Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Saturday, April 26

Birmingham Royal Ballet: Cinderella – The Lowry

A Magical Evening of Dance and Storytelling.

Birmingham Royal Ballet’s production of Cinderella at The Lowry was a captivating and enchanting performance, blending classical ballet with stunning visuals, exquisite choreography, and a timeless tale. It was a tale of 3 acts that had the audience enraptured with its charm and elegance.

Choreographed by the renowned David Bintley, this retelling of the classic fairy tale offered an imaginative and fresh take on the beloved story, while staying true to the traditional charm that has made Cinderella a favourite among ballet enthusiasts.

The production was a visual masterpiece, with enchanting costumes designed by John Macfarlane, that added depth and fantasy to each character. From Cinderella’s tattered rags to her stunning ballgown, every detail was meticulously crafted to transport the audience into a world of elegance and wonder. The intricate set designs featured lavish transformations, including the iconic pumpkin carriage that seemed to materialize before our very eyes, and the working clock that signalled Cinderella’s time to leave the ball. The majesty of the production enhanced the fairy tale atmosphere and drew the audience into a dreamlike state that heightened the imagination and the emotional impact of the performance.

The choreography was impeccable, as one would expect from the Birmingham Royal Ballet. David Bintley’s interpretation of Cinderella was both graceful and powerful, capturing the essence of the characters while showcasing the company’s technical skill. Cinderella, danced by the graceful and expressive Beatrice Parma, brought vulnerability, strength, and beauty to the role. Her portrayal of the rags to riches narrative was nothing short of enchanting.

Photo: Johan Persson

The prince, danced effortlessly by the accomplished Enrique Bejarano Vidal, also stood out with his commanding presence and fluid movements. His portrayal of a character caught between duty and genuine love was heartfelt, particularly in the poignant pas de deux scenes with Cinderella. The chemistry between the two dancers was electric, and their performances were filled with such tenderness and passion that they made the eventual reunion all the more satisfying.

One of the highlights of the evening was the comedic brilliance of the Ugly Sisters, performed by the versatile dancers Eilis Small and Olivia Chang Clarke. Their exaggerated movements, humorous antics, and impeccable timing provided a light-hearted contrast to the more serious elements of the narrative, and the audience responded with hearty laughter. Their physicality was a testament to the skill of the dancers, as they masterfully navigated the balance between farce and malice, offering both humour and drama to the production. It really shows their talent when they play characters who cannot dance well. Their performance was skilled and enthralling and their expressions were comical.

The 57-piece orchestra, conducted by Paul Murphy, played Prokofiev’s iconic score with precision and emotion, elevating the entire experience. Prokofiev’s music has long been synonymous with Cinderella, and its rich orchestral textures complemented the ballet’s storytelling, underscoring the emotional highs and lows of the performance. The music provided an evocative soundscape that brought the action to life, from the playful energy of the ballroom scene to the poignant sweetness of Cinderella’s moments of solitude.

The Lowry theatre itself provided an intimate setting that allowed every nuance of the performance to shine. The audience was able to fully appreciate the breathtaking artistry of the dancers, as well as the technical brilliance that went into the production’s design. It was a captivating night for all

Birmingham Royal Ballet’s Cinderella at The Lowry was a magical and unforgettable experience. It was a perfect blend of artistry, storytelling, and technical mastery, showcasing the company’s incredible talent. Whether you are a lifelong ballet lover or a newcomer to the art form, this production of Cinderella is a must-see, offering an enchanting journey into a world of magic, love, and transformation.

Birmingham Royal Ballet’s Cinderella is continuing its run at the Lowry until March 8th before embarking on a small UK tour. You can buy tickets for the Lowry at the following link: https://thelowry.com/whats-on/160//birmingham-royal-ballet-cinderella

Or you can find more information on the rest of the tour at: https://www.brb.org.uk/shows/cinderella

Reviewer: Abigail Pendlebury

Reviewed: 6th March 2025

North West End UK Rating:

Rating: 5 out of 5.
0Shares