Tuesday, August 25

Author: Lou Steggals

<strong>Bricks – 53Two</strong>
North West

Bricks – 53Two

“May artists bare their souls in here” intones poet Tony Walsh, as he launches tonight’s collection of short plays with the first reading of his poem, “These Bricks, they speak…”. Under the brick railway arch that 53Two calls home, we are given six vignettes of the human condition, each 15minute snapshot ploughing headlong into hard-hitting themes of childhood abandonment, illicit encounters, sexual abuse, eating disorders and vengeance. It’s a tough ask for any writer, director or actor to deliver the realism, depth and nuance one might look for in tackling such heavy-duty subjects within the timeframe and for the most part, tonight is more a solid display of modern melodrama, inviting the audience to overlook the fact that we can only lightly skim the qualities of the characters be...
Around the World in 80 Days – Blackpool Grand
North West

Around the World in 80 Days – Blackpool Grand

Shakespeare once famously compared the world to a theatre stage in As You Like It – tonight, theatre company Tilted Wig have turned things on their heads to make the stage a world. This energetic take on Jules Verne beloved tale of Phileas Fogg, the London gentleman who wagers his fortune and reputation on a bet that he can circumnavigate the globe in 80days or less, has been adapted and directed by Juliet Forster. Forster has added a new depth to the journey by weaving it around the real-life memoirs of Nelly Bly, a pioneering American journalist who took on Fogg’s fictional journey and bested his time by a week. And she cleverly takes time to address the more uncomfortable moments of oppressive patriarchy and colonialism within Verne’s novel, without glossing over or censoring them...
<strong>Pride and Prejudice* (*Sort of) – The Lowry</strong>
North West

Pride and Prejudice* (*Sort of) – The Lowry

Sending up classical literature is nothing new but there’s still nothing quite like the sight of one of its most iconic characters busting out an accordion whilst her mother has an asthma attack on the chaise longue.  Welcome to the most irreverent interpretation of Austen you’re ever likely to witness. A madcap mix of petticoats and profanity that prompts everything from schoolgirl sniggers to flat out belly laughs, like a foul-mouthed French and Saunders spoof on steroids. Here, Austen’s familiar tale of the Bennett brood, with their overbearing mother desperate to marry them off lest they lose their fortune and home to a most disagreeable male relative, is told through the view of the servants of the Bennett home of Longbourne. They highlight with hilarious effect, not onl...
<strong>Goldilocks and the Three Bears – Epstein Theatre</strong>
North West

Goldilocks and the Three Bears – Epstein Theatre

I think I’m in love with a pantomime villain. We’ll come to the snake-hipped Von Vippemall in a moment. Firstly, an acknowledgement that in an absolute ocean of Pantos, it can be very difficult to stand out from the crowd. But Regal Entertainment’s offering, directed by Chantelle Nolan, has not so much raised the bar as smashed it into orbit with the perfect blend of music, slapstick and a few fantastic circus acts to literally put a new spin on a well-known fairytale. The familiar plot of Goldilocks gets dispensed with in about two minutes flat so that we can focus on a far more interesting tale – Goldilocks (played by the charmingly bubbly Olivia Sloyan) is now a circus entrepreneur with her mother, Dame Gertie (Britain’s Got Talent favourite, Mama G, from Dame Nation) with the thr...
<strong>Snow White and the Scouse Queen – Hope Street Theatre</strong>
North West

Snow White and the Scouse Queen – Hope Street Theatre

Panto is a tricky beast to get right. Audiences come armed with expectations of organized chaos, cheesy jokes and lots of interaction. City Theatre have aimed to turn the formula a little bit on its head, modernizing the tale of Snow White (played by Molly Riley) and bringing it away from some unknown Fairy Tale kingdom, into the heart of Liverpool. City Theatre’s ethos is about opportunity for those with a passion for performing arts to have a space to develop their ability and confidence. This is evident in the show as we certainly have heaps of enthusiasm but a bit of a mixed bag in performance craft. Strong turns come from Elisha Mai Curry as Fairy Hope, with her powerhouse vocals, an energetic Denise Collins as Billy Shine and a warm, charming Lucy Walters as the ironically depr...
<strong>Mozart’s Requiem – Liverpool Empire</strong>
North West

Mozart’s Requiem – Liverpool Empire

Two composers, two very different backgrounds, yet both with stories swirling with intrigue and rumour. As the Glyndebourne returns to the Empire for its annual residence, tonight is an interesting showcase of arias from composer Joseph Bologne, Chevalier de Saint-Georges, sometimes nick-named the ‘Black Mozart’ alongside the legendary Requiem of the main man himself. Part one focuses on Bologna, who may not have reached the heights of fame that Mozart would eventually achieve but still impressed many of his contemporaries with his abilities (Beethoven was reportedly a particular fan). Director Simone Ibbett-Brown has cleverly combined elements of Bologne’s remarkable story – a Creole sone of a slave-woman Nanon and her Plantation owning master who travels to France to make his ma...
<strong>Seascapes and Mountains: Royal Liverpool Philharmonic</strong>
North West

Seascapes and Mountains: Royal Liverpool Philharmonic

On a grey, drizzly day in the city, a packed Philharmonic Hall is ready to escape the gloom outside for an aural expedition that will take us from the wilds of the Scottish Hebrides to the heights of Swiss Alps. Conductor Laureate (and ‘honorary Scouser’ as of 2009) Vasily Petrenko is greeted like an all-conquering hero and doesn’t hesitate to whisk us off on the first part of our journey as the familiar strains of Mendelssohn’ Hebrides overture, ‘Fingal’s Cave’ fill the hall. Petrenko is so ‘at one’ with his orchestra, it’s as if he never left. The magnificent harmonies swell together to bring the vast arches and columns of Staffa’s famous sea cave, and Mendelssohn’s musical inspiration, to life. The swaying of conductor and orchestra alike mirrors the waves that one can picture cra...
<strong>The Haunting of Blaine Manor – Epstein Theatre</strong>
North West

The Haunting of Blaine Manor – Epstein Theatre

Halloween may have passed, with thoughts turning towards mince pies and Maria Carey, but our ensemble tonight is not quite ready for us to completely escape all things that go bump in the night. Written and directed by award-winning writer Joe O’Byrne, ‘…Blaine Manor’ takes us back to the 1950s, introducing us to renowned American parapsychologist Doctor Roy Earle, (Peter Slater) famous for discrediting hauntings and exposing fake mediums. He has been invited to a séance at the most haunted building in England, but it soon becomes clear that there are more demons lurking than just the ones that Blaine Manor claims to house. As a storm sets in, secrets and lies are ripe for revealing, as well as the manor’s more unearthly inhabitants. The Epstein is an excellent choice for tonight’...
Doing Whodunnit – Hope Street Theatre
North West

Doing Whodunnit – Hope Street Theatre

The souvenir programme should have been the first clue of how tonight’s proceedings were going to go. Stretched headshot pictures and typos hint at the lack of finesse that has undone what could have been an excellent concept for a parody of the classic ‘Whodunnit’. Developed from what was a very well-received online piece during lockdown, tonight’s show from the Northern Comedy Theatre is based around the premise of a world-weary acting troupe whose schtick of putting on murder mysteries for corporate teams and parties is starting to test everyone’s patience, especially when 28 of the expected 30 punters from a local conservatory installation firm have failed to show for the latest outing. Soon a genuine murder occurs and anyone and everyone is a suspect. Unfortunately, the transiti...
Daniel Sloss: Can’t – Liverpool Philharmonic
North West

Daniel Sloss: Can’t – Liverpool Philharmonic

Daniel Sloss is a man on a mission. Dubbing himself the ‘Steve Irwin of comedy’ he’s on the lookout for the ‘Stingray’ joke that is going to end his career. It won’t be the one we’d expect he says, it will be something innocuous, that starts off about wallpaper. Nevertheless, he’s clearly relishes the opportunity in front of him to test the audience’s limit. In Sloss’ firing line are the death of the Queen, progressive liberals, magicians, and people who get travel sick. He loves the idea of us discovering that our fellow audience members absolutely hate him; that their discomfort will only serve to make the experience even funnier. Two Netflix specials have help Sloss hone his act, but he remains a man of two sides; one minute perching on a bar stool like he’s about to break into a ...