Wendy McEwan, Author at North West End UK

3May

By Wendy McEwanNo Comments

Scotland

The Drifters Girl – Edinburgh Playhouse

Faye Treadwell was the manager, and driving force, behind the iconic American vocal group, The Drifters. Formed in 1959, the group’s hits included Hello Happiness, Saturday Night at the Movies, Under the Boardwalk, and so many more familiar numbers. Between the soundtrack, and the trailblazing lead character, the story seems to be made for musical theatre success. The line-up of the Drifters changed frequently during their history. We see members being drafted into the military, or fired by Treadwell and her husband George, or undergoing other personal tragedies. Sometimes – like Ben E. King (Ethan Davis), they move on to greater success elsewhere. In total, The Drifters featured 60 different vocalists during their history. This means a lot of multi-roling. Matthew Dawkins, Davis, Tarik...

29Apr

By Wendy McEwanNo Comments

Scotland

Futuristic Folktales – Tramway

Futuristic Folktales is an experimental dance theatre production which tells the story of the first womb. Along with movement and music, spoken words are also used to tell the story. The storytelling feels both abstract and visceral. At one point, a performer mentions “a colour that cannot even be described” and the other immediately demonstrates said colour through movement. However, for this article I must use words, and I am especially aware of the subjectivity with which I write. Other people may have experienced the show differently from me. The concept originated from director Charlotte McLean’s personal contemplation of whether to reproduce. The scope is wide – birth and death, identity and injustice, the personal and the universe. The piece is highly ambitious. A cohort...

29Feb

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Scotland

Cyprus Avenue – Glasgow Pavilion

Eric’s greatest fear is losing his identity as an Ulster Unionist. The world has changed since his youth during the Troubles, but he can’t move on. When Eric (David Hayman) suffers a mental health crisis, this fear affects his whole family. Eric is convinced that his newborn granddaughter is, in fact, the former Sinn Fein leader, Gerry Adams. No, she doesn’t have a beard, but apart from that, she looks just like him. However, nobody else can see the resemblance. Eric holds some unpalatable views. His sectarian statements and language are shocking, bringing gasps of horror from the audience. Glaswegians are familiar with sectarianism. The play is also very funny. Every performance in this play was superb, and Hayman is extraordinary. This character says and does awful things, b...

6Feb

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Scotland

Last Rites – Festival Theatre Studio

This is a story about a man who travels back to his family home in India to conduct a funeral ritual for his late, estranged father, who was a devout Hindu. As he conducts the ritual, he relives experiences from their difficult relationship. This solo piece, performed by Ranesh Meyyapan uses movement, BSL, subtitles and projected images. There is no spoken language. Sometimes the words onscreen are replaced with emoji-like images – for example, the father is represented by a pair of glasses. This nicely reflects the visual nature of gesture-based language. The sound design, by Tayo Akinbode, was a triumph. Music alternates with sound effects. The ambiguous sound of burning flames, or running water, as Meyyapan conducts the ritual, was particularly evocative and brought home the final...

Simple Machines – Fruitmarket, Edinburgh

6Feb

By Wendy McEwanNo Comments

Scotland

Simple Machines – Fruitmarket, Edinburgh

I am a little bit afraid of robots. I was concerned that the automatons in this production would be sinister denizens of the Uncanny Valley. However, my expectations were turned on their head. Here, choreographer Ugo Dehaes has created a cynical alter ego. At least, I hope this is an alter ego: Dehaes’s performance is very convincing. Apparently, this soft-spoken character got into the arts with the intention of getting rich. When unlimited wealth and power fail to materialise, he looks to mega-corporations for inspiration, and decides to replace his workforce – the dancers – with robots. However, plan B doesn’t work out as he expected either. The philosopher Rene Descartes regarded non-human animals as “mere machines”, a view with profound ethical consequences. But perhaps we ...

29Jan

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Scotland

Protest – Traverse Theatre

“This is a girl”. Three primary seven girls seek to address injustice in their everyday lives. Inspired by previous generations of women, they begin to find their voices. As soon as I saw the set, I just wanted to play on it. Amy Jane Cook’s design invites spontaneous, joyful movement. There is a winding path for the girls to run around, curved frames to climb and swing on, and platforms to rest, spin and jump on. The actresses are adults, but their performances are so convincing that it is easy to forget this. Movement director Nadia Iftkar has done an amazing job, and the girls move playfully, running with arms outstretched one minute, sitting cross legged and fidgeting the next. They beautifully capture the delight in movement that characterises childhood. The costumes, a...

23Dec

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Scotland

Cinderella – Edinburgh People’s Theatre

It’s that time of the year again and Edinburgh People’s Theatre’s panto this season is Cinderella. It’s the classic story, but with a few extra characters so that as many company members as possible can get their moment in the spotlight. The show opens with a reminder that we can boo, cheer, and shout out because this is a pantomime. This helps the audience to overcome any initial shyness and participate right from the start. Little reminders of theatre etiquette, done humorously, are a great way of getting the audience on side. Cinderella’s stepsisters, Mattie and Hattie, played by Mandy Black and Gemma Dutton, are a lot of fun in their garish costumes and wigs. The shameless man-chasers enter through the auditorium, all the better to trade insults across, and with...

Sycamore Grove – The Banshee Labyrinth, Edinburgh

31Oct

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Scotland

Sycamore Grove – The Banshee Labyrinth, Edinburgh

Dark magic, addiction and competitive home decorating underly the apparently genteel lives of two suburban couples. Charlotte (Rebecca Wilkie) and Colin (Nicholas Alban) are the proverbial Joneses that everyone tries to keep up with. They have almost everything that their tiny minds have ever dreamed of – but they are struggling to conceive a baby. Hannah (Cara Watson) and Ben (Conor O’Durger) are not doing so well. Ben is struggling at work and desperately trying to keep up appearances. When Charlotte and Colin explain their secret, he is intrigued. Our Stepford couple reveal that they have decorated their home with mysterious symbols that have been used to alter reality since ancient times. They draw Ben into their cult, and he attributes his increasing success to the s...

The Shadow in the Dark – The Banshee Labyrinth, Edinburgh

31Oct

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Scotland

The Shadow in the Dark – The Banshee Labyrinth, Edinburgh

Edith Nesbit is best known as a writer of children’s fiction, but alongside her classic novels such as The Railway Children, she explored a variety of genres, including horror. The Shadow in the Dark is comprised of spoken word adaptations of several such stories, told by a trio of actors. Edith (Rebecca Hale) sits at a wax cylinder machine, surrounded by candles. She speaks into the recording device, telling us of her memories of childhood, and of how she became afraid of the dark. Hale’s Edith speaks in the way I always imagined she would. In her crisp accent, she is soothing and deliberate. She gives the impression that she is telling a bedtime story, but the atmosphere is sinister. In The Mummies at Bordeaux, she tells of a creepy childhood encounter in a charnel house, tha...

30Oct

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Scotland

Moorcroft – Traverse Theatre

This tale of male friendship and football is based on writer / director Eilidh Loan’s own memories of growing up in a working-class community in Renfrewshire, and the stories that her dad told her. The play begins as Garry (Martin Docherty) turns 50. He’s grown weary over the years, and he starts to reminisce about his glory days, in the 1980’s, and the friends he played football with back when he had fire in his belly. As narrator, Garry establishes that the story is about working-class men, and will not feature “big bits of furniture falling from the sky”, or sparkly costumes, because “life is so boring and shite” where he comes from. Everyone needs an escape from life’s hardships, and these men find it in their grassroots football team, Moorcroft. The characters are well dra...