Wednesday, December 17

Author: Stewart Who?

Bootycandy – Gate Theatre
London

Bootycandy – Gate Theatre

This wasn’t a normal night at the theatre. It felt like a 1960s ‘happening’ but with smart phones in place of LSD and a post-modern, clued-up crowd who‘ve seen previous generations failed dreams and repeated ‘revolutions’ and have taken to TikTok to cuss their hippy forbears. The Summer of Love died and became the Bummer of Life. Welcome to 2023. There was a domestic installation near the entrance of the theatre, a little pop-up kitchen, complete with electric hob and saucepans full of condoms, lube and sexual health info. ’Black Joy is Power’ said one of the stickers, while brilliantly bigging up STI home testing kits and PrEP The show is presented in the round and as the lively audience took their seats, an ‘80s soul soundtrack span a semi disco vibe as Cheryl Lynn and Michael Jack...
Wasteman – Vault Festival
London

Wasteman – Vault Festival

Attended Wasteman at the Vault Festival on the same day it was announced that the subterranean performance jamboree is currently under threat. Having run in the formerly derelict tunnels in Waterloo since 2012, VAULT Festival has helped build the reputation of The Vaults over the past 11 years, bringing over 3,000 shows to more than 400,000 people. It’s like having an intense, bijou Edinburgh Festival in the depths of the capital and one might argue, it’s a tad more affordable and easier to manage. According to the Urban Dictionary, ‘wasteman’ is what ‘you call a boy who’s a waste of space and is gonna be nothing in life’. British MC and rapper, Lady Leshurr extended the insult to a former Prime Minister in Queen’s Speech 7, "Who stood up when Grenfell? Where's all the money we raised t...
Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre
London

Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre

You may have noticed that Madonna is having a moment. Again. She’s announced a tour that’s seen a demented scramble for tickets. Her appearance, following surgical face-tuning is hotly debated on TV, TikTok and the 77 bus to Tooting. The 64-year-old appears to be getting high and hanging out with hip-hop dons and trans stars, while sharing her exploits on Insta like a gobby teen. This showbizzy noise almost drowns out her musical back catalogue and it’s all a stark contrast to her revolutionary HIV/AIDS activism in the ‘80s and ‘90s.  Madonna bigged up safe sex, challenged HIV stigma and supported the American Foundation for AIDS Research (amfAR) on her 1987 tour. She delivered this advocacy loudly, when it was controversial and potentially damaging to her career. Madonna released ...
<strong>The Rat Pack at Christmas – Cadogan Hall</strong>
London

The Rat Pack at Christmas – Cadogan Hall

I’m not sure who the target audience for The Rat Pack at Christmas might be, but as an ex-acid house raver who likes experimental theatre, it probably isn’t yours truly. However, ‘tis the season to embrace cheesy fare, flashback nostalgia and family entertainment. Unsure of what to expect, the lure of hearing a big band in Cadogan Hall proved enough to park chilly misgivings and hand myself over to the festive spirit. The Manhattan Swing Orchestra were tight and glorious. The acoustics of Cadogan Hall are superb for live music and the setting is on brand and perfect, a Byzantine Revival style ex-church by architect Robert Fellowes Chisholm.  Stephen Triffitt plays Frank Sinatra and gets away with it. As long as one doesn’t focus on the detail, it’s a faithful rendition. He’s got...
<strong>Who’s Holiday – Southwark Playhouse Borough</strong>
London

Who’s Holiday – Southwark Playhouse Borough

The Ru Paul Industrial Complex continues its imperial sashay to every corner of the globe. This franchise mission creep can be viewed as a be-wigged beacon of tolerance or a toxic cash machine that bleeds underground culture.  Drag Race alumni find themselves yanked from skanky obscurity to meet-and-greet mania in a matter of weeks. For the truly talented, this can offer a unique chance to shine and earn some coin after decades of thankless graft.  Miz Cracker was a popular contestant on Ru Paul’s Drag Race Season Ten and made the final 5. She came back for RuPaul’s Drag Race All Stars Season Five and was placed in the top 3. Since then, she has been deservedly busy; podcasts, academic seminars, YouTube channel, one-woman comedy TV specials and a cookery show. Cracker has c...
The Moors – The Hope Theatre
London

The Moors – The Hope Theatre

‘Tis the season for spooky revivals, cobwebbed drama & cheap Halloween tat in the supermarkets. Creeping into this uneven milieu, like fog from an icy lake is the professional premiere of Jen Silverman’s gothic romp, The Moors.  Silverman has taken Bronte as a backbone and given the whole haunted hoo-ha a queer, feminist twist, with a knowing nod to the comedic quirks of the genre. The excellent cast, all graduated from full time actor training in the jaws of the pandemic, with much of their theatrical education gleaned online. It’s a joy to see fresh talent claiming the stage and given an opportunity to flex their chops.  As a venue, The Hope is a prime example of ‘black box’ theatre in a poky room above a pub. In a such an intense, cheek-by-jowl environment, there’s n...
Gabriel Byrne: Walking With Ghosts – Apollo Theatre
London

Gabriel Byrne: Walking With Ghosts – Apollo Theatre

It would be fair to say that my approach to Gabriel Byrne’s show was cautious and slightly disdainful. Reading from a best-selling memoir is de rigeur for a book launch, but is it really theatre? As someone with three Irish parents (don’t ask), my blood pulses with Celtic pride, but I’m wary of romantic stereotypes, fuelled by sentimental Americans or Irish hustlers looking to make an easy buck. Walking With Ghosts brings Hollywood dazzle to London’s West End, but is this A-list glitter a symptom of celebrity mania, filling theatres with gawping fanatics? Gabriel Byrne has starred in more than 80 feature films and been directed by Ken Loach, David Cronenberg, the Coen Brothers and Wim Wenders. Those creative choices throughout his career suggest a thoughtful artist, rather than a red-ca...
David Hoyle: Ten Commandments – Soho Theatre
London

David Hoyle: Ten Commandments – Soho Theatre

Humanity is paying a price for not listening to David Hoyle. In the heady ‘90s, when Hoyle performed as the Divine David, he would howl at the crowds, ‘Don’t go to the gym, go to the library’.  The message, delivered with smeared mascara, spit and rage was driven by a righteous fear that society’s obsession with external appearance would destroy intellectual evolution and spiritual growth. That sage decree was delivered long before Twitter thirst traps, armies of Instagram charlatans and the quiet destruction of public libraries.  Hoyle was a queer canary down the mine. Today, young children are increasingly cursed with eating disorders, Botox is bigger than de Beauvoir and since 2010, at least 773 libraries have closed. Even if we wished to heed Hoyle’s advice, it’s too la...
Brawn – King’s Head Theatre
London

Brawn – King’s Head Theatre

As someone who’s been diagnosed as bulimic, it’s safe to say that negative body image is an issue that has personal resonance. Body dysmorphic disorder (BDD) is a condition characterised by a preoccupation or obsession with perceived flaws in one’s appearance. BDD is usually associated with girls and women, but recent studies have found that nearly as many men as women are unhappy with how they look. A third of young British men say they need to alter their appearance because of the "picture perfect culture" on social media. The Mental Health Foundation and YouGov recently released a Body Image report. The results found that a third of LGBTQ people (33%) have experienced suicidal thoughts because of poor body image. This is more than double the number for heterosexual respondents who fe...
Jean Paul’s Gaultier’s Fashion Freak Show – Roundhouse
London

Jean Paul’s Gaultier’s Fashion Freak Show – Roundhouse

If one had been unaware of Gaultier’s work under Pierre Cardin, or his first collection in 1976, that changed in 1984 when he launched his line of skirts for men (actually kilts). The high-octane sensation this caused was akin to a cultural earthquake. This move was mocked and talked about from school playgrounds to the tabloids. Fashion’s enfant terrible had arrived. Jean Paul’s Gaultier’s Fashion Freak Show has landed at London’s Roundhouse and is a hot romp through the career of a designer who didn’t just break the rules of fashion, but provoked a paradigm shift on gender, sexuality and perceptions of beauty.  It’s a slick, erotic circus that takes the catwalk as a concept and injects it with the high production values of an arena gig, while keeping a well-heeled toe in the i...