Riana Howarth, Author at North West End UK

28Oct

By Riana HowarthNo Comments

London

Immersive 1984 – Hackney Town Hall

Fancy a break from the ghouls and gore this Halloween? 1984 immersive experience offers the chill and terror of being governed by an authoritarian state. Having devoured the book years ago, I was excited to see how the world of the book would be brought to life. Hackney County Hall's large space, with a fusion of classic and modern elements was an ideal setting for it. The split stairways and tall ceilings gave the place a ministerial authority. Party members in blue jumpsuits wore stern, mistrusting expressions and gave strict orders. For those who aren't familiar with the book, Orwell wrote it in 1949, imagining what the near future might look like. He depicts a hyper controlling government which thought-polices and scrutinises individuals. Winston, a "thought criminal" works for the ...

14Oct

By Riana HowarthNo Comments

London

Delinquent Dad – Tabard Theatre

This kookily animated production took me back to watching My Parents Are Aliens on the TV. Yet, this play is set six months into the future, envisioning increasing rent bills, crypto cases, and an elevated housing crisis. Its incidentally interweaving connections tie into the small-world-feel of the sitcom trope, and the gloriously indifferent, haphazard Dad (John Gorick) makes for a likeable and oddly believable protagonist. A young couple, a pair of millennials as they call themselves, are baffled when what is meant to be a meal for the rents turns out to be a savage split, as Matt’s Dad is dumped on his doorstep with a holdall catapulted into the room by a furious wife. The timing couldn’t be worse – Matt (Bradley Crees) and Cara (Elizabeth Back) are in the midst of a rent strike, to...

3Oct

By Riana HowarthNo Comments

London

Octopolis – Hampstead Theatre

An intellectual combat merges into a confused love affair. What sounds like a common trope, lays the ground for an interesting philosophical debate, when a pet octopus called Francis is the axis around which their relationship pivots. Professor George Gray (Jemma Redgrave), a mildly eccentric, behavioural biologist shares her space with Francis who lives in a purpose-built tank. When anthropology student Harry (Ewan Miller), barges into their space, with permission from the University to carry out his own research, George’s dogma is threatened. As the two argue and bond, and argue some more, they unveil their flaws. The delivery is clinical and methodical, mirroring the scientific content of the dialogue. Both speak as if presenting their own findings to the audience, momentarily bre...

Out Of The Margins – Good Chance Theatre & Christie’s

30Sep

By Riana HowarthNo Comments

NEWS

Out Of The Margins – Good Chance Theatre & Christie’s

Good Chance Theatre are hosting an online auction of some of the greatest scripts, annotated by their playwrights, in a bid to raise money for displaced artists. Their event, Out Of The Margins in collaboration with Christie’s, brings marginalised people and their stories into the light with the clever double meaning referring to the authors notes around the text. Good Chance is full of theatre-makers and theatre-lovers with a huge interest in how plays are made, from writing processes to the writer’s anxieties, which sparked the idea for the auction. The project has been a year in the making, reaching out to various playwrights, and has resulted in 60 taking part. Many of the scripts were annotated post performance, giving a rich insight into the life of the play; the rehearsal process...

8Aug

By Riana HowarthNo Comments

London

Dead Souls – Etcetera Theatre

The Eno River Players bring Mikhail Bulgakov’s (author of The Master and Margarita) Dead Souls to life, with a swirling sense of adventure. The cast of three tumble through the plot in a stylistically haphazard way, presenting the 19th century Russian story. Chichikov, the protagonist, embarks on a “get rich quick” scheme, scouring the land for “dead souls”, collecting the rights to dead people. On his journey, he meets a host of strange characters that lead him from one place to another. The set is full of random props, domineered by a central painting of the Russian leader, changing with the time. The bustle as they set up between scenes was rhythmic and characterised and gave the bohemian feel of a travelling troupe, but I think using slightly fewer props would have made the spac...

24Jul

By Riana HowarthNo Comments

London

Henry I – St Paul’s Church

Rabble Theatre presents a fine dramatization of King Henry I’s life. It was truly thrilling to watch history reenacted, made even more pungent by the gore and striking stage combat. I knew very little about Henry I, so it was a delight to learn about the past in a way that was so visceral. We sat on pews before a skatepark of a stage (designed by Sarah Jane Booth), streaked with blood red and earthy tones in the holy setting of the St Paul’s Church. The acoustics brought the play to life and the church setting reflected its reverence to an immersive effect. The in-depth research by writer Beth Flintoff must have inspired and informed the strong character choices which were cohesive with their actions and decisions. I could see parallels between modern archetypes in the characters suc...

A Brief List of Everyone Who Died – Finborough Theatre

20May

By Riana HowarthNo Comments

London

A Brief List of Everyone Who Died – Finborough Theatre

“There is no me in me without the way I love you”. A light, convivial family atmosphere transitions into a dark comedy as Graciela’s (Vivia Font) parents figure out how to tell her that their dog has died. Denial and questioning turns into blame and Graciela develops some sort of fear of her loved ones dying. Members of the cast take it in turns delineating the time passing as Gracie ages. Jacob Marx Rice’s script is mischievously witty and exuberant one moment before revealing undercurrents of disquiet and grief. Throughout the play, people in Gracie’s life die, and she struggles to deal with each one, until it eventually becomes her turn. What I loved about this play was its earnestness and the acute portrayal of grappling with something beyond your control. Font was emotiona...

8May

By Riana HowarthNo Comments

London

August in England – Bush Theatre

Lenny Henry captivates in this bittersweet tale about a man whose life is turned upside down by the Windrush scandal. It is surprising to find out that this is the first play he has written as the language and events flow sinuously and the script is imbued with a strong sense of August Henderson’s character with funny, quirky details. August’s journey is an eclectic one from Kingston Jamaica to Calypso Crescent in an emphatically ghastly Peckham and then to West Brom. This no doubt reflects aspects of Henry’s own life and those he knows, having parents who emigrated to Britain from Jamaica and brought him up in Dudley. The story begins with the family’s move and then cleverly branches into August’s life, starting a zealous band-cum-rebel group called Black Fist and later launching Iq...

Village Idiot – Theatre Royal Stratford East

20Apr

By Riana HowarthNo Comments

London

Village Idiot – Theatre Royal Stratford East

Village Idiot is a sincere, hearty, and refreshing story about two families and the different needs for freedom, independence and community. Riddled with stereotypes and generalisations, we watch the prejudice crumble under the light of community spirit. Presented by Ramps On The Moon, the portrayal of people with disabilities is acute and uncompromising, with strong characters, showing the liberties and infringements that they deal with. We see the characters at cross roads in their lives as a high-speed railway line being built forces them to up and leave. All of this is administered by Peter who has no qualms about evicting his grandma and brother. With lots of different goings on, the grandma, Barbara somehow finds out, peering through binoculars and causes chaos as she spills the s...

13Apr

By Riana HowarthNo Comments

London

Terrible Thames – Tower Bridge Quay

I was so excited to relive my childhood memories of eagerly watching Horrible Histories and the Birmingham Stage Companies' Terrible Thames was the perfect treat, with a delightful blend of just enough gore, comedy, history and with the added thrill of a live performance. It begins as a begrudging history teacher explains that he is stuck with an energetic, boisterous student who won a prize trip on the tour. The pair playfully and competitively recite historical facts about London’s River and the surrounding area. With a brilliant script written by Terry Deary and Neal Foster, the transitions between topics were seamless. Succinct links connected the present London before diving back into the past. The infectious energy and enthusiasm brought the tales to life and conveyed the poignanc...