Thursday, December 18

Author: Mark Davoren

Much Ado About Nothing (2022) – RSC, Stratford-Upon-Avon
REVIEWS

Much Ado About Nothing (2022) – RSC, Stratford-Upon-Avon

Shown on BBC4 at the end of its run, this is one of Shakespeare’s funniest pieces full of delightful word play and it is often wondered whether it is the missing Love’s Labour’s Won, the latter half of a comic double bill with Love’s Labour Lost. Interpretation is key in theatre to keep it alive for new audiences and certainly there have been no holds barred with this production from director Roy Alexander Weise, indeed if there was ever an attempt to outdo Baz Luhrmann then this would be it with its rich tapestry of sci-fi staging and costume changes outdoing each preceding one to the pulsating medley of Afrobeat, reggae, funk and soul from Femi Temowo. However, as I often find with productions that focus on the sensational and hide behind the music, when you peel away the superfluous ...
Don Carlos – The Metropolitan Opera, New York
REVIEWS

Don Carlos – The Metropolitan Opera, New York

The Met Opera’s original five-act French version of Verdi’s epic opera of doomed love among royalty is in fact an amended version of the 1867 Paris edition with some omissions as well as the addition of elements from later Italian versions, but if the intention was to serve up the best version possible then there is no doubt that this comes pretty close with the magnificence of its delivery. Photo: Ken Howard It's a tough story with far too real parallels to events unfolding in the Ukraine which serves to reinforce the piece’s uncompromising assessment of the ways of human nature as we are thrust via a love triangle into the courtly world of 16th Century Spain complete with its religious Inquisition and destructive suppression of protest in Flanders. At almost five hours, there is...
The Killer’s Conscience – The Black-E
North West

The Killer’s Conscience – The Black-E

City Theatre’s latest offering is an original psychological thriller written by Joe Gordon and directed by Carly Fisher, where friends Sean (Louis Cashin-Harris) and Elliot (Leo Hewitson) and his girlfriend Toni (Eleanor Smith) hang out at Darrius’ (John Ball) bar. At work, Sean is confronted by his old school bully Lewis (Joe Gordon) looking for a refund but doesn’t receive the expected support from manager Max (Leanne Cooney). It’s clear Lewis’ behaviour runs in his family when we later meet Isiah (Johnny Sedgwick-Davies) before things turn from bad to worse for Sean when he discovers sister Charlie (Demi Wilson) is now dating Lewis. What more could possibly go wrong for him? Well, a disciplinary with area manager David (Kieran Foster) is the least of his worries when things take a...
The Ghost Train – The Little Theatre, Birkenhead
North West

The Ghost Train – The Little Theatre, Birkenhead

To many people Arnold Ridley will always be the impeccably polite Private Godfrey in Dad’s Army, but before he made the catchphrase, ‘May I be excused sir?’ famous, he wrote more than 30 plays of which only The Ghost Train, penned in 1923, achieved notable success, running for 665 performances at St Martin’s Theatre and being adapted for cinema three times. Almost a hundred years on, The Carlton Players under the direction of Jen Henry resurrect this delightful comedy thriller, importantly set in 1925, where a group of passengers are stranded in a Cornish railway station waiting room on a dark and stormy night. They have missed their connection because the ‘daft as a brush’ Teddie Deakin (Mark Prescott) pulled the communication cord on their train after losing his hat out of the window....
Chatback Theatre’s If This Is Normal to be<br>published by Methuen as Liverpool date added to<br>the UK Tour
NEWS

Chatback Theatre’s If This Is Normal to be
published by Methuen as Liverpool date added to
the UK Tour

Chatback Theatre’s coming-of-age hit If This is Normal, will be published by Methuen next month and will be available at all venues during their UK tour this April. The news comes the team announce an exciting new stop at Liverpool’s Royal Court Theatre. Critically acclaimed at Edinburgh Fringe Festival in 2019 and VAULT Festival in 2020, the show follows a trio of teenagers navigating the no-man’s land between childhood and adulthood, complicated by unfiltered access to technology and pop-feminism. The full cast returns from the previous Edinburgh Fringe Festival and VAULT festival runs with Aoife Smyth as Alex (On Railton Road, Brixton Base; If I Can Get This Part Right At Least, Nottingham Playhouse), Isambard Rawbone as Madani (Midnight Hustle, Rogue Productions/ VAULT Festival, Ham...
Opera North: Alcina – The Lowry
North West

Opera North: Alcina – The Lowry

The staging of Handel’s Alcina presents a challenge and from what I saw tonight, the jury is still out; if we focus instead on the delivery of some of the finest vocal writing ever written and all-round musicality, then this performance should be considered a success. Searching for her fiancé Ruggiero (Patrick Terry), Bradamante (Mari Askvik) arrives on an island belonging to the enchantress Alcina (Sky Ingram). Bradamante has adopted the disguise of her own brother, Ricciardo, and is accompanied by her protector, Melissa (Claire Pascoe). Alcina’s sister, Morgana (Fflur Wyn), instantly falls in love with ‘Ricciardo’ despite already being in a relationship with Oronte (Nick Pritchard), whilst Bradamante is distraught when she discovers Ruggiero and Alcina are lovers. Within this medle...
Opera North: Rigoletto – The Lowry
North West

Opera North: Rigoletto – The Lowry

Femi Elufowoju Jr’s interpretation of Giuseppe Verdi’s 1851 masterpiece for Opera North by and large works although I’m yet to be convinced about the zebra. We open as the Duke (Roman Arndt) leads his courtiers in drinking and debauchery whilst his jester, Rigoletto (Eric Greene) mocks all those around. The arrival of Count Monterone (Byron Jackson) in a failed attempt to save his daughter results in a curse on the Duke and Rigoletto. Rigoletto is tormented by the curse, and we discover he has a daughter, Gilda (Jasmine Habersham) whom he jealously guards, but the Duke has already spied and fallen for her – or has he? The courtiers have also tired of Rigoletto’s antics at court and under the steer of Marullo (Themba Mvula), they trick him before carrying Gilda off to the palace. R...
Idlib – The Uniting Church in Garden Lane, Chester
North West

Idlib – The Uniting Church in Garden Lane, Chester

Written and directed by Kevin Dyer, and produced by Laura Duncalf, Idlib started as a piece of prose as a prelude for a play that morphed into a short story before becoming the script for a monologue performed online in 2021. Based on the story of a Syrian baker who wanted to go home and real interviews with Syrian refugees and escapees across Europe, it tells the story of a woman (Paislie Reid) who has hope. Drawing upon this background, the evening began with the making of bread, an act so simple and pure that it is a mainstay in many communities around the world with its rich metaphors resonating throughout religious communities from Christianity to Islam to Judaism. As Dyer mixed the essential four ingredients, adding a glug of oil and yoghurt to replicate the Levant, the guar...
Peep Show Battle Royale – MAKE, North Docks, Liverpool
North West

Peep Show Battle Royale – MAKE, North Docks, Liverpool

Step into a future where the world’s leading game show presents the latest in entertainment: a live show where its contestants-turned-gladiators look to destroy each other across a series of games with their ultimate fate decided by the votes of a live audience. What’s not to like? Get into your booth and let the fun begin… This is immersive theatre taken to a new extreme and whilst it seems initially distasteful in its voyeurism, it is curiously addictive at the same time. As our artificial host, A.I.M.E.E, gets us settled before Sarge (Duncan Cameron) appears to introduce us to tonight’s contestants (Carmen Arquelladas, Leebo Luby, Miwa Nagai, and Simone Tani) and then the games begin, dark and comedic in equal measure. Sat in isolated, grungy booths which encircle the action, the ...
Mark Watson: This Can’t Be It – Unity Theatre
North West

Mark Watson: This Can’t Be It – Unity Theatre

We’ve all had some pondering to do about the fragility of life over the last couple of years but at almost 42, Mark Watson has it covered – he’s halfway through his life according to the life expectancy calculator app he paid 99p for and is ready to share his overthinking on what life is really all about in this ninety-minute stand-up routine (plus interval). For anyone in the entertainment industry, the pandemic has wiped out pretty much everything from audiences to venues and as Watson is keen to explain, online gigs don’t really work too well when you can only see one member of your audience. To these travails, add a messy divorce and the challenge of bringing up two children as a single dad and he has every reason to be on a downer but with his healthy dose of self-deprecating humou...