Peter Ruddick, Author at North West End UK

8Sep

By Peter RuddickNo Comments

North West

Can’t Complain – 53two

Described as “a new electropop audiodrama”, Can’t Complain is the brainchild of musician Sam Easton. The genesis of this show is not necessarily standard for new musicals. An original cast recording has been made and will be released this week. Two listening events of the album have now been held, in London and Manchester. An excerpt has been performed live. However, there have been no full live productions, as yet. Despite essentially being a playback session of a pre-recorded concept album, the Manchester premiere was still slightly theatrical. A dinner table set for four is centre of the 53Two stage. Three plates lie empty. One spaghetti bolognaise lies ominously untouched on the fourth plate. Behind the table, a large screen displays the visuals to accompany each track....

Phil Green: A Broken Man’s Guide to Fixing Others – Seven Oaks Pub

6Jul

By Peter RuddickNo Comments

North West

Phil Green: A Broken Man’s Guide to Fixing Others – Seven Oaks Pub

At one stage in A Broken Man’s Guide to Fixing Others, Phil Green acknowledges that he could spend an hour talking about the shocking rates of male suicide. However, he tells his Greater Manchester Fringe audience he has had another, tonally different, idea on how to fill the show. The good news: it is a great idea. Complete with a genuinely funny PowerPoint-style presentation, Green outlines his plan on how to save middle-aged men from themselves. It is something he has experience of. Partly because of his own breakdown (although he is fine now by the way - totally fine, actually) and partly because he’s had to help a few of his mates who’ve ended up in need themselves. There’s a really endearing opening section about luring these troubled men away from danger with trails of ...

3Jul

By Peter RuddickNo Comments

North West

A Single Man – Aviva Studios

Christopher Isherwood’s 1964 study of grief, A Single Man, is a recognition of the complexities of our inner thoughts at a time of crisis. When fashion designer Tom Ford adapted the book for his 2009 movie of the same name, he chose to round off some of lead character George’s rougher edges. Ford also concluded the story more decisively. In this contemporary ballet, Jonathan Watkins appears to have returned to the original source material, in terms of George's complicated nature. Watkins has, however, been both more definitive and more hopeful about George's future. With mixed results. A Single Man is at times heartbreakingly emotional and tearjerkingly beautiful. But it is also, on occasion, slightly impenetrable. That being said, this Factory International a...

The Death of Dr. Black – The Fitzgerald, Manchester

2Jul

By Peter RuddickNo Comments

North West

The Death of Dr. Black – The Fitzgerald, Manchester

For how long have we been fascinated by magic and murder mysteries? In a way, what’s more extraordinary is not the exact length of time, but the continued ability for creatives to refresh and reinvent both. Take The Death of Dr. Black. This isn’t necessarily breaking new ground in murder mysteries. There’s candlesticks and ropes, there’s a study. It feels familiar. The magic, too, is relatively recognisable. Some prediction, some mentalism, one assumes a smattering of sleight of hand. And yet, Andrew Stannard’s one-man immersive theatre show still feels fresh. It is also smart, fun, lovingly put together and really enjoyable. Dr. Black is dead. That much is obvious before the audience arrives. What’s soon clear, also, is that everyone in attendance is under suspicion. De...

5Jun

By Peter RuddickNo Comments

North West

COCK – Hope Mill Theatre

When you strip away the peripheral elements of existence what are you left with? Remove the career that will end, the possessions that will gather dust and the places that will fade in the memory. What remains? Love, human relationships and a sense of self perhaps. Mike Bartlett’s COCK is the theatrical equivalent of this exercise. Strip it all away and lay bare the stark reality of life. Distraction-free analysis of identity, of sexuality, of power, of interaction. It all sounds so simple. Of course, it isn't. It requires outstanding writing, light-touch - yet precise - direction and pitch-perfect performances. Check, check and check for HER and Up ‘Ere Productions. After a highly successful northern premiere last year at 53Two, the show is back in Manchester ...

The Pornstar Martini Effect: A Bartender’s Guide to not K*lling Yourself at Christmas – The King’s Arms

28May

By Peter RuddickNo Comments

North West

The Pornstar Martini Effect: A Bartender’s Guide to not K*lling Yourself at Christmas – The King’s Arms

It's that time of the year when theatre companies and productions gear up for Edinburgh. The team behind The Pornstar Martini Effect will be taking their show to the fringe and, judging by the Manchester previews, they are pretty much ready. Even if the first performance at the Kings Arms in Salford didn't get going until a good half hour after the advertised start time. This is a slickly directed and solidly acted two-hander with some interesting things to say about misogyny, gender stereotypes and the complexities of human nature. Kat (Zane Marsland) and Tom (Finnen McNiffe) are working the dreaded Christmas Eve shift at a packed bar. Alongside the inevitable shaking, mixing, straining and pouring they are also having to deal with inappropriate customers. Their personal s...

6Mar

By Peter RuddickNo Comments

North West

Glorious! – Hope Mill Theatre

The fascinating story of Florence Foster Jenkins was brought back to mainstream attention by Hollywood in 2016. Hope Mill Theatre’s production of Glorious! covers much of the same ground but does so in a way that feels a lot more focused and a lot less condescending about the ‘worst singer in the world’. The ever-versatile Ancoats stage is, once again, utterly transformed. Clam shell footlights, a dusky velvet curtain and a vintage gramophone player set the scene. Charlie Hiscock’s Cosmé McMoon emerges to assure the audience he is not a pseudonym and that what we are about to see is all true. He also plants the core message: that maybe Jenkins was living in a cocoon, but that perhaps that’s a lesson for us all. The curtains open, McMoon and Jenkins meet, and we are away. Swift sto...

13Feb

By Peter RuddickNo Comments

North West

Hold On To Your Butts – The Lowry

Some theatre shows can be appreciated by being described. Others, on the other hand, just need to be experienced. Hold On To Your Butts is a prime example of the latter. On paper, a screen to stage adaptation of the dinosaur classic Jurassic Park shouldn’t work. Not without a big animatronics budget, the latest in visual effects and a host of instruments to recreate that iconic John Williams score. As the name suggests, the Recent Cutbacks ensemble have none of that. However, this is a joyous, silly and, surprisingly, accurate retelling of Spielberg’s masterpiece. The trio of performers on stage rely on physical theatre, the bare minimum of creatively used props and sound effects. They create magic. Anyone with an aversion to lo-fi storytelling might well be concerned to take t...

14Jan

By Peter RuddickNo Comments

North West

Mariupol Drama – HOME Mcr

The word ‘unforgettable’ is overused. Especially in reviews. So many “unforgettable” theatrical experiences soon fade from the memory. However, the hundreds of innocent Ukrainian civilians who took shelter in Donetsk Regional Academic Drama Theatre will never be able to forget the time they spent in a space they hoped would be safe. Mariupol Drama is the story of some of those who survived the deadly bombing that followed. Told by the survivors themselves. It is, truly, unforgettable. Olena Bila, Ihor Kytrysh, their son Matvii, and Vira Lebedynska are now refugees in their own country, after their home was besieged by Russian forces in 2022. Following a meeting with Manchester actor David MacCreedy, arrangements were made to bring the production they had created to the UK. A...

Jack and the Beanstalk – Altrincham Garrick Playhouse

7Dec

By Peter RuddickNo Comments

North West

Jack and the Beanstalk – Altrincham Garrick Playhouse

Panto is about tradition. Where the big producing houses, and their star-led shows, can never succeed is in developing a joyful familiarity that is nurtured and continued from year to year. That is the superpower of smaller venues, like the Altrincham Garrick Playhouse. But not all theatres are aware of that. Some stray from the path of success. It is a pleasure to report that, yet again, the Garrick gets it and has delivered. There was a slight first night hitch, however. Cast illness meant there was a panto dame-shaped hole to fill. Step up show director, and artistic director, Joseph Meighan. After a long rehearsal process, it is the kind of problem that must feel insurmountable backstage. On stage, however, the audience experience was no less at all. In fact, theatregoers ...