Mark Humphreys, Author at North West End UK

Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre

6Oct

By Mark HumphreysNo Comments

Yorkshire & Humber

Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre

On a night when Storm Amy lashed Leeds with wind and rain, Opera North’s Susanna offered a different kind of tempest — one of moral reckoning, emotional intensity, and artistic boldness. Handel’s oratorio, reimagined through opera and dance, became a mirror for society’s treatment of women, power, and truth. The audience, braving the elements, were rewarded with a production as courageous in its staging as it was timely in its themes. Susanna belongs to a genre born of necessity and ingenuity. During Lent, staged operas were forbidden in 18th-century England, prompting Handel — ever the commercial opportunist — to pivot to oratorios. Though unstaged, these works were operas in all but name: dramatic, character-driven, and rich in musical storytelling. Susanna (1749) is a prime example, ...

A Waltz on the Edge: RLPO’s Dance Through Darkness and Disquiet – Philharmonic Hall Liverpool

6Oct

By Mark HumphreysNo Comments

North West

A Waltz on the Edge: RLPO’s Dance Through Darkness and Disquiet – Philharmonic Hall Liverpool

On a wet and blustery autumnal evening, the Royal Liverpool Philharmonic Orchestra, under the baton of Alpesh Chauhan, delivered a programme rich in colour, rhythm and emotional depth. Yet despite the brilliance of individual works and performances, the evening’s structure felt somewhat episodic — a sequence of vivid tableaux rather than a unified narrative. One couldn’t help but wish for a meaty Romantic symphony to provide a longer-form canvas for Chauhan’s storytelling instincts. Chauhan himself was a compelling presence on the podium — energetic, light-footed, and physically expressive. In La Valse, he launched himself from the handrail with a heel-toe-leap flourish that mirrored the music’s swirling intensity. His command of rhythm and texture was evident throughout, and his rappor...

The Secret of the Black Spider – Leeds Grand Theatre

29Sep

By Mark HumphreysNo Comments

Yorkshire & Humber

The Secret of the Black Spider – Leeds Grand Theatre

Opera North opened its 2025–26 season with something quietly radical: the UK premiere of the extended Hamburg version of Dame Judith Weir’s The Secret of the Black Spider, performed not by the mainstage company but by the Opera North Youth Company—soloists, chorus, and orchestra. It was the first time an opera by a female composer had featured on the company’s main stage, and the first time its young performers had opened the season both on stage and in the pit. With the composer in attendance and a warm response from a mixed-age audience, it was a landmark evening in every sense. The opera weaves together a 19th-century gothic novella with the real-life story of a supposed curse that followed the 1980s opening of a royal tomb in Wawel Cathedral, Kraków. Weir’s score and libretto blend ...

Elgar’s Cello Concerto and More – Liverpool Philharmonic

19May

By Mark HumphreysNo Comments

North West

Elgar’s Cello Concerto and More – Liverpool Philharmonic

While much of Europe was glued to the Eurovision Song Contest, Liverpool offered its own musical spectacle at the Philharmonic Hall – and if the city had a jury, this concert might well have earned its own douze points. The evening opened with Fandangos by Puerto Rican composer Roberto Sierra, a vibrant and rhythmically charged piece that immediately set a cosmopolitan tone. Sierra, known for blending Latin American musical idioms with contemporary classical techniques, delivered a work full of colour and flair. The muted trumpets added a smoky, mysterious texture, while Helena Mackie’s agile oboe lines danced effortlessly above the ensemble. Tom Lessels’ velvety bass clarinet added depth, and the piece ended with a flourish that drew enthusiastic applause. It was a bold and brilliant o...

Highlights from Wagner’s Ring Cycle in Concert – Liverpool Philharmonic

5May

By Mark HumphreysNo Comments

North West

Highlights from Wagner’s Ring Cycle in Concert – Liverpool Philharmonic

Wagner’s monumental Ring cycle, often described as a feat of artistic ambition and endurance, was distilled into a thrilling concert experience at the Royal Liverpool Philharmonic Hall last night with soprano Elena Pankratova under the assured baton of Domingo Hindoyan. This handpicked journey through the Ring brought drama, grandeur and pathos to life in a way that transcended the absence of sets and staging. But it was far from a bare stage. No fewer than six harps, four Wagner tubas, and an expanded instrumental palette that included bass clarinet, contrabassoon, bass trumpet and contrabass trombone made it clear: Wagner liked his low notes. The evening opened with the Entry of the Gods into Valhalla from Das Rheingold, a piece that shimmered with prophetic splendour. Hindoy...

Opera North’s The Flying Dutchman – Leeds Grand Theatre

2Feb

By Mark HumphreysNo Comments

Yorkshire & Humber

Opera North’s The Flying Dutchman – Leeds Grand Theatre

The Flying Dutchman, often regarded as Wagner’s first true Gesamtkunstwerk (total artwork), has a somewhat problematic yet refreshingly straightforward narrative – at least compared to most operas. There are no mistaken identities, hidden family ties, or scheming servants – just a simple, if slightly absurd, tale of love, obsession, and redemption. Oh, and death. Mustn’t forget the death. A sea captain, Daland, encounters the cursed Flying Dutchman, doomed to sail forever unless he finds true love. Offered treasure, Daland promises his daughter, Senta, in marriage. (What is she, some sort of chattel?) Senta, previously obsessed with the Dutchman’s legend and oft to be seen worshipping his picture, eagerly accepts. After their union, her former l...

14Oct

By Mark HumphreysNo Comments

Yorkshire & Humber

A Midsummer Night’s Dream – Leeds Grand

The journey to Leeds across the M62 saw far from midsummer weather – gusting winds, driving rain, whirling leaves – but once inside the Grand Theatre and Opera House a much warmer welcome awaited. Opera North’s revival of Martin Duncan’s production is directed this time by Matthew Eberhardt. Johan Engels’ set is minimalist but very effective – translucent Perspex pillars signify the trees of the forest, whilst the canopy (or are they dream bubbles?) float high above the stage. These pillars then take the colour of Bruno Poet’s subtle lighting design, which contrasts beautifully with the 1960s-flower-power-style outfits of the lovers, Helena and Demitrius, Hermia and Lysander. And setting this production in the swinging sixties, when the work was first performed, with its ...

Opera North’s The Magic Flute – Leeds Grand Theatre

28Sep

By Mark HumphreysNo Comments

Yorkshire & Humber

Opera North’s The Magic Flute – Leeds Grand Theatre

Opera North’s Magic Flute, reviving James Brining’s 2019 production of Mozart’s final opera, comes with literally all of the bells and whistles. (Well, magic bells and the eponymous magic flute, together with an ever-so-slightly-irritatingly out-of-tune set of pipes.) And, being sung in English in Jeremy Sams’s excellent translation, it’s also an ideal introduction to opera for newbies, as well as a season-opening treat for those notsos. A pre-show message from company Music Director Garry Walker proudly reminded us that Opera North delivers learning and engagement to no fewer than 3,000 school children per week, and has a full time chorus, orchestra and technical crew. A not so subtle message for the CEO of Arts Council England, in tonight’s audience, perhaps. The ...

Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra

12Apr

By Mark HumphreysNo Comments

North West

Nielsen’s Violin Concerto – Royal Liverpool Philharmonic Orchestra

Let me let you into a little secret. When soloists embark on their concerto cadenza (an extended, elaborate virtuosic solo segment where the orchestra stops playing and the soloist takes centre stage) I stop watching what they are doing and ‘people-watch’ the orchestra and conductor. For there are few things better than watching professionals acknowledge professionals – putting their own instruments down, enrapt, leaning forward for a better look at the action, smiling and even nodding in appreciation at the skill of their fellow performer. So, it was last night with Swedish-Norwegian violinist Johan Dalene, the RLPO Young Artist in Residence who was last seen here performing the Korngold Violin Concerto. The Neilsen Violin Concerto affords not one but two opportuniti...

Nobuyuki Tsujii – Philharmonic Hall, Liverpool

9Apr

By Mark HumphreysNo Comments

North West

Nobuyuki Tsujii – Philharmonic Hall, Liverpool

What amazed me about pianist Nobuyuki Tsujii’s concert at the Philharmonic Hall was not the virtuosic playing, the passion he brought out in the music, the meticulous attention to detail or even the width and depth of emotion wrung out of every last piece. In these days of music on demand, with Spotify, Apple Music, or BBC Radio 3 through BBC Sounds, it is easy to take for granted our ease of access to world class performances. And to think we can all access them via mobile devices which fit into the palm of our hand, even if the wireless headphones much in vogue these days make us look more like we’re in the US Secret Service on Presidential protection duty. Or perhaps that’s just my son. No, I was entranced by understanding the process by which Tsujii learns the repe...