Friday, December 19

Author: Mark Davoren

<strong>Fedora – Metropolitan Opera Live in HD</strong>
REVIEWS

Fedora – Metropolitan Opera Live in HD

All artistic organisations need to make money to survive, and New York’s Metropolitan Opera is no exception, with its more recent challenge being that of an audience turning from the renowned classical productions to newer, more modern operas, despite these often lacking the depth in both libretto and orchestra of the established repertoire. The return of Giordano’s exhilarating Fedora – a new production directed by David McVicar rather than a revival – after a 25-year absence may reflect the perfect balance in its appeal to audiences old and new; it was certainly one of the most enjoyable productions I have seen and which at the time of its own writing would have been considered very modern and radical. Princess Fedora Romazoff (Sonya Yoncheva) has only just arrived at the home of her ...
<strong>Sofokles Oidipus – Štátne divadlo Košice</strong>
REVIEWS

Sofokles Oidipus – Štátne divadlo Košice

Great theatre stands the test of time and so it is with this production, translated by Vojtech Mihálik, and which in the capable hands of director Anton Korenči, crossed all barriers with ease, a testament to the professionalism and craft of its creative team and cast. Plague and war are raging in Thebes and the people (chorus: Martin Stolár, Beáta Drotárová, Katarína Horňáková, Lívia Michalčík Dujavová, Juraj Zetyák, Adriana Ballová, František Balog and members of the ŠDKE Opera Choir) are desperate, and they look to their ruler, Oedipus (Matej Marušin), for help. When his brother-in-law, Creon (Jakub Kuka), returns from consulting the priest (Róbert Šudík) at Delphi to tell him that it is because the murderer of Laius, the former king, has never been found, Oedipus takes it upon himse...
<strong>The Hours – Metropolitan Opera Live in HD</strong>
REVIEWS

The Hours – Metropolitan Opera Live in HD

The world-premiere staging of Kevin Puts’ The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas worldwide this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. As Virginia Woolf (DiDonato) tinkers with the opening line of her new novel – Mrs Dalloway – in 1923 England, 1999 New York sees Clarissa Vaughan (Fleming) throwing a party for her friend Richard (Kyle Ketelsen), who is dying of AIDS, whilst in 1949 Los Angeles, Laura Brown (O’Hara) reads Mrs Dalloway in bed whilst dreading her duties as wife and m...
<strong>Quatuor Danel – Manchester Jewish Museum</strong>
North West

Quatuor Danel – Manchester Jewish Museum

The University of Manchester’s internationally acclaimed string quartet in residence, Quatuor Danel, brought their lively repertoire to Manchester Jewish Museum’s historic synagogue with two quartets from composers of Jewish descent, who despite living a century apart, shared a complex yet strong relationship to their Jewish faith, as well as writing pieces in memory of lost sisters. Following an introduction from The University of Manchester’s resident Mendelssohn expert, Professor Thomas Schmidt, the first piece was Felix Mendelssohn’s String Quartet No.6 in F Minor, Op.80, which was the composer’s last major piece, completed just two months before his death in 1847. It was written in tribute to his sister, the composer Fanny Mendelssohn, who herself died earlier that year. Mendels...
<strong>The Marriage of Figaro – Liverpool Empire</strong>
North West

The Marriage of Figaro – Liverpool Empire

Mozart’s classic four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, is delightfully brought to life as Glyndebourne’s 2022 tour reaches the Liverpool Empire with this satirical and deeply human drama. As the day of Figaro (Alexander Miminoshvili) and Susanna’s (Soraya Mafi) wedding arrives, it becomes clear that their master, Count Almaviva (George Humphreys), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess, Rosina (Nardus Williams), to outwit her husband and teach him a lesson in fidelity. Plans however are thrown awry when Bartolo (Henry Waddington), seeking revenge against Figaro for thwarting his own earlier plans to m...
<strong>Opera North: Orpheus – The Lowry</strong>
North West

Opera North: Orpheus – The Lowry

Opera North’s latest venture into Orpheus is a collaboration with Leeds-based South Asian Arts as their respective musical directors’ fuse Monteverdi’s operatic masterpiece, led by Laurence Cummings, with original compositions composed by Jasdeep Singh Degun reflecting the Indian classical tradition. Whilst the individual parts entertained and demonstrated some great musicianship and singing, it didn’t really add up to a satisfying whole which was often confusing on the eye and ear with its interrupted flow. Whilst billed as a reimagining, the story of Orpheus (Nicholas Watts) the musician trying to retrieve his dead wife, Eurydice (Ashnaa Sasikaran), from the underworld remains the same as does the devastating conclusion when he looks back too soon and loses her forever. The interpreta...
<strong>Opera North: Orfeo ed Euridice – The Lowry</strong>
North West

Opera North: Orfeo ed Euridice – The Lowry

First recorded in April 2021 for BBC Radio 3 when Covid restrictions prevented live performance, Opera North present a concert performance of one of Gluck’s key works in his reinvention, in conjunction with librettist Calzabigi, of opera for his own time, as part of their wider celebration of the Orpheus myth which makes up their autumn season. Orfeo’s (Alice Coote) wife Euridice (Fflur Wynn) is dead, and a chorus of nymphs and shepherds mourn her. Orfeo is inconsolable but Amore (Daisy Brown) appears to tell him that Jupiter has taken pity on him and will grant him safe passage to the underworld where he can return Euridice to the land of the living. There is one condition however: he must not look at Euridice until they have reached the light of day. If he does, he will lose her again...
<strong>Opera North: La Traviata – The Lowry</strong>
North West

Opera North: La Traviata – The Lowry

Director Alessandro Talevi’s production is much aided by Madeline Boyd’s sumptuous set and costume design as it relishes its traditional 19th Century roots. At its heart lies a love story which draws upon Alexandre Dumas the Younger’s real-life doomed love affair with well-known courtesan, Marie Duplessis. We open with Violetta (Alison Langer) aided by her friend Flora (Victoria Sharp) hosting a lavish party where she is introduced by Gastone (Gavan King) to his friend, Alfredo Germont (Nico Darmanin), a fervent admirer, who is more concerned for her failing health than her escort, Baron Douphal (James Cleverton). When Alfredo declares his love for her she wonders if he could be the one amidst her desire to be free to live her life. A year on and Alfredo (Oliver Johnston) and Violett...
Friday the 13th – Rainhill Village Hall
North West

Friday the 13th – Rainhill Village Hall

Having set up Individuality Youth some eighteen months ago, producer Samantha Moores turns her attention to an older audience with this tragi-comedy from renowned French playwright Jean-Pierre Martinez, translated by Anne-Christine Gasc, and directed by Michèle Martin. John (Phil Halfpenny) and Christine (Moores) have invited two of their friends for dinner in their Liverpool home. Natalie (Lisa Mogan) arrives without her husband, distraught, having just heard that the plane bringing him home crashed at sea. With the potential widow they wait with bated breath for news confirming whether her husband is among the survivors, before discovering that they are the winners of that evening’s super jackpot lottery draw. From then on, the operative words are “controlling emotions”. And that is j...
The Met Live in HD: Medea – The Metropolitan Opera
REVIEWS

The Met Live in HD: Medea – The Metropolitan Opera

Originally written in French in 1797, The Met premiere the later Italian version of Cherubini’s rarely performed masterpiece, based on Euripides’ and Corneille’s tragedies, to open their new season in a co-production with the Greek National Opera, Canadian Opera Company, and Lyric Opera of Chicago. Spurning antiquity, director David McVicar sets the piece somewhere around the time of its original writing with a distinctly Gallic nod towards the French Revolution that would follow, and the straightforward simplicity of the set, which he also designed, is sympathetic to an audience mostly unfamiliar with the work. The breathless overture recedes to introduce Glauce (Janai Brugger), daughter of Creonte (Michele Pertusi), King of Corinth, and her impending marriage to Giasone (Matthew Po...