Louise Kershaw, Author at North West End UK

5May

By Louise KershawNo Comments

North West

If You Fall – HOME, Manchester

So, what happens when you lose your independence, your voice, your mind – the essence of what makes you, you? This question is answered by Ad Infinitum, a multi award winning Bristol based theatre company directed by Helena Middleton, currently settling into a run at HOME as part of a UK tour. This is a collaborative piece of devised theatre which tells the stories of Margaret and Norson. A story about care, love and the end of our lives. Using personal testimony, the company ensemble has created an imaginative, real and compassionate piece of physical theatre. We first meet Margaret at her funeral objecting that her Eulogy appears to be focused on the end of her life rather than the sum of it. She does not want to be remembered as in a care home with vascular dementia but that she w...

3May

By Louise KershawNo Comments

North West

Sucker Punch – The Lowry

Set in London during the 1980s Sucker Punch follows the relationship of Leon and Troy, two young black men who have been caught breaking into a local boxing gym and are now paying penance to, gym owner, Charlie (Liam Smith) in exchange for him not involving the police in their misdemeanors. Why these two young men break into the gym in the first place was not clear, it does not matter. What does matter is that the middle-aged Charlie is white, racist, sexist and homophobic and these two young men are at his mercy. On entering the theatre it is 1981. Ska music plays. Charlie and protégé Tommy (John Rogers) are warming up and then training in the ring as the audience settle. Sandra Falase’s set very successfully creates the back street gym typified in the East End of London; the boxing...

26Apr

By Louise KershawNo Comments

North West

Pronoun – Altrincham Garrick Studio

Evan Placey’s Pronoun is the fourth production in Altrincham Garrick’s LGBTQ+ themed season and was written as one of ten plays for the NT Connections 2014 programme. Inspired by a homophobic encounter, Placey wrote the pieces as honest plays for teenage audiences to help them make their own minds up about the world. The audience last night certainly appreciated his efforts as this snappy, witty and quick paced piece worked its magic in this very enjoyable production. The young cast worked as a strong ensemble to tell the story of Dean (Portia Dodds) a transgender teenager transitioning from female to male during his A Level years. Despite being supported by family and friends, their pre-conceptions, constant questions and well intended care do not hide the difficulties they experience ...

2Mar

By Louise KershawNo Comments

North West

Better Days – The Carlton Club

You don’t have to go far in Manchester to find a now grey haired 50 something who will become positively wistful should you mention words like Hacienda, doves and rave. They will enthusiastically monologue about the greatest years of their lives and the camaraderie they experienced amongst their peers. I have been guilty of this myself on occasion. Ben Tagoe’s poetic story tells of 19-year-old Danny’s journey from the violent football terraces of the late 1980’s to the euphoric dancefloors of the early 90’s. The piece makes a seamless transference from the pleasure felt from the ‘threat of beautiful violence’ within the subculture of football hooliganism to the absolute joy experienced within the subculture of an emerging ecstasy fuelled rave scene. Leaving his terraced home, clad in...

2Sep

By Louise KershawNo Comments

North West

Twenty Today – King’s Arms, Salford

For some reason, in the mid Eighties, my Dad started collecting plates. The sorts of plates that were regularly advertised in the back of glossy Sunday magazines. They were hideous. Many of them were wall mounted around the house and when family parties or sisters pretending to be The Nolans got a bit boisterous, my mother could be heard crying “Watch the plates!” I was reminded of this in the opening scene of Peripeteia Theatre’s Twenty Today in which we meet 19-year-old Peter Clapton (Joseph Harding) and his Aunt Holly ‘Dave’ Clapton (Solaya Sang) on the eve of his 20th birthday. He is preparing for his house party, she has a date. There is immediate warmth and connection between Harding and Sang as the orphaned boy-about-to-be-man and the sister of his dead mother, who has now...

Not Drunk But Disorderly – The Empty Space

29Jul

By Louise KershawNo Comments

North West

Not Drunk But Disorderly – The Empty Space

As part of the Greater Manchester Fringe Festival, Liverpool based Hindley and Amos presented their comic murder mystery to a supportive audience at The Empty Space in Salford. Brimming with energy, this fast paced, devised piece of theatre entertained us as we were introduced to Howard and Geoffrey, two local police officers, and the various residents of the fictional Newpool as they investigate a sudden murder on their patch. Hindley and Amos took on all the roles with skill, imagination and great comic timing. Strong physical theatre skills combined with a video backdrop helped set the scenes and present their many characters and situations with much humour and an excellent rapport between the two performers. At 45 minutes long, this is a short piece of well-crafted slapstick ...

10Jun

By Louise KershawNo Comments

North West

Find Me – Hope Street Theatre

Based on the true story of Verity Taylor, a young woman with undiagnosed autism, and the family attempting to understand and support her in a system that could not cope with her challenging behaviour, one could be forgiven for thinking this powerful play by Olwen Wymark is a modern commentary on a system in crisis, failing those who need it most. Not the case, I’m afraid. Written in 1976, Find Me depicts a family struggling to cope as they are failed and misunderstood by educators, medical staff, Social Services and the Crown Prosecution Service, the result being the conviction of a 20-year-old woman, institutionalized since the age of 11 years and 5 months, and admitted to a Psychiatric unit at Broadmoor, unable to be released without the express agreement of the Home Secretary. Her crime...

19May

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North West

Oh Mother – HOME

If you have ever had a child, been a child, had or been a mother, cared for someone you love or if you have ever had a dishwasher, at some point during this perfectly paced piece of physical theatre you will be struck, right in the heart and soul. Oh Mother is made up of fragments of stories that are interrupted and cut off, woven together to create the dreamlike world you can live in when you are taking care of someone, at the beginning or the end of their life. The stories are interspersed with sequences of movement and music that adventure into epic domestic, rage, gender, bonding, attachment and climbing into that fantastic beast of domestic white goods… The Rashdash Company of three, present a brilliant Brechtian bonanza which looks at women’s roles as key carers to their own...

11May

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North West

Passion – Hope Mill Theatre

‘Die, Fosca! Die’ was the call from the auditorium in response to the first production of Stephen Sondheim’s ‘Passion’ in May 1994. Theatre trolling alive and well before the internet even existed. Who would have known? No such reaction from the audience gathered in a packed Hope Mill Theatre this evening I can assure you, but I will come back to that… Based on Tarchetti’s 1869 novel Fosca, Passion is one of the few projects that Stephen Sondheim himself conceived. When it first opened on Broadway in May 1994 it was admired by critics but not by audiences who were utterly repelled by the character of Fosca, the woman with whom Giorgio eventually falls in love. Unattractive, manipulative, obsessive, relentless in her pursuit of this younger man, audiences refused to believe that th...

5Apr

By Louise KershawNo Comments

North West

Hindle Wakes – Lyceum Theatre Oldham

There are a lot of people who would shiver significantly at the thought of a dash up to Oldham (or Owdham to us natives) on a soggy cold Monday night. As a daughter of that fair mill town, I was more than happy to abandon my South Manchester residence and head up t’ th’ills to see the Lyceum’s current production of Stanley Houghton’s Hindle Wakes. Written in the first decade of the 20th Century and just prior to the First World War, this beautifully comic play, which presented one of the first powerful working- class female protagonists, was controversial, shocking and highly contentious amongst both audiences and academics when first produced. Fanny Hawthorn, spirited mill worker and a lass who knows her own mind, spends an illicit weekend away with the boss’s son, who happens to be...