Thursday, September 19

London

December – Old Red Lion Theatre
London

December – Old Red Lion Theatre

Bag of Beard Collective in conjunction with ORL Theatre serves up this quirky, sometimes sinister but ultimately highly enjoyable show written and directed by ORL artistic director Alexander Knott. The play is basically another take on the Dickens classic A Christmas Carol but instead of Scrooge taking centre stage, Knott cleverly focuses on the ever put upon and downtrodden Bob Cratchit (Ryan Hutton). Knott imagines him taking a journey to possible futures ahead, through encounters with vagabonds, spirits and ghosts. For fans of the Dicken’s characters there is definitely some fun to be had in this inventive adaptation and even though it has its very dark and sometimes quite surreal moments (think disco sparkle flairs, Bowies Fashion and Cuban heels) you cannot deny the sheer energy...
We Need A Little Christmas – stream.theatre
London

We Need A Little Christmas – stream.theatre

With a massive part of the population currently unable to visit a theatre or concert venue, many charities that rely on Christmas donations are turning to the internet to spread some Christmassy joy while raising some much-needed funds. This particular concert is raising money for Shelter and Crisis at Christmas. Hosted by Denise Welch and Amy Hart, We Need A Little Christmas opens with the song of that name from the musical Mame, and then takes us on a Christmas journey from traditional offerings like Silent Night, to modern classics such as Mary, Did You Know? and newer Christmas music from Coldplay, and everything in between…finishing up with Lee Mead’s new Christmas single, In My Arms For Christmas. With direction by Michael Strassen and musical direction from George Carter, this on...
Snow White in the Seven Months of Lockdown – Kings Head Theatre
London

Snow White in the Seven Months of Lockdown – Kings Head Theatre

Snow White in the Seven Months of Lockdown at the Kings Head theatre in London (online) streams to our homes this month in time for Christmas. Put together by the Charles Court Opera, they throw a romping frolic through the tulips of fun with bawdy humour and all the ingredients of a great traditional pantomime with a boutique vibe, plenty of zany antics and a shake up of the usual panto story. There couldn’t be any better tonic for this year. Bright stylish costumes, bold characters with a swap of gender roles, Snow White is played in baseball boots by John Savournin who also wrote the hilarious script. The Wicked Queen is played sumptuously evil by Jennie Jacobs, it’s impossible to tell her age but she has a fantastic stage presence, her costume is amazing with a huge white fur ...
A Christmas Carol – Dominion Theatre
London

A Christmas Carol – Dominion Theatre

With just two weeks of rehearsal, the London Musical Theatre Orchestra's 24 musicians and a small, hardworking cast have created a festive fantasia for all the family against the odds. Sadly, the move of London into tier 3 means this show closes today, along with all others recently opened or reopened. There have been many adaptations of the Dickens novel of Christmas redemption, including a number of musicals. This one, composed by Alan Menken with lyrics by Lynn Ahrens and book by Mike Ockrent. It is unabashedly sentimental alongside scenes bordering on the horrific. Even in a semi-staged concert version, these elements are not neglected. Ebenezer Scrooge is played in this version by the versatile Brian Conley, a performer who captures both the sardonic monstrosity of the miser and...
The Comeback – Noël Coward Theatre
London

The Comeback – Noël Coward Theatre

The Comeback is a funny behind the scenes look at two double acts on their journey to fame. One double act is the warm up and the other is the main act but they’re both relying on their old sketches to impress and raise their profile with the crowd and possible producers in the audience. The duo playing both acts are very likeable and have great chemistry on stage, resulting a really naturally flowing and funny performance with regular gags and well delivered sketches. Behind the laughs and sketches is an introspective crisis regarding the double acts considering how natural their act is and if they belong or qualify for a higher tier of performances and venues to escape their ‘dead end’ city. It’s a narrative which a lot of people can connect to and engage with, both duos have lost fai...
The Dumb Waiter – Hampstead Theatre
London

The Dumb Waiter – Hampstead Theatre

When watching a play written by Harold Pinter, I always feel as though the writer is asking the audience to help him to write the play.  There is a feeling of inclusion as we follow the plot line, never really knowing what is coming next as we are still trying to puzzle out what just happened during the previous scene.  Pinter wrote this short play in 1957 and it premiered at Hampstead Theatre Club (as it was known then) in 1960 after first being staged in Frankfurt in 1959.  Pioneering his own style of writing; Pinter continues to fascinate 60 years later. The play begins with two men sitting in a shabby room with only two beds as furniture.  In typical Pinter style there is no explanation as to why these men are in the room, we are supposed to pick up on clues i...
Showstopper! The Improvised Musical – Garrick Theatre
London

Showstopper! The Improvised Musical – Garrick Theatre

Showstopper did not allow lockdown to stop their creativity, they have continued to produce online improvised shows, in fact North West End UK have reviewed some of these (see our website).  For those who have somehow missed the artistry that is musical improvisation here is a quick summary.  Showstopper use suggestions made by the audience to make up a musical from scratch in front of your eyes.  In a normal musical production, it can take years for a production to make it to the stage, with the services of a lyricist, a composer, producer, director, actors, etc, etc!  Showstopper does all of this in one night – the performers multi-task and roll all of this into one very sleek team. Ring, ring, the red phone shrills, and we know it’s going to be Cameron asking the ...
Potted Panto – Garrick Theatre
London

Potted Panto – Garrick Theatre

Panto – as traditional a Christmas custom as mince pies, mulled wine and pulling crackers. Like many of our favourite things this year, Covid has put-paid to lots of the pantos and theatre trips we’d normally be enjoying, so naturally I jumped at the chance to see Potted Panto - a madcap romp through all the classic pantomimes, performed in just 70 minutes. As my first theatre trip in socially distanced times, I must give a quick shout-out to the team at the Garrick who did a terrific job of creating a Covid-safe space, whizzing us through temperature and bag checks and ensuring everyone remained vigilant with their masks. A different experience for sure but a smooth one which provided a small slice of normality in an otherwise very strange festive season. Using a pretty basic bu...
Philharmonia Sessions: Beethoven’s Prometheus – Battersea Arts Centre
London

Philharmonia Sessions: Beethoven’s Prometheus – Battersea Arts Centre

Presented in the month of the 250th anniversary of Beethoven's birth, Esa-Pekka Salonen conducts the Philharmonia Orchestra playing Beethoven's famous ballet The Creatures of Prometheus. In this version, each symphonic movement is punctuated by Stephen Fry explaining the part of the story about to be told, aided by animation by Hillary Leben and a script by Gerard McBurney. Beethoven wrote his hugely popular ballet score in 1801, in just 11 days and, as Fry tells us, the version of the ancient Greek creation story he used is not the most widely established one about Prometheus giving man fire. In this version Prometheus creates man with fire from Mount Olympus and then calls on Apollo, god of music and dance, the Muses, and a host of other deities to teach his Creatures what it is to ex...
The Fabulist Fox Sister – Southwark Playhouse
London

The Fabulist Fox Sister – Southwark Playhouse

The Fabulist Fox Sister is a 2020 musical that plays with the idea of lies and fake truth in a historical context. Yet the references to today are there. The Fox sisters were 3 siblings who claimed to converse with spirits, becoming star medium performers during their lifetimes and now being cited as some of the founders of the Spiritualism movement. Michael Conley is a smiley and natural performer, as is his character Kate Fox who is reminiscing to an audience about her life in 1892. Kate is intentionally un-mystical, raucously funny, and from the start an unreliable narrator. The narrative is fairly typical of an older character looking back on their life and taking the audience through the events they have experienced chronologically, in Kate’s case she details her and her sister’...