Roger Jacobs, Author at North West End UK

Round The Horne – Kings’ Theatre, Edinburgh

31Jan

By Roger JacobsNo Comments

Scotland

Round The Horne – Kings’ Theatre, Edinburgh

Shut your eyes and you could’ve been at home next to the wireless any time between 1965 and 1968. Along with the 14.5 million other listeners of the day. Which makes it difficult to write about this show; it was so faithful to the original that instead of judging the set or evaluating the performance(s), one spent most of the time simply wondering - nay marvelling – at the unabashed nature of Round The Horne, its refusal to dodge a risk (spelled r-i-s-q-u-é) and, ultimately, the BBC’s willingness to defend it from its many (historically, theatrically ignorant) detractors. It’s sobering to remind oneself that some of the boundaries of taste and sexuality over which it gaily skipped were, at the time, enshrined in law. Listening to a couple of the shows either side of this production (you...

The Enormous Christmas Turnip – The Studio, Edinburgh

20Dec

By Roger JacobsNo Comments

Scotland

The Enormous Christmas Turnip – The Studio, Edinburgh

That Ivor MacAskill (Rabbit Hutch) and Rosana Cade (Rabbit Stew) are Glasgow-based was obvious straightaway without consulting the programme. ‘You’ll have had yer tea’ made an early festive entrance as Hutch attempted to stall Stew’s attempt to invite more folks to Christmas dinner. More attendees would require more than the one carrot the two traditionally shared. Broccoli, Cauliflower, Potatoes and (the dreaded) Sprouts for example, but something was still missing, and it started with ‘Tur-‘. After the least bashful audience member of 2021 (five seats to our left) intervened to stop anyone adding a ‘-key’ we were off on a delightful, educational journey following the progress of seeds as they grew into actual vegetables. Adhering to the instructions given by the talking seed (an excel...

Eric & Ern – Festival Theatre, Edinburgh

17Nov

By Roger JacobsNo Comments

Scotland

Eric & Ern – Festival Theatre, Edinburgh

It was difficult to suppress a chuckle simply taking in the set. That sofa, for those of us of a certain vintage, the telephone (Daddy, what were they for in the olden days?) and… The Bed! With no sign of a kitchen one feared – correctly as it turned out – that this would be free of pop-up toast routines. Of Des O’Connor mentions, famous catchphrases and legendary sketches it was not. Never mind how ‘of its era’ it was (20 million+ viewers for the Christmas Specials in 1977 and 1978), this production underlined how enduring the scripts have proved. As has - faithfully captured by Jonty Stephens (Eric) and Ian Ashpitel (Ern) - the stagecraft, timing and theatricality necessary to execute them. In less safe hands a quip about watching a three-foot high person swallow a four-foot sword might ...

The Signalman – King’s Theatre, Edinburgh

31Oct

By Roger JacobsNo Comments

Scotland

The Signalman – King’s Theatre, Edinburgh

Most notable was how, with extreme economy (one actor, a sparse set and some carefully understated lighting and sound), this play generated such power, intensity and atmosphere. It's set in 1919, forty years after the Tay Bridge disaster of 1879 as Thomas Barclay, the signalman, now 64, re-lives the events of the horrific night. The sense of place is perfectly evoked by Jon Beale and Andy Cowan’s carefully constructed soundscape, the gulls, wind and rain a constant reminder of the vast expanse of a raging Tay estuary. Beneath a sky shaken and stirred by the swirling, gargantuan storm that hit Tayside that Sunday we’re immersed in the cosy confines of the signal box as Tom McGovern plays a haunted, traumatised Barclay, moving restlessly about the small set of coat-stand, desk and two chairs...

Grease the Musical – Festival Theatre Edinburgh

29Sep

By Roger JacobsNo Comments

Scotland

Grease the Musical – Festival Theatre Edinburgh

This production can be viewed two ways; a successful adaptation combining the best of the original, visceral, 1971 Chicago show and the candyfloss of the 1978 film… or something that falls between the two stools of these contrasting affairs. Undeniably it was lively, but frenetic rather than kinetic. The constant movement made for a spectacle but parts of the script, including many of the caustic, witty, one-liners, were lost in the hustle and bustle, denying the audience a glimpse of the themes so vital when Grease first made its impact. The screen greeting the audience prior to the start promised much, decorated with small black & white TV’s, transistor radios, the most modern of things back in the 50’s, both devices carrying – amidst Elvis and Westerns - the advertising that propell...

4Jan

By Roger JacobsNo Comments

Scotland

Pride & Prejudice* (*sort of) – Royal Lyceum Theatre

For anyone who battled through Jane Austen’s ‘Pride & Prejudice’ at school - or university - this play is for YOU. If you spent those hours-you’ll-never-get-back watching one of the film or TV adaptations, hurling abuse and shouting increasingly colourful language into the mouths of the characters, this script is for YOU. To witness this irritating novel set about with such irreverent relish was a filthy pleasure. Never mind what legions of readers and viewers have wanted to tell Lady Catherine De Bourgh to do, this play - via The Best Ever Mr Darcy - finally does it. How? First off, we’re introduced, not to Mr and Mrs Bennet, but to six of Longbourn’s servants clad in white utility smocks and DM’s (Dear Young Team, that’s a brand of footwear, not a form of soshal meeja); the sto...