Martin O’Connor, that champion of youth theatre and new Scots writing, creates an absorbing, modern-day monologue as William Shakespeare’s mechanical, Nick Bottom. Ably directed by Debbie Hannan and Assistant Director, Morgan Ferguson, this 54-minute piece was clever, varied and entertaining.
The set and costumes by Heather Grace Currie are simplicity itself, and yet supremely apt. The setting holds up and expands the creative, poetic words of Martin O’Connor. Yes. The writer and performer are one and the same. Taking conceptual work to firm reality takes time, determination and shovel-loads of deep thinking.
This piece felt very true. It hinged on Bottom’s desire to play any part in any way the director wants; to be given a chance despite his background. His earnest fumbling and anxious auditioning are vigorous, harking back to Shakespeare’s original character. However, Bottom’s performance is intermingled with revelations of his craftsman-filled family: the expectations of one’s family to be a weaver, or a plumber, or a mechanic, but definitely not an arty-farty actor. Bottom reflects on the feeling of being ostracised within the theatre world for his humble background.
This back-story contrasts in tone and content to the rumbunctious auditions that lead to Bottom’s final fate as an ass. Yet, as an ass, he finds his niche, his adoring fans. It was never his intention, but he takes it. Fame means visibility and visibility can lead to greater things. It reminds me of our modern-day fascination with reality TV where people tout themselves for a chance at something bigger.
The use of voice-overs is cool and clean. It keeps the sense of isolation intact and yet, expands the imaginary world.
The whole thing is cool. It was met by loud applause from an appreciative audience.
These short lunchtime pieces, performed with minimal sets are a joy to behold. They embrace every element of theatre: words, performance, set, costume, sound (Ross Nurney) and lighting. Nothing is overlooked and that makes the entire experience memorable and satisfying. Yet the outlay for A Play, A Pie & A Pint is minimal, reminding us that it is not always about big budgets; it is always about talent and the determined collaboration of talented individuals.
Reviewer: Kathleen Mansfield
Reviewed: 24th October 2026
North West End UK Rating:
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