Thursday, December 18

Author: Mark Davoren

Un ballo in maschera – Oper Köln at StaatenHaus
REVIEWS

Un ballo in maschera – Oper Köln at StaatenHaus

Director Jan Philipp Gloger presents one of Verdi’s lesser performed works which contains the usual emotional and dramatic power, creating tragic and comic situations in equal measure but often permeated by a cruel irony as characters ae subject to the conflict between the outer façade imposed by society and their inner highly emotional feelings. Count Riccardo (Gaston Rivero) is in love with Amelia (Astrik Khanamiryan), the wife of his secretary and best friend Renato (Simone del Savio). Amelia reciprocates this love but tries with all her might to suppress her feelings and seeks counsel from fortune teller Ulrica (Agostino Smimmero). Riccardo attends in disguise and discovers from her prophecy that Renato of all people will kill him, which the Count himself can only laugh at first. Ho...
God of Carnage – Schauspiel Köln at Depot
REVIEWS

God of Carnage – Schauspiel Köln at Depot

Director Tristan Linder’s adaptation of Yasmina Reza’s original French play, translated and performed in German with English surtitles, skewers modern bourgeois society which is torn between enlightened goodness and all-too-human egoistic competition. Two eleven-year-old boys have fought on the school playground with one hitting the other with a stick which results in the loss of a couple of teeth. As civilised people, the parents decide to talk things through together. So Véronique (Lola Klamroth) and Michel (Alexander Angeletta), parents of the victim, Bruno, invite Annette (Sabine Waibel) and Alain (Jörg Ratjen), parents of the perpetrator, Ferdinand, to discuss over coffee and biscuits, a more consensual and politically correct way to influence the behaviour of Ferdinand in line wit...
Carmen – Royal Opera House
London

Carmen – Royal Opera House

Director Damiano Michieletto’s desire to get away from 19th-century Seville sadly results in the loss of more than a picturesque background with its relocation to a small town in a remote and rural Spain in the 1970s and I still can’t fathom why he has chosen to introduce the character of Don José’s widowed mother to the stage when she is only ever referred to in the libretto. Thankfully for the audience the performance from the two charismatic leads salvages some of the passion and intrigue mostly lost in this presentation of this dark tale. In an unnamed town, naïve policeman Don José (Piotr Beczała) falls head over heads in love with Carmen (Aigul Akhmetshina), a seductive and free-spirited girl working at the local factory. Infatuated, Don José abandons his childhood sweetheart, Mic...
Lucia di Lammermoor – Royal Opera House
London

Lucia di Lammermoor – Royal Opera House

Katie Mitchell’s controversial 2016 gothic dramatisation of Donizetti’s setting of Walter Scott’s novel returns to The Royal Opera for a second revival under Robin Tebbutt, but the real talking point is the exceptional performance of its leads. Fallen on hard times, Enrico (Artur Ruciński) has arranged an advantageous marriage for his sister, Lucia (Nadine Sierra), but Normanno (Michael Gibson) reveals that she is in love with Enrico’s enemy, Edgardo (Ioan Hotea). As Lucia and Alisa (Rachael Lloyd) wait for Edgardo, Lucia reveals a recent dream which Alisa interprets as a portent of doom. When Edgardo arrives, he explains that he has to leave on a mission and he and Lucia exchange vows. Normanno obtains forged evidence to suggest that Edgardo is involved with another woman and when E...
La rondine – The Metropolitan Opera Live in HD
REVIEWS

La rondine – The Metropolitan Opera Live in HD

Initially commissioned to be a Viennese operetta before receiving the full operatic treatment, Puccini’s bittersweet love story is one of his lesser-known works: as a result of Austria and Italy being on opposing sides in World War I, it opened quietly in Monte Carlo in 1917 and never established a permanent place in the repertoire. Too easily dismissed in comparison to other works, when judged on its own merits it is a fascinating work featuring an abundance of exuberant waltzes, an intoxicating lightness of tone, and a romantic vision of Paris and the French Riviera as its three acts take us on a journey of love in Nicolas Joël’s 1920’s Art Deco-themed production. Opening to the backdrop of Ezio Frigerio’s rich and sumptuous set, matched by Franca Squarciapino’s costumes and elegantly...
La Fanciulla Del West – Opéra de Lyon
REVIEWS

La Fanciulla Del West – Opéra de Lyon

Puccini is renowned for serving up negative consequences for his leading female characters, so it was with some relief and pleasant surprise that in what he considered his best opera, this Wild West girl decides who she wants and gets it, gun in hand. Created in 1910 at New York’s Metropolitan Opera, this is its first presentation in Lyon with conductor Daniele Rustioni passionately matching the vitality of the music to the violent and elementary feelings unravelling on stage under the direction of Tatjana Gürbaca as we explore questions about justice, forgiveness, and love. During the California Gold Rush in a frontier mining town populated by ruthless bandits and tough-talking but good-hearted miners, remarkable female tavern-keeper Minnie (Chiara Isotton), the miners, and the cynical...
Madama Butterfly – Royal Opera House
REVIEWS

Madama Butterfly – Royal Opera House

Director Daisy Evans’ revival is spirited but like Moshe Leiser and Patrice Caurier’s original production, the butterfly never flies as freely as the accompanying music in Puccini’s devastating tragedy about a young geisha who falls in love with an American naval officer. Marriage broker Goro (Ya-Chung Huang) shows US naval lieutenant Pinkerton (Joshua Guerrero) around the home he will share with his bride-to-be in Nagasaki, although American Consul Sharpless (Lauri Vasar) warns him of the tragic consequences that may follow. The Butterfly duly lands in the form of young Japanese girl Cio-Cio-San (Asmik Grigorian) supported by maid Suzuki (Hongni Wu), and they are married by the Commissioner (Romanas Kudriašovas). Her love makes her willing to sacrifice everything which sees her disowne...
Roméo et Juliette – Met Opera Live in HD
REVIEWS

Roméo et Juliette – Met Opera Live in HD

Bartlett Sher’s production may be rather staid and static in its staging of Gounod’s sumptuous Shakespeare adaptation but this tale of two star-crossed lovers touched the heavens tonight as its two stars shone brightly and lit up the stage. Lord Capulet (Nathan Berg) is hosting a ball where he hopes to pair off his daughter Juliette Nadine Sierra) with Count Paris (Daniel Rich) but she is not keen. When Roméo (Benjamin Bernheim) appears however the two are immediately love-struck and he has to hide from his friends Mercutio (Will Liverman), Stéphano (Samantha Hankey), and Benvolio (Thomas Capobianco). Her cousin Tybalt (Frederick Ballantine) is less than impressed with the presence of these sworn enemies and accompanied by Gregorio (Jeongcheol Cha), he swears revenge. Romeo and Juliette...
Opera North: Cosi fan tutte – The Lowry
North West

Opera North: Cosi fan tutte – The Lowry

As the programme notes, Mozart is one of those rare creative beings who comes to disturb the sleep of the world., and certainly mischief and misunderstandings are everywhere in this revived adaptation in English of Mozart’s famous two-act comic opera, and on the whole this good-humoured production from Director Tim Albery does not disappoint. The story begins with an old cynic and philosopher, Don Alfonso (Quirijn de Lang), betting two young soldiers, Ferrando (Anthony Gregory) and Guglielmo (Henry Neill), that their respective fiancées, sisters Dorabella (Heather Lowe) and Fiordiligi (Alexandra Lowe) will not stay faithful if put to the test. The two young men accept the bet and pretend to depart for the front line whilst secretly returning in disguise and under the direction of Don Al...
Opera North: Cavalleria rusticana / Aleko –The Lowry
North West

Opera North: Cavalleria rusticana / Aleko –The Lowry

Mascagni’s Cavalleria rusticana is usually paired with Leoncavallo’s Pagliacci but director Karolina Sofulak has made an inspired choice to pair it with Rachmaninov’s rarely heard Aleko with some subtle and intricate linking of the two pieces which by and large comes off. In Cavalleria rusticana, it transpires that Turiddù (Andrés Presno) and Lola (Helen Évora) were once lovers, but when he left to join the army, Lola married another man, Alfio (Robert Hayward). Although Turridù finds consolation in the arms of Santuzza (Giselle Allen), his obsessive passion for Lola still burns fiercely as he supports his mother Lucia (Anne-Marie Owens), setting the stage for a tale of faithlessness, jealousy and violence, set in a rural community where the church maintains an iron grip on the souls of...