Monday, December 15

Author: Paul Wilcox

Waitress – Manchester Opera House
North West

Waitress – Manchester Opera House

In order to bake a perfect pie, it is necessary to have quality ingredients mixed in the correct proportions by an experienced baker; add in heat allied with perfect timing and a scrumptious pastry is produced. Just such a dish was served before the hungry and eager capacity audience at Manchester Opera House this evening as 'Waitress' begins a two-week residency in the city centre. The show arrives in Manchester in the midst of a UK wide tour, having been a huge Broadway and West End hit following its premiere back in 2016. The all-female creative triumvirate of Sarah Bareilles (Music & Lyrics), Jessie Nelson (Book) and Diane Paulus (Director) have crafted a warm and funny piece which simultaneously tugs at the heartstrings whilst also being unafraid to confront issues that women f...
The Cat and the Canary – Opera House
North West

The Cat and the Canary – Opera House

With Halloween upon us and the clocks going back at the weekend, our thoughts turn to entertainment of the scary variety, therefore an old-fashioned thriller set in a creepy house should be just what is required as the nights draw in. Unfortunately, the production of 'The Cat and the Canary' which began its week-long run at the Manchester Opera House this evening was a huge disappointment. As a thriller it wasn't scary, as a comedy it wasn't funny, and it wasn't camp enough to be interesting as a pastiche of the genre. Based on the 1921 play by John Willard and adapted by Carl Grose, the production wore its 100 years heavily, with the usual tropes that one would associate with a thriller of this vintage. Creepy old mansion - check; assortment of characters assembled and trapped against ...
The Lady in the Van – Altrincham Garrick Playhouse
North West

The Lady in the Van – Altrincham Garrick Playhouse

In common with most people who love the theatre, I adore the prodigious output of plays, books and diaries that Alan Bennett has produced over the course of the last half century, however, I have never really subscribed to the view that he belongs in the pantheon of comfortable personalities that make up our 'National Treasures'. Bennett himself despises the term, and there has always been as much vinegar as sugar in his writing as he wryly chronicles the state of the nation, so to bracket him with as characters as bland as David Beckham and Joanna Lumley, is to give a somewhat distorted view of his place in modern Britain. His style is perfectly exemplified by his 1999 play 'The Lady in the Van', which started its week long run at the Garrick Playhouse in Altrincham this evening, in this ...
The Mountaintop – Royal Exchange, Manchester
North West

The Mountaintop – Royal Exchange, Manchester

In 2009, the Memphis born playwright Katori Hall was unable to secure a venue in the United States for her new play 'The Mountaintop'. Instead, she brought it to London, where it received huge acclaim for the portrayal of Dr Martin Luther King on the eve of his assassination in April 1968. Now Roy Alexander Weise, the new Artistic Director of the Royal Exchange, has chosen this blisteringly funny and timely play for his debut here, and launches the Autumn season with an absolutely stunning production. The difficulty Hall had with this play in the US, centres around her portrayal of Dr King; rather than the hagiographic figure of grainy newsreel footage, we see King as a fully rounded human being with all the faults and foibles that entails. He smokes constantly, is unfaithful to his wif...
Dial M For Murder – Theatr Clywd
Wales

Dial M For Murder – Theatr Clywd

The 1954 film adaptation, directed by Alfred Hitchcock, will always cast a long shadow in any staging of of this Frederick Knott penned masterpiece. It was a huge favourite of mine growing up, evoking Proustian memories of rainy, Autumnal Sunday afternoons in front of the family television; the film poster still adorns the wall of my study. Therefore, I was both excited and apprehensive making my way across the Welsh border to the beautiful and welcoming 'Theatre on the Hill' in Flintshire, to see the latest incarnation of this taut psychological thriller. For those unfamiliar with the plot, Knott created more of a 'Howdunnit' than a 'Whodunnit'. The audience are privy from the outset to the plan by suave ex tennis professional Tony Wendice (Tom Chambers), to murder his rich and beautif...
Nathan Cassidy: Bumblebee – Salford Arts Theatre
North West

Nathan Cassidy: Bumblebee – Salford Arts Theatre

Being a theatre reviewer asked to write about a comedy gig is a tricky proposition. Does one deconstruct the jokes, analyse the structure and critique the persona of the main protagonist? In the case of ‘Bumblebee’, the new show from the self-deprecatingly titled ‘award nominee’, Nathan Cassidy, all such considerations are superfluous, just sit back and watch a very talented and funny man construct a jigsaw puzzle, where all the pieces neatly slot into place at the end of an hour in his company. The purported premise of ‘Bumblebee’ is the rash decision Cassidy makes following the burglary of his flat, to pursue the thief. To the strains of Rimsky-Korsakov’s ‘Flight of the Bumblebee’, he gives chase, and it is the random thoughts that occur to him during this pursuit form the real heart ...
The Formidable Lizzie Boone – The Anthony Burgess Foundation
North West

The Formidable Lizzie Boone – The Anthony Burgess Foundation

Ever since Phoebe Waller-Bridge wowed the Edinburgh Festival in 2013 with 'Fleabag', a litany of semi-autobiographical dark comedies have trod the same path in the hope of emulating her success. Selina Helliwell has the latest hopeful incarnation of this confessional oeuvre, bringing 'the Formidable Lizzie Boone' to the Anthony Burgess Foundation for a two-night residency, beginning on 24th September. Helliwell appears alone onstage throughout the hour-long performance, her only support being a number of recorded voice artists playing the various characters that flit in and out of the narrative she unfolds. As Lizzie Boone, she unburdens herself to an unseen therapist (Marie) and we move through the chronology of her sad childhood and adolescence, chronicling broken relationships with w...
Leaving Vietnam – The Kings Arms
North West

Leaving Vietnam – The Kings Arms

'A Bright and Shining Lie' was how writer Neil Sheehan referred to the forty-year involvement of America in the conflict in Vietnam, and this view has formed the basis of a new one man show by Richard Vergette, premiered at the Kings Arms, Salford for the Greater Manchester Fringe Festival over two consecutive nights. Vergette creates the character of Jimmy Vandenberg, an ageing mechanic in a decaying suburb of Detroit, who fixes classic automobiles following his retirement from the local Ford factory in Dearborn. Jimmy is bitter with the world, a bitterness that has its roots in his decision as a 21-year-old to enlist as a US Marine and fight for his country in Vietnam, the scenes he witnessed there having a marked effect on the course of the rest of his life. Vergette is alone onstage...
A Little Night Music – Leeds Playhouse
Yorkshire & Humber

A Little Night Music – Leeds Playhouse

A hot July evening in West Yorkshire proved to be the perfect backdrop for a musical set at the Scandinavian midsummer, as the theatregoers of Leeds joyfully returned to a stunning adaptation of Stephen Sondheim's puckish, satirical operetta from Leeds Playhouse and Opera North. Written in 1973, during a golden period of his gilded career, 'A Little Night Music' shows Sondheim at the peak of his powers, utilising his tongue twisting lyricism and complex musicality to stunning effect, against the backdrop of a country weekend in 'fin de siecle' Sweden. Sondheim always chooses arcane subject matter around which to base his work, everything from a Seurat painting (Sunday in the Park with George) to homicidal pie making (Sweeney Todd), have been used by him as source material and 'Night Mus...
Talent – Crucible Theatre
Yorkshire & Humber

Talent – Crucible Theatre

Just over five years ago, in April 2016, Britain lost a unique and irreplaceable comedy voice with the untimely death of Victoria Wood. In addition to her brilliance as a stand up comedian and actress in both comedic and dramatic roles, Wood also scripted a number of plays and musicals for the stage and her very first attempt from 1978, 'Talent', is the subject of a revival at Sheffield’s Crucible during July. The world of the late 1970's northern working men's club, is evoked by both the cheesy ballads playing as we enter the auditorium and the set design of Janet Bird. A golden cloak covers the stage and reaches up to a white grand piano perched high on a plinth, evoking the glamour of Liberace and 1940's Hollywood. This is quickly revealed to be a grotty backstage with boxes of crisp...