Olivia Cox, Author at North West End UK

Is The WiFi Good In Hell? — Underbelly Cowgate, Iron Belly

10Aug

By Olivia CoxNo Comments

Scotland

Is The WiFi Good In Hell? — Underbelly Cowgate, Iron Belly

Meet Dev: a young, queer boy growing up in the seaside town of Margate in 2008 who is absolutely itching to escape. Is The WiFi Good In Hell?, written by and starring Lyndon Chapman, is a richly detailed and beautifully touching coming-of-age story supported by an electrifying solo performance. We’re first introduced to Dev at the age of 12, where he spends most of his time hanging out on a derelict with his best mate, imagining his life when he leaves the so-called “dystopian wasteland” of Margate for a thriving life in London. In the 60-minute show, we follow Dev as he navigates school, university, and post-graduate life while discovering who he is in a world where he never quite fits in. Chapman is an absolute tour-de-force in this show, weaving the intricate web of Dev’...

Police Cops in Space – Underbelly Festival

2Aug

By Olivia CoxNo Comments

London

Police Cops in Space – Underbelly Festival

With multiple sell-out Fringe runs and an acclaimed full-scale musical under their belts, it’s safe to say that comedy group Police Cops (made up of Zachary Hunt, Nathan Parkinson and Tom Roe) have had a busy few years. Not ones to take their feet off the pedal, the trio are back at Underbelly Festival in Cavendish Square this summer, with the return of their 2017 sci-fi send-up Police Cops in Space. We meet galaxy-dwelling Sammy Johnson, the son of the late Jimmy Johnson — the so-called ‘Best Damn Police Cop Ever’ — who becomes embroiled in a cosmic caper after the Australian humanoid who killed his father returns for his revenge (and to destroy the universe, obviously). Parodying the likes of Blade Runner, Star Wars and The Terminator, Police Cops in Space picks apart the genre’...

12Jul

By Olivia CoxNo Comments

London

Dog Sh!t – Theatre 503

With a title like ‘Dog Sh!t’ and a promotional poster featuring a cartoon canine caught in that very act, audiences watching Bellaray Bertrand-Webb’s play at Theatre503 should know to expect the unexpected. Selling out an acclaimed run at the Dublin Fringe Festival last year, Dog Sh!t has transferred to London’s Theatre503 for two nights, directed by Ursula McGinn. The 70-minute play focuses on four characters: the existentially melancholic Emma (Laura Brady), passionate thespian Raven (Gracie Oddie-James), creative-turned-corporate Nora (Breffni Holahan), and Nora’s boyfriend Obi (Aaron Shosanya), the tech bro with a surprising obsession with Greek philosophy. Advertised as a satirical comedy, I’m happy to say that Dog Sh!t definitely isn’t all bark and no bite. Firstly, the c...

6Jul

By Olivia CoxNo Comments

London

Hedda Gabler – Bread And Roses Theatre

Out of all of Henrik Ibsen’s dramatic works, Hedda Gabler remains one of his most notorious. Featuring a supremely complex central character, it’s a realistic play that still leaves a lot up to interpretation — giving director Mya Kelln plenty to sink her teeth into in 13th Night Theatre Company’s new revival at The Bread & Roses Theatre. Set in an ambiguous time period, we follow 48 hours in the life of titular character Hedda (Eliza Cameron), a newly married woman who’s returned from a lengthy honeymoon with her academic husband Jörgen (Jack Aldridge). While navigating the boredom of her new life in a house she hates, the return of Jörgen’s academic rival — and, as it turns out, Hedda’s former romantic interest — Eilert Lövborg (Bede Hodgkinson) sets the character onto a path of m...

15Jun

By Olivia CoxNo Comments

London

Julie: The Musical – The Other Palace

A French-Opera-singing, sword-fighting, bisexual convent arsonist sounds like a character you’d meet in an especially bizarre dream after one too many espresso martinis. But life is often stranger than fiction, and this multi-hyphenate wonder was a very real person: Julie d'Aubigny, to be precise. Born in 1673, Julie had a particularly storied existence, and while some of her tales have been lost to history, many of her adventures are well-recorded, from romantic trysts with nuns to illegal duels (often with multiple men at once), to a prestigious career as an opera singer. So it’s no surprise that this legendary figure is the inspiration for a suitably quirky show: Abey Bradbury’s Julie: The Musical, playing at The Other Palace after a successful UK tour and sell-out run at the Edin...

30May

By Olivia CoxNo Comments

London

Strategic Love Play – Soho Theatre

Two singletons walk into a bar, ready for (at least) a polite two drinks’ worth of getting-to-know-you chatter with a person they’ve never met outside the confines of their phone screen. What could go wrong? The dating app-induced first date is a scene many of us are all too familiar with, and it sets up the premise of Miriam Battye’s Strategic Love Play, currently playing at Soho Theatre until 15th June. We join the two characters — simply referred to as Woman (Letty Thomas) and Man (Archie Backhouse) — at their first meeting, and it’s abundantly clear from the get-go that they’re not on the same wavelength. While Man seems content exchanging bumbling pleasantries that avoid any risk of a genuinely enlightening conversation, Woman is bitingly honest and desperate to dig deeper....

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

20May

By Olivia CoxNo Comments

London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

Acclaimed French pianist and composer Jean-Michel Bernard is best known for writing, performing, and scoring for films such as Hugo and Be Kind Rewind. But in his second of two nights delighting audiences at Notting Hill’s Coronet Theatre, Bernard played tribute to another icon of the genre, Lalo Schifrin. Bernard delicately took us along a journey through Schifrin’s music, as well as other compositions inspired by his artistry, for an evening that highlighted the inimitable power of music to transport us to another time and place entirely. Accompanied by nothing but his piano, simple lighting and an adorable picture of his beloved chihuahua Onion, Bernard had an astutely commanding presence in the characterful space, and his effortless mastery of his instrument was bewitching. ...

19Apr

By Olivia CoxNo Comments

London

F**king Men – Waterloo East

When Tony Award-winning playwright Joe DiPietro first started writing his all-male adaptation of Arthur Schnitzler's La Ronde, he didn’t think anyone would be interested in producing it. So, he gave it what he considered to be an ‘un-producible title’: F**king Men. As the title of this review gives away, the play not only went on to be produced, but it was a runaway success. Debuting in London over 15 years ago, F**king Men became a fringe classic, and DiPietro’s updated version is back for a six-week run at Waterloo East Theatre until 26th May. Drawing back the curtains on the interconnecting sexual encounters between ten different men, F**king Men offers the audience a glimpse into the lives of modern gay men navigating sex, love, and monogamy in a world that still too often discri...

12Apr

By Olivia CoxNo Comments

London

Artificially Yours – Riverside Studios

You can’t escape talk about AI these days. Whether it’s dubious photo editing or a dodgy script in an ill-fated Willy Wonka experience, this tech has well and truly permeated our collective consciousness, so it comes as no surprise that it’s starting to be explored through theatre. Enter: Aaron Thakar’s Artificially Yours, playing its first-ever run at Riverside Studios until 21st April. The play revolves around the domestic lives of three couples: Pippa and Martin (Leslie Ash and Paul Giddings), Lilah and Ash (Destiny Mayers and Aaron Thakar), and Ellie and Noah (Ella Jarvis and Jake Mavis) — all of whom have welcomed Agapē, the AI-powered virtual relationship therapist, into their homes. Each couple navigates various disputes that one person in the relationship believes can be reso...

3Apr

By Olivia CoxNo Comments

London

Holly Spillar: HOLE – Soho Theatre

Holly Spillar is obsessed with holes: the ones in your face, the ones in Warburton’s crumpets, and especially the ones in our pants. After being diagnosed with vaginismus (a condition that causes the vagina to suddenly tighten when something is inserted, making penetrative sex painful), she’s become particularly fixated on why her hole can’t easily welcome a pole. This quest to try and achieve the “basic, beige sex life of her dreams” is the premise of her one-woman show HOLE, playing at Soho Theatre until 3rd April. Accompanied on stage with nothing but a loop pedal and a microphone, Spillar takes us on a surreal musical and comic journey about her experiences of navigating a litany of gaslighting doctors, terrible one-night stands, and internal misogyny. Spillar’s deft use of the l...