Love is more than language, Petra tells you, more than just words. She convinces you that it transcends the confines of time, form, and existence even. You see, she has fallen in love with a man who died 2,000 years ago.
The bog body in the title refers to Lindow Man, the preserved human cadaver from the Iron Age recovered from the peat bogs of Lindow Moss, and Petra is preparing to marry him. In the 30 minutes before she is to tie the knot, dressed in white, she talks about her love and of her twin sister’s death. From off stage, the disembodied voices of her dead sister and the psychologist help her along in introspection.
Is the idea of falling in love with a person long gone ridiculous and mad, or entirely normal? If you listen to Petra, you will be convinced of the latter. Losing a body doesn’t have to mean the person is lost. Matter is neither created nor destroyed, it merely changes form.
Writer and director Jen Tucker draws the audience into the life of the Lindow Man just as much as Petra’s. He was young and well groomed, possibly a nobleman. How did he die? Was he sacrificed or was he an outlaw? Was his leg severed while he could still feel pain?
Maddie White as Petra brings the character an endearing vulnerability. She is both the petulant child stomping her feet when interrupted by the psychologist, and world-weary philosopher when she explores ideas of love and death. White leaves much of the stage unused for most of the performance; she prefers the edge, the corners, and the aisles. A metaphor perhaps, for someone who is existing on the edges of life itself?
Bog Body is a short and intense one-woman show, and next heads to the Edinburgh Fringe.
Reviewer: Savitha Venugopal
Reviewed: 29th May 2025
North West End UK Rating: