Riana Howarth, Author at North West End UK

4Feb

By Riana HowarthNo Comments

London

Second Best – Riverside Studios

Asa Butterfield is immaculate in Barney Norris' one-man tragicomedy. A mixture of playful and self-deprecating, the play, based on David Foenkino's novel, explores the cumulative impact of childhood trauma. Martin (Butterfield), who is at the brink of fatherhood, becomes troubled by past wounds. He recounts his experiences which all ultimately stem from losing the part of a lifetime - Harry Potter. Like a gawky, wry man you'd find in a British sitcom, Butterfield prances across the stage. His body moves erratically, finding expression before his words can catch up. The tone is conversational. Casual. But we see his dry wit progressively morph into a gritted teeth-resentment. The slow build is structured wonderfully. Martin begins half jokingly recounting his story, aware of its r...

13Nov

By Riana HowarthNo Comments

London

Phoenix – Barons Court Theatre

Phoenix is about a journey from constriction and avoidance to inner freedom. Dressed in flowy dungarees, and big, curly blonde hair, Helen is like a children’s storybook character. There is an intention to heal, which is manifest in her radiating warmth, and inviting eyes. She sets the scene with the cosy familiarity of a night in with a friend, drawing us in with intimacy. She confesses to being a Towie addict, and this comedy takes a turn, exploring different ways people numb themselves. The lightness and humour in her stories float above uncomfortable feelings. She squishes these down, dancing away the pain, and distracting herself. She shows us snippets of her life; her relationships, growing up, and her experiences as an actor. These personal moments feel sincere and make th...

Waiting for Godot – Theatre Royal Haymarket

25Sep

By Riana HowarthNo Comments

London

Waiting for Godot – Theatre Royal Haymarket

Well, these are two very well-spoken "tramps". A wired Didi (Ben Whishaw) jolts and flourishes across the space, amidst a more weighted, stony Gogo (Lucian Msamati). The two are equally as confounded as each other, torn between wavering uncertainty and resignation to the fact. As the title of the play reveals, they are waiting for Godot. In Beckett's classic, we are not entirely sure who Godot is or why he is being waited for, and neither, as it seems, are the characters. Whishaw and Msamati play their respective characters so beautifully. It is like watching a dance - their responsivity and spontaneity is glorious, and they find musicality in the repetition. This much studied play has plenty of meat to chew on. The real juiciness of it, as brought out by Whishaw and Msamati ...

ECHO (Every Cold-Hearted Oxygen) – The Royal Court

19Jul

By Riana HowarthNo Comments

London

ECHO (Every Cold-Hearted Oxygen) – The Royal Court

As if a play within a play wasn’t trippy enough! In ECHO, we see dialogue being spoken as it is typed out, and witness words spoken from writing in the past. The actor of the night (Adrian Lester this time) is placed and guided around the stage, without having rehearsed or knowing what follows. The piece is a mingling of themes personal to Soleimanpour, as they often are in plays to most playwrights, but this is made overtly clear in this one. Time-travelling, distance, home, and his journey form the fabric of the play. Nassim (Soleimanpour) video calls Adrian - face projected on a large stretched screen on the stage. Even now, I can’t discern whether this was live or pre-recorded. Anyway, I shouldn’t ruin it. So, Nassim is chatting with Adrian, but then gets sidetracked (conveniently),...

Franz Kafka’s The Hunger Artist – Etcetera Theatre

11Jun

By Riana HowarthNo Comments

London

Franz Kafka’s The Hunger Artist – Etcetera Theatre

Franz Kafka’s The Hunger Artist - Etcetera Theatre Mesmeric, painfully expressive, and disturbingly comforting, Jonathan Sidgwick brings Kafka’s final work to life. Caged, centre stage, we find a man who revives himself to tell the tragic tale of the Hunger Artist, a man who devoted his life to his craft, to fasting. We see the hunger artist’s plight at the hands of a disinterested audience, (but also due to his own fixation), as he is forced to downgrade from a solo-travelling act that brought in masses to a sad, sideshow act that viewers see as a hindrance. With outstretched fingers and ever-widening eyes, blooming with the peculiar expression of the tormented hunger artist, you could feel his hunger for express and his appetite for reward, and release. He performed and flaunted th...

People Places & Things – Trafalgar Theatre

20May

By Riana HowarthNo Comments

London

People Places & Things – Trafalgar Theatre

I’d heard the premise before going to see this. I knew it was about an actress with an addiction problem going to rehab, to get the paper that lets her get back to work. Yet it was much more than this - an intensive journey, from the excruciating detox to all the mental anguish, conceptualisation, denial, and the hopeful, desperate, desire to get better. It was a truly cathartic watch. Denise Gough’s characterisation was phenomenal, we saw all the nooks and crannies of this complex woman. Her visceral performance brought Emma’s story to life, and made the meta moments, the reminders that we are watching actors, even more trippy because her character was so embodied and real. There was a moment in the first scene where the back of the stage is ripped away, and throughout the drama, this ...

This Is Memorial Device – Riverside Studios

29Apr

By Riana HowarthNo Comments

London

This Is Memorial Device – Riverside Studios

Capturing an art induced euphoria and a sense of estrangement, we are shown the meaning in the small, contained world of fictional band, Memorial Device. Graham Eatough brings to life David Keenan’s novel that merges an imagined world and the 80’s music scene in Airdrie. The set and concept was intriguing and provoking. The mannequins on stage was such a beautiful idea (slightly absurd and eerie nonetheless) - enlivening the way the band and the music made the speaker feel. Deeply poetic, lyrical words were woven in between the candid. The running thread through the script was of feelings; of awe and searching to reconnect to an ecstatic moment, and a feeling of mourning. In ways, it felt like an ode, and a eulogy. Actor Paul Higgins took us on a journey in this strange suspended time, ...

29Apr

By Riana HowarthNo Comments

London

The Tempest – Drayton Arms Theatre

Burnt Orange Theatre Rep Company bring The Tempest to life. In the black box theatre setting, the troupe form a striking ensemble with sizzling choreography as well as impressive individual performances. Such dynamic storytelling with swift transitions made Shakespeare’s language accessible and engaging. The group was cohesive and nimble, heaving to and fro throughout like the waves and the ship, and producing surreal hissing and clicking sound collages. I loved the interpretation of Ariel, with four actors embodying the spirit. They really captured the magic and elemental nature of the play. Ioan Oosthuizen’s fraught Prospero was heavy with responsibility, and it was charming to see his lighter side and fatherly affection around his daughter. As the principal storyteller in the ...

8Mar

By Riana HowarthNo Comments

London

GOOD-BYE – Coronet Theatre

A sizzling, poetic piece from Japanese theatre company, Chiten Theatre, weaves snapshots of Osamu Dazai’s life and literature together. The rhythmically acute cast form characters sat at a bar in Tokyo. As they swig their drinks, they build the tension as Dazai nears his impending suicide. A beautifully choreographed sequence sees the characters popping and pulsing, drawing out “Good bye”, a syllable per person. Slowly, this morphs into the main body of the show, which externalises Dazai’s emotional journey, exploring the notions of living and dying, through the particular nihilistic post-war lens. The cast embody characters from Dazai’s life, his stories, and also his own voice. The narrative, elegant in its simplicity, conveyed an intense longing and desire to understand life a...

Balletboyz: England on Fire – Sadlers Wells

9Nov

By Riana HowarthNo Comments

London

Balletboyz: England on Fire – Sadlers Wells

Based on the book, England on Fire by Stephen Ellcock and Matt Osman, this sizzling production brings England’s eclectic past and present to life. The show begins with a meditative lighting design (designed by Andrew Ellis) projected on the high side walls. This gives way to a sombre, moody, arboreal setting with freakish animal-hybrid characters extravagantly dressed in black, watching the metaphorical birth/death of our protagonist. A dramatic start. The piece is a curation of different dances, each relating to a segment of the book. The setting explores England through time; from the ancient land to the modern day featuring a sparky Arctic Monkeys-esque band, Gag Salon. It is no surprise that the result is outlandish and stylistically fluid. The main thread is this new-born person we...