

The Glamification of Loki – Southwark Playhouse Elephant

The gods must be crazy. Thor, Odin, Freya, and the rest are mad as hell. The cause? Loki. This new musical depicts the god of mischief according to tradition — which is to say, as unpredictably as possible. With a surprising and scintillatingly clever script by writer, composer, and lyricist Eden Tredwell, British Youth Music Theatre has a runaway hit on their hands, as much as the Norse pantheon has a runaway deity on theirs. Director Grace Taylor ably weaves a great variety of performances into a compelling and refreshingly easy-to-digest plot, despite an overwhelmingly large cast of young performers. Every actor has their chance to shine, and this production does, in fact, sparkle. Photography: Leanne Dixon The winning combination of Steven Moore’s choreography and Cory Ship...
The Trials – Southwark Playhouse Borough
London

The Trials – Southwark Playhouse Borough

Southwark Playhouse Young Ensemble is a brand new theatre company comprising of young people 19-25yrs from South London; with the aim of giving young people an opportunity to take the next steps into a performing career. The Trials is a revival of Dawn King play previously staged in 2022 which takes you into the future and a lookback at the catastrophic effects of climate change. This play is not only thought provoking its hard hitting, but you also cannot hide away from the consequences. The serious impact of climate change on future generations, “the ones most affected by it” and planet earth is laid out clearly in Trials. The play focusses specifically on three people the ‘Dinosaurs’ the older defendant’s explaining within 5 minutes their actions as to why they ‘personally’ co...
Mark Guest: Believe – Calder’s Bookshop and Theatre
London

Mark Guest: Believe – Calder’s Bookshop and Theatre

Mark Guest’s evening of magic and mentalism promises wonder, laughter and a touch of the inexplicable, all in support of an important cause: raising funds for cancer charities. On that front, it succeeds, the show is engaging, slickly delivered, and full of impressive routines that had much of the audience gasping in delight. Guest himself is a charismatic performer with natural showmanship, blending classic sleight-of-hand with modern psychological trickery in a way that feels fresh and accessible to all. The evening included a variety of complex pieces: card tricks performed with apparent ease, mind-reading demonstrations that seemed uncannily accurate, and larger sequences involving multiple audience members, adding both energy and scale. These moments showcased Guest’s undeniabl...
Eireann: A Taste of Ireland – Peacock Theatre
London

Eireann: A Taste of Ireland – Peacock Theatre

Brent Pace's Eireann: A Taste of Ireland takes the audience on an exhilarating journey through the length and breadth of Irish history, from the arrival of the Vikings to the present day, while not avoiding the dark periods of Irish history, such as the Great Famine and the Easter Uprising. It's not all serious though, with a good deal of light-hearted and comedic moments and overall a feeling of warmth and joy.  The dancing can only be described as spectacular.  Led by principal dancers Gavin Shevlin and Brittany Pymm, the company's impressive energy and talent make every step look easy and light as air.  The footwork is so fast, the athleticism and precision so perfect, it's hard to believe that the performers are actually human.  There is the traditional, Riverdan...
Twelfth Night or What You Will – Shakespeare’s Globe
London

Twelfth Night or What You Will – Shakespeare’s Globe

In the fictional Illyria, most of the inhabitants are enjoying a crazy summer festival, getting drunk, dancing and singing while adored in masks and oversized head-dresses. But not all the Illyrians are so joyful. Olivia, in mourning after the death of her brother; Duke Orsino, desperately in love with Olivia; and the steward Malvolio, who is also in love with Olivia, are too melancholy to take part in the revelries. Into this mix comes shipwrecked Viola, thrown into a world she must quickly come to understand, while still grief-stricken over the loss of her twin brother, Sebastian, who she believes has perished at sea.  She disguises herself as Cesario and becomes steward to Duke Orsino only to then fall head over heels in love with the duke. When Orsino sends Cesario to woo Olivia o...
The Ladies of Juliana – Etcetera Theatre
London

The Ladies of Juliana – Etcetera Theatre

Taken from historical accounts of ladies who were transported to Australia between 1788-1852, as convicts who had been convicted of petty crimes, and were being used to help to populate the colonies.  During this period 24,000 women were transported, and ‘The Ladies of Juliana’ tells the tale of six such ladies, and their experience aboard the ship – The Lady Juliana. The horrendous journey that these ladies suffered is graphically played out in this history play that attempts to draw back the veil of their gruelling treatment at the hands of men.  The shocking treatment of these ladies on the ship was so extreme, that they nicknamed the ship ‘the floating brothel’.  The six ladies in this play dramatically show their suffering, with Sarah (Lydia Moll) turning to drin...
Pop Goes The Dollar – The Hope Theatre
London

Pop Goes The Dollar – The Hope Theatre

As an ex-Investment Manager, this show was a must see for me, as I recall the stressful situations bought on by a stock market crash, and the difficult conversations that I had with clients, when trying to explain why their portfolio valuations had fallen.  Set in the run up to the 2008 financial crash, the chair of the Federal Reserve Timohy Geithner (Ayan Philip) is growing increasingly worried that in a bid to grasp short-term profits, investment companies are forgetting to manage risk, and the sub-prime market may collapse.  Soon the Federal Reserve hear that the bubble is indeed bursting, and BNP Paribas are closing three of their sub-prime mortgage funds due to an illiquid market, Bear Stearns a major investment bank collapses and is bought by JP Morgan with the Fede...
81 (Life) – Almeida Theatre
London

81 (Life) – Almeida Theatre

81 (Life) is an interesting experiment with a lot of heart, lacking in the structure and drive to make it fly. 81 (Life) is part of a set of community plays designed to examine what it means to be a part of Islington’s community. This installation follows a group of Islington residents (played a cast of 60 local participants) as a semi-secret group called ‘The Forum’ develops within their community. With them, we set out to explore the plays central questions of life: How to begin, how to join, how to choose and how to let go. The first two of these come through the story of Anya. After her friend Happy decides that she has become bored of their regular TV Tuesday nights and needs a break, she finds herself suddenly alone. In steps The Forum, magically appearing in her living room and e...