Much Ado About Nothing (2022) – RSC, Stratford-Upon-Avon
Shown on BBC4 at the end of its run, this is one of Shakespeare’s funniest pieces full of delightful word play and it is often wondered whether it is the missing Love’s Labour’s Won, the latter half of a comic double bill with Love’s Labour Lost.
Interpretation is key in theatre to keep it alive for new audiences and certainly there have been no holds barred with this production from director Roy Alexander Weise, indeed if there was ever an attempt to outdo Baz Luhrmann then this would be it with its rich tapestry of sci-fi staging and costume changes outdoing each preceding one to the pulsating medley of Afrobeat, reggae, funk and soul from Femi Temowo. However, as I often find with productions that focus on the sensational and hide behind the music, when you peel away the superfluous ...









