London Archives - Page 11 of 150

24Sep

By Dave SmithNo Comments

London

The Weir – Harold Pinter Theatre

Outside, it's gusting, the wind has picked up and outside isn’t the most welcoming. Inside the pub, it’s warm and welcoming, a proper locals pub where you can serve yourself and just put your money in the till. Not much happens, a few locals drink and chat. That’s The Weir, that’s Conor McPherson’s play. It is a slow-burn, more about mood than plot, and it's the beauty of the writing and the skill of the cast which envelops us, brings us along to the bar as we sit and share the evening. In this case, to welcome newcomer Valerie, a blow-in to the small village. As the drinks flow, the men swap local history, leading into ghost stories which get darker and darker. Valerie reveals her own story, moving the mood from mostly light banter to raw confession. The evening becomes less about the ...

Measure for Measure – Royal Shakespeare Company

24Sep

By Kira DanielsNo Comments

London

Measure for Measure – Royal Shakespeare Company

Much like its persecuted and prosecuted heroine, this production of Measure for Measure has a lot to prove. Director Emily Burns draws some tight parallels between the scenarios of Shakespeare’s Vienna and the present-day political scene but keeps the play well within the lines of conventional adaptation. That this script lends itself so well to the current moment is more depressing than exciting, and this production does not shy away from, but rather leans into, this discomfort. Distressingly relevant and enduringly painful, this problem play doesn’t offer much in the way of solutions. Photo: Helen Murray Standout performances from Emily Benjamin as Mariana, Douggie McMeekin as Lucio, and Oli Higginson as Claudio only heighten the sense of unease that pervades the play space. Benjam...

23Sep

By Kira DanielsNo Comments

London

Emma – Rose Theatre

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. At least, Jane Austen’s Emma did. Ava Pickett’s Emma has got issues. Handsome and clever but decidedly not rich, her father is a crook, her sister is a crackpot, and her own disposition is anything but happy. This Essex-set adaptation of the literary classic opens at Oxford’s May Ball and is throughout infused with the vaguely sickeningly hedonistic energy of that messy melee. Blatantly dismissive of the traditional Regency aesthetic of horse-and-carriage romance, this production instead takes on the look and feel of a Piccadilly Circus rickshaw ca...

20Sep

By Zain RussellNo Comments

London

Oscar at the Crown – The Crown

Oscar at the Crown follows the story of Oscar Wilde, reimagined in a dystopian futuristic world. This particular night marked the debut of Jan Sport stepping into the role of Wilde, and they delivered an electric performance. From the very start, the energy was high, with sharp, high-octane choreography lighting up the stage. The atmosphere is immersive from the moment you arrive. Walking down the stairs, you’re greeted with nostalgic clips from 90s TV classic The O.C., setting the tone before you even reach the venue. Entering feels more like stepping into a nightclub than a theatre, with a live DJ, dancers, and an audience swept into the action right away. The production lays out its “three rules,” encouraging the audience to move freely throughout the performance, following the ca...

20Sep

By Alice RoseNo Comments

London

LENNY. – Omnibus Theatre

Lenny, also known as ‘big man’ by his best friend Carly is soon to be turning 30. Living with flatmates he doesn’t like, a job that fulfills him with no purpose and a huge burning desire to be loved. Written and performed by Alfie Webster and directed by Sarah Stacey, this 80-minute piece travels through the usual spots Lenny exists like the cinema, a nightclub, the nightclub’s cubicle and back in his room where even there he struggles to take up space. But on this particular day he is haunted by a dream, in which he had sex with a banana. This unravels him completely as he realises his own loneliness. His mission becomes clear, to prove the banana wrong and make sense of who he is. Location to location, Webster invites us into his lens of life. He finds humour in almost anything mundan...

19Sep

By Carole GordonNo Comments

London

The Lady From The Sea – Bridge Theatre

Simon Stone's extensive reworking of Ibsen's 1888 play relocates the action from the Norwegian fjords to Ullswater in the Lake District. In this idyllic setting, neurologist Edward (Andrew Lincoln) tries, and mostly fails, to be a good father to teenage daughters Asa (Gracie Oddie-James) and Hilda (Isobel Akuwudike). Now remarried to Ellida (Alicia Vikander) after the death by suicide of his first wife, Ed struggles to keep the peace within the family and particularly between his daughters and their stepmother. Ed's best friend, Lyle (John MacMillan) is a support for the family, although his involvement is not always regarded positively by Ed. Into this scenario comes Heath (Joe Alwyn), a young patient of Ed's who is awaiting the outcome of tests that will confirm whether his m...

18Sep

By Savitha VenugopalNo Comments

London

Brown Girl Noise – Riverside Studios

Brightly coloured curtains hang behind painted step-stools, Hindi film songs play from the speakers. An apt stage setting for a play about South Asian stereotypes. Four brown girls gather for an audition. In an industry where the character choices for a South Asian actor are between “funny best friend”, “wedding guest” or “Bollywood dancer”, this here is a meaty role – to play Priti Patel. With the auditions delayed, the four find themselves with a lot of time to kill. In the forced proximity of that confined space they go from being rivals to building a sisterhood, brought together by the realities of growing up brown. Written by Kaya Uppal (who also plays one of the young women) and directed by Zarshaa Ismail, the play is a tapestry of experiences. In the waiting room, the women...

18Sep

By Holly SewellNo Comments

London

Romans: A Novel – Almeida Theatre

Three brothers are born to daughterless parents sometime in the eighteenth century. Each is uniquely traumatised by his upbringing: the beatings of boarding school, the horrors of war, the witnessing of his father’s suicide by a gunshot to the roof of the mouth. And yet each must go on with life. Romans: A Novel is a story of three men, spanning 150 years, trying to answer the question of what it means to be a man - in other words, what it means to live. Alice Birch’s study of masculinity is focused, among other things, on the importance of the written word in deciding who gets to have a voice. Its structure is informed by the development of the novel: we begin with Jack Roman narrating his own life alone onstage, wandering into the fog and meeting his long-lost uncle, presumed dead fro...

18Sep

By Kira DanielsNo Comments

London

Reunion – Kiln Theatre

This is a tough one. A storm-weathered family convenes on “an island off the west coast of Ireland,” and all hell—less so breaks than steadily chips loose. En route from the Galway International Arts Festival, this production of Mark O’Rowe’s Reunion much like its island setting, holds a captive audience. Its dialogue is natural and intriguing, and O’Rowe resists the kitchen sink dramatist’s persistent impulse to make his characters as mean as possible. A perfectly gender-split cast of five and five places surprising emphasis on its female characters’ internality, relegating its men to timorous punchlines at best (in the case of Stephen Brennan’s adorably addlepated Felix) and tremendous encumbrances at worst (in the case of Ian-Lloyd Anderson’s incredibly effectively irritating Aonghus...

16Sep

By Charles PipeNo Comments

London

Dagmarr’s Dimanche – Crazy Coqs

Hidden away beneath the streets of Picadilly, glitzy Art Deco venue Crazy Coqs provides the perfect venue for an anachronistic cabaret show performed by a vampire: Dagmarr’s Dimanche. Singer Hersh Dagmarr has absolute command of the stage. His voice is powerful and emotive, and he effortlessly draws the audience into the stories contained within the lyrics. With songs arranged by pianist Karen Newby, the eclectic setlist playfully jumps around from Édith Piaf to Kylie Minogue, via Cole Porter, Madonna, Sondheim, and the Pet Shop Boys. Dagmarr continually plays with the audience’s expectations, teasing one song and then performing another. A Kylie Minogue medley featuring riffs from ‘Willkommen’ and ‘Mack the Knife’ caught the audience especially off-guard, in the best possible way. My p...