Zoё Meeres, Author at North West End UK

25Oct

By Zoё MeeresNo Comments

London

Mum – Soho Theatre

“I’ve just read the synopsis of the play we’re seeing. Bloody hell mate.” “I told you it sounded harrowing. Do you want to give it a miss and we can catch up later?” “No, I’ve picked an outfit now. I’m committed.” Thus was the exchange I had with the friend who agreed to accompany me to Mum, 20 minutes before we were due to meet. We reflected afterwards how glad we were that we’d seen it together and Mum was made all the poignant for me having experienced it with another strong woman that I’m lucky enough to be able to share my secrets and fears with. Mum moves quickly – we meet Nina (Sophie Melville – who I will say up front is exquisite), a new mum who is preparing for her first night off in three months with her friend, Jackie, while her mother-in-law, Pearl, prepares to rel...

24Oct

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London

Birdwatching – London Horror Festival

I was pretty excited about the London Horror Festival, because I am a self-confessed horror fanatic. There are various fascinating psychological theories around why people like to feel fear which I’m not qualified to cite here or expand on, but for me it boils down to excitement. Books, plays, films, rollercoasters; it’s all about getting the adrenaline pumping around your body but also knowing that you are, at all times, perfectly safe. Perfectly safe is not how Amy (Karen Barredo), one of the three characters in Birdwatching, would describe her position. An actress of small notoriety having appeared in a few slasher B movies, Amy arrives at a shelter deep in the woods to take on the role of Kate, accompanied by Pete (Arno van Zelst) - cameraman by trade, actor to help a friend – and H...

Epic Love and Pop Songs – New Wimbledon Theatre

21Oct

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London

Epic Love and Pop Songs – New Wimbledon Theatre

What do you call a musical that isn’t really a musical but sort of is a musical? And how do you explain it to people who might want to see the not-quite-a-play but not-quite-a-musical? Here is my attempt: Epic Love and Pop Songs is confusing; think Marmite but for your cultural tastebuds. The story explores the complex dynamics of teenage friendship; needing to find your tribe, wanting to belong and wanting to stick out at the same time, the politics of the secondary school hierarchy. It also looks at love, loss and tragedy - Doll and Ted are teenage friends, bound together by hurt and need, and their friendship will eventually be the making or the end of them both. From the off, the stage is cluttered and it’s not clear why, the basic props sort of work but I didn’t understand the c...

13Oct

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London

Empty in Angel – Bloomsbury Theatre

‘Empty in Angel’, I soon discovered, is courier talk for “I am in (Angel) and I currently have no goods to collect or deliver”. An original play by James Woolf, Empty in Angel looks at the fight to improve workers’ rights in the so-called ‘gig economy’ and the common struggles faced by its community. Our narrator and protagonist is ‘Watsy’ (‘cos she’s from Watford. She has a friend called ‘Brighton’. She moans a lot) who is ably portrayed by the very energetic Darcy Willison. Alongside the central role, Willison takes on all bit-parts in this hour long one-(wo)man show and slips between characters with ease. She also manages to pull off a couple of pretty impressive raps and some genuinely moving monologues that at one point put a bit of a lump in my throat. Holding an audiences’ attent...

8Oct

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London

Eulogy – National Theatre Courtyard

Before I even arrived at the courtyard outside the National Theatre, I could see the large white container with EULOGY written in black letters along the side. In the ten minutes I was waiting for the performance to begin, two people came up to me and asked me what it was. It’s unusual for something to stick out on the Southbank – there are street performers and installations most weeks – but there’s something mysterious about the Eulogy set up that immediately captures your interest. Performance isn’t quite the right word; Eulogy is billed as an in-person, immersive experience and I can’t think of another way to sum it up. We take our seats in our “suite” don a pair of headphones and are plunged into such extreme darkness that at times I wasn’t sure if my eyes were open or closed. I’ve...

2Oct

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London

Snowflakes – Old Red Lion Theatre

A man awakes in a hotel room, unsure of how he arrived there. He is agitated, struggling to make sense of his situation when two strangers arrive with a deadly mission. The hotel door is locked, and it will stay locked until the job is done. In Snowflakes, writer Robert Boulton presents a thought-provoking piece of theatre, exploring a number of issues that have been tackled in recent popular fiction, including programmes like Black Mirror and the Saw films. In a society where so many feel unjustly treated, where is the line between right and wrong, judgement and punishment and criminality? Who is the real ‘bad guy’, and how far will people go to see that justice is done? If it’s not an entirely unique plot – I found the ending satisfying if not a little predictable – what really sto...

28Sep

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London

The Weekend – Bloomsbury Theatre

“I’m at the theatre. There is an inflatable dinosaur” “Are you ok? Do you know what month it is? Or the current monarch?” Thus, the WhatsApp exchange between myself and a friend kicked off my Sunday night. The stage is set, a picture of modern suburbia with five – yes five – sofas planted for cast and chorus to observe and be observed from. Incongruous and never really explained is the rampaging inflatable dinosaur, who I was sad to note did not make another appearance further down the line. Highbury Opera Theatre present The Weekend – an operatic adaptation of Michael Palin’s 1994 play which charts the eventful Saturday of Stephen Feeble. Torn from his morning newspaper by the unwelcome news that his daughter will be visiting with her trying husband, uncommunicative teenage daugh...

Dear Elizabeth – The Gate @ Theatro Technis

7Sep

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London

Dear Elizabeth – The Gate @ Theatro Technis

Dear Elizabeth (written by Sarah Ruhl) is an exploration of the deep yet complicated friendship between American poets Elizabeth Bishop and Robert Lowell. Ruhl’s script is a vast selection of the letters the two wrote to each other over several decades, and each night a fresh pair of unprepared actors arrive to take on the roles of Bishop and Lowell, unaware of what they’ll be performing. This interesting if not risky concept means that each audience will have a somewhat different experience, and while the letters are funny and searingly honest there wasn’t enough there for me to make up for the lack of characterisation. I found it frustrating being offered a window into the lives of two fascinating people but not being able to dig deeper into their personalities and motivations. Tha...

6Aug

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London

Singin’ In The Rain – Sadler’s Wells

I saw the film Singin’ in the Rain when I was about 14 and some of the songs lodged themselves in my head to the extent that whenever anyone says “good morning” to me, I sing “good morning, we’ve talked the whole night through” silently to myself. If the musical numbers from the film stayed with me, the plot and performances definitely didn’t - but fortunately the same can’t be said of last night’s production. Don Lockwood (Adam Cooper) and Lina Lamont (Faye Tozer) are lighting up the Hollywood silent movie scene on and off screen, but all is not as it seems. Dom has fallen for unknown performer Kathy Seldon (Charlotte Gooch) and the dawn of the ‘talkies’ spells trouble for Lina, whose talents aren’t quite as wide-reaching as the audience has been led to believe. Together, Dom, Kathy an...

31Jul

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London

Oleanna – Arts Theatre

Oleanna first came to the stage in 1992 in the United States and 1993 in the UK. At the time, high profile sexual harassment cases had captured the attention of the US audience in particular, and heightened sensitivities meant that the play – which explores the shifting power dynamic between a female university student and her male professor – was received as controversial. Nearly 30 years later, although our senses are maybe somewhat dulled to some of the nuances within the piece, we’re still having the same conversations and realising the full extent to which sexism in all its guises, male privilege and abuse of power have shaped and determined the world around us. We meet John and his student Carol in John’s perfectly angular, book lined office. The set is incredibly pleasing t...