Mark Davoren, Author at North West End UK

Beckett and the Wake by John Minihan – The Yoko Ono Lennon Centre, University of Liverpool

4Jun

By Mark DavorenNo Comments

North West

Beckett and the Wake by John Minihan – The Yoko Ono Lennon Centre, University of Liverpool

The world needs characters and Irish photographer John Minihan showed he is certainly that with this delightful anecdotal and humorous talk that explored his relationship over many years with the great playwright Samuel Beckett, renowned for being nigh on impossible to interview as well as camera-shy. Minihan first expressed a desire to photograph Beckett in 1969, following Beckett's winning of the Nobel Prize for literature, having noticed that all the available photos of Beckett were of such a poor quality it was if Beckett didn’t exist, although his first encounter was not to be until 1980 in London when Beckett was working on a production of one of his plays, Endgame. They met in the Hyde Park Hotel where Minihan’s acclaimed photographic series, The Wake of Katy Tyrell, piquing Beck...

Beckett: Unbound 2024 – The Tung Auditorium

3Jun

By Mark DavorenNo Comments

North West

Beckett: Unbound 2024 – The Tung Auditorium

The Beckett: Unbound 2024 Festival’s music curation responds to the theatre and dance programme via six contemporary works, featuring three world-première commissions and two UK / France premières. Composer Barry Guy’s Quindecim for baroque violin (Maya Homburger) and double bass (Guy) is a response to Swiss architect and artist Max Bill’s ‘Fifteen Variations on a Single Theme’ exploring the artist’s idea that ‘once the basic theme has been chosen - whether it be simple or complex - an infinite number of different developments can be evolved according to individual inclination and temperament’. The work incorporates four Beckett texts (Thither, 10 Mirlitonnades, The Downs, One Dead of Night) into its highly intricate ‘molten architecture’. Guy’s work for solo cello and electronics ‘S...

Rough for Radio II – The Tung Auditorium

3Jun

By Mark DavorenNo Comments

North West

Rough for Radio II – The Tung Auditorium

Rough for Radio II is a Beckett radio play written in French as Pochade radiophonique and first published in 1975. Beckett translated the work into English shortly before its BBC Radio 3 broadcast on his birthday (13th April 1976). Director Vincent Higgins, in collaboration with Simon Ruding (TIPP), recorded this version in-situ with inmates at HM Prison Liverpool. A man, Animator, makes small talk with his young female stenographer (Orla Charlton): is she ready to get to work, does she have the tools of her trade? The interchange is light and familiar. He then consults a character called Dick: is he on his toes? It is his job after all to ‘encourage’ the prisoner, Fox, to talk with the use of a bull’s pizzle. Beckett’s dialogue cleverly explores the idea that the prisoner is in fact...

C’est Moi Dans la Poubelle – Victoria Gallery and Museum, University of Liverpool

1Jun

By Mark DavorenNo Comments

North West

C’est Moi Dans la Poubelle – Victoria Gallery and Museum, University of Liverpool

When Ezra Pound was released, after twelve years, from the mental hospital he'd been committed to, he returned to Italy and lapsed into a long silence of deep regret and shame. This was not a vow of silence, just a depressed wordlessness - he felt he'd ruined everything, not least his own Cantos ('a botch - stupidity and ignorance all through'). He went to see Beckett’s Fin de Partie (Endgame in Paris) in which two of the characters, Nagg and Nell, live in trash bins. Pound reportedly broke his by now habitual silence to say ‘C’est moi dans la poubelle’ (‘That’s me in the trash’.). Beckett subsequently went to visit him in Venice and this short film, written by James Lever and directed by Michael O’Neill (Armchair & Rocket), is their reimagining of that meeting based on Beckett’s ac...

1Jun

By Mark DavorenNo Comments

North West

Pas Moi / Not I – Toxteth Reservoir

Michael Cummins ensures Toxteth Reservoir is perfect as the pitch-black space illuminated only by a single beam of light which is focused on an actress’ (Clara Simpson) mouth with everything else blacked out around her in this production from Once Off Productions. The mouth utters jumbled up sentences at a ferocious pace and which obliquely tell the story of a woman of about seventy who was abandoned by her family after a premature birth and has lived a loveless, mechanical existence, and who appears to have suffered an unspecified traumatic experience. Virtually mute since childhood, this is one of her occasional outbursts in which she relates four incidents from her life: lying face down in the grass; standing in a supermarket; sitting on a mound in Croker’s Acre, and ‘that time at co...

31May

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North West

All That Fall – Toxteth Reservoir

Beckett described this radio play, first broadcast on the BBC in 1957, as ‘a text written to come out of the dark’, and director Adrian Dunbar has certainly achieved that with his choice of location and the use of Schubert’s String Quartet No. 14 (D.810) to frame his re-imagining of a radio play whose dark-driven conclusion is hardly credible after the preceding slapstick and pantomime of the foley, with Michael Cummins’ technical direction in conjunction with Simon Roth’s sound design retaining Beckett’s orchestrated sound effects with cast (Orla Charlton, Anna Nygh, Vincent Higgins, Stanley Townsend, Frankie McCafferty) and musicians (Darragh Morgan (violin), Cora Venus Lunny (violin), Fiona Winning (viola), Tim Gill (cello)) positioned behind the audience. One of Beckett’s more acces...

La Dernière Bande (Krapp’s Last Tape) – Stanley Theatre, University of Liverpool

31May

By Mark DavorenNo Comments

North West

La Dernière Bande (Krapp’s Last Tape) – Stanley Theatre, University of Liverpool

On his sixty-ninth birthday, Krapp (Denis Lavant), as has become his custom, hauls out his old tape recorder to review one of the earlier years, and make a new recording commenting on the events of the previous twelve months. Whilst his younger self speaks to reveal an idealistic fool, will the passage of time reveal the kind of fool he has become? This is the UK debut of director Jacques Osinski’s production – which opened the Avignon Festival in 2019 – that, performed in French with English surtitles, exposes the bleakness of recorded life. Indeed, almost seventy years since it was written, this one-act play remains as relevant – perhaps more so – in 2024, when we can so easily identify with its themes of isolation, reflection, and loneliness following our experiences during the recen...

31May

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North West

Sentient – Everyman Theatre

The world premiere of Sentient, a Beckett: Unbound 2024 Festival commission from choreographer Liz Roche, in collaboration with performer/composers Nathalie Forget and Nick Roth, is a major full-length work for six dancers (Sarah Cerneaux, Emily Terndrup, Mufutau Yusuf, Conor Thomas Doherty, Grace Cuny, Inez Berdychowska), saxophone and ondes Martenot, an early electronic musical instrument. As a response to an innocuous seeming passage in Samuel Beckett’s Molly where the author explores his wonder at the behaviour of bees – Beckett’s fascination came from German-Austrian ethologist Karl von Frisch’s Nobel-prize winning description of the precise way in which bees communicate information through their orientation, height, and movement – the piece is designed to offer a new interpr...

And Then There Were None – Rainhill Village Hall

17May

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North West

And Then There Were None – Rainhill Village Hall

Agatha Christie’s most popular novel from 1939 – and apparently the bestselling crime novel of all time – is a quintessentially English affair with almost as many copies of it in circulation as The Bible and in too many languages to count. The perfect vehicle for the array of talent that makes up Rainhill Garrick Society, and with the action all taking place in the living room of a house on an island off the coast of Devon, it had the added benefit of the real sound effects from a stormy windblown night outside to add to the suspense on stage. Two servants, Rogers (Rob Williams) and Mrs Rogers (Ruth Proffitt) and eight strangers – secretary Vera Claythorne (Sophie Brogan); adventurer Philip Lombard (Richard Parker); lady-about-town Antonia Marston (Alison Mawdsley); retired police inspe...

16May

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REVIEWS

Madama Butterfly – Metropolitan Opera

Paula Williams’ revival of Anthony Minghella’s original production is full of good intentions but too many gimmicks get in the way of Puccini’s devastating tragedy about a young geisha who falls in love with an American naval officer. Marriage broker Goro (Tony Stevenson) shows US naval lieutenant Pinkerton (Jonathan Tetelman) around the home he will share with his bride-to-be in Nagasaki, although American Consul Sharpless (Lucas Meachem) warns him of the tragic consequences that may follow. The Butterfly duly lands in the form of young Japanese girl Cio-Cio-San (Asmik Grigorian) supported by maid Suzuki (Elizabeth DeShong), and they are married by the Commissioner (Paul Corona). Her love makes her willing to sacrifice everything which sees her disowned by her uncle, a Bonze (Robert Po...