Nazaret Ranea, Author at North West End UK

A Streetcar Named Desire – Festival Theatre, Edinburgh

4May

By Nazaret RaneaNo Comments

Scotland

A Streetcar Named Desire – Festival Theatre, Edinburgh

Since its debut in 2012, the Scottish Ballet’s production of “A Streetcar Named Desire” has been proved to be a stunning interpretation of Tennessee Williams’ classic play. It is a faithful adaptation of the original story that feels completely fresh and innovative in its ballet form. The choreography and music perfectly capture the emotion of the story and the performances are outstanding. This production is a beautiful expression of the themes of love, loss, and desire, and it is easy to see why it has won so many accolades. Every movement is deliberate, emotional, and perfectly timed to convey the psychology and inner battles of the characters. The dancing is both sensual and powerful, effortlessly capturing the passion and intensity of the story. In particular, the pas de deux be...

11Apr

By Nazaret RaneaNo Comments

Scotland

Stornoway, Quebec – Traverse Theatre

The year, 1888. The place, Stornoway. But far from the sharp coastline characteristic of the Outer Hebrides, the action is set in a forgotten town in Quebec during the worst snow blizzard of the year. The set up is simple: five people who shouldn’t be near each other end up trapped in a saloon where a mix of whisky and ether seems to be the soup of the day. Stornoway Quebec is the latest (and probably the only one of its kind) play by prolific writer Calum L. MacLeod for Scotland’s Gaelic language drama company Theatre Gu Leòr. It follows the story of Màiri MacNeill - Elspeth Turner-, a Barra-born but Texas-raised bounty hunter who after a betrayal, is on the hunt of Canada’s most wanted outlaw, Donald Morrison. A series of leads brings Mairi to a remote inn run by Mrs and Mr Bouc...

22Mar

By Nazaret RaneaNo Comments

Scotland

Annie – Edinburgh Playhouse

What a show! The sun may come out tomorrow, but you should go see ‘Annie’ today! It follows the story of an optimistic young orphan trying to find her way in New York’s Great Depression. Based on a 1924 comic script “little orphan Annie” by Harold Gray, the Ambassador Theatre Group really brought the performance to life with catchy songs, cheeky humour and captivating choreography. All performers had a lot of chemistry and really brought the characters to life - we all had a particular sweet spot for the kind Mr Warbucks whose kindness really moved the audience. Paul O’Grady was captivating as Miss Hannigan with sass and his own particular brand of humour. All the child actors were extremely talented and surely have a bright future ahead of them and hit all the complicated choreography. Ho...

Sunshine on Leith – King’s Theatre, Edinburgh

9Jun

By Nazaret RaneaNo Comments

Scotland

Sunshine on Leith – King’s Theatre, Edinburgh

Just before closing for renovations, the iconic King’s theatre is lifting its curtain to David Shrusbsole’s latest version of Sunshine on Leith, an essential musical by Scottish playwright Stephen Greenhorn which was first performed in 2007 and subsequently adapted to the big screen in 2013. Directed by the harmonious tandem of Elizabeth Newman & Ben Occhipinti, this time it is the well established Pitlochry Festival Theatre in collaboration with Capital Theatre to bring this renovated version of the play to the Scottish capital. In essence, Sunshine on Leith is an open love letter to Edinburgh. By using memorable songs from the Proclaimers-Scotland’s most beloved twins-it manages to tell a universal story of belonging and finding your place in the world. In Newman’s words: “[Sun...

Ballet Black – Festival Theatre, Edinburgh

5May

By Nazaret RaneaNo Comments

Scotland

Ballet Black – Festival Theatre, Edinburgh

After their hugely successful first visit to the Scottish capital in 2019, Ballet Black is finally back after their postponed 2020 show. This time, the London-based company is celebrating its 20th anniversary with two brand new pieces: Say It Out Loud and Black Sun. As I type this review, I notice the nail polish I am wearing – a blush pink tone- which is unoriginally called ballet slippers. This helps illustrate the fact that ballet is inherently white. The lack of diversity within ballet dancers and the struggle racialized performers face in the industry led Cassa Pancho, a trained dancer of Trinidadian and British parents, to fund Ballet Black in 2001 as a company to provide role models to young, aspiring black and Asian dancers. Over the course of these 20 years, Ballet Black has...